22nd Aug2015

State of the Art Cinema exhibition (Film)

by timbaros

 

FDA Getty Gallery Event

 

Residing at The Strand Gallery, the STATE OF THE ART CINEMA exhibition includes nearly 100 posters, images and photographs – giving a snapshot of British and international films for release in UK cinemas in 2015/16. FDA has also commissioned a unique LEGO® model of a cinema which took 150 man hours to complete and comprises 25,000 LEGO® bricks.

This FREE exhibition is open to the public each weekday until 28 August 2015.

FDA Chief Executive, Mark Batey, said: “We’re thrilled that the new LEGO® model makes such a brilliant centre-piece of this summer’s exhibition, which celebrates all the fun of the cinema as well as highlighting the vital role of creativity and design in connecting films with audiences.”

The exhibition comprises seven sections: Family releases; Coming of Age stories; Action & Adventure; Comedy; Biographies & Documentaries; Thrills & Suspense; and a large section called Britain on Screen containing images from both UK films and international movies that were made in the UK, a global filmmaking hub. Visitors will find one or two iconic classic images among the display too.

STATE OF THE ART CINEMA 2015 is now in its second of two central London residencies this summer. Having previously run at The Coningsby Gallery, this enlarged version is at The Strand Gallery between Tuesday 11 and Friday 28 August.

The exhibition is taking place at the heart of FDA’s celebrations marking the centenary of UK film distribution. Exactly 100 years ago, feature-length films were emerging as a storytelling medium in their own right, two decades after the invention of the cinématographe machine. It was in December 1915 that the fledgling yet ambitious enterprises dedicated to supplying and promoting filmed entertainment founded their UK trade association (now FDA).

For further information on the autumn 2015 release schedule, please visit www.launchingfilms.com.

Notes

• STATE OF THE ART CINEMA is an interactive exhibition offering a snapshot of contemporary film poster design and photography from the UK and around the world. It showcases the skills of graphic designers and typographers and their use of symbols and illustrations, as well as on-set and portrait photographers – all aimed at distilling the essence of a film, its storyline, setting and characters, into a single, coherent, compelling image or montage.

• STATE OF THE ART CINEMA is free of charge to visit. It is currently showing at The Strand Gallery, 32 John Adam Street, London WC2N 6BP. Free colouring/activity sheets for children will be available throughout.

• Established in 1915, FDA celebrates the UK film distribution sector’s centenary year in 2015. Today distribution remains the lynchpin and locomotive of the entire film business – films only come to life when they are actually experienced and shared by public audiences. Discover more about how films and audiences connect at FDA’s dedicated website, www.launchingfilms.info.

• Films released by FDA’s 32 member companies generate 99% of UK cinema admissions. FDA’s President is Lord Puttnam of Queensgate CBE. Copies of the 120-page FDA Yearbook 2015 are available free on request, subject to availability.

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23rd Nov2014

Vote for us in the National UK Blog Awards!

by timbaros

TheEntertainmentWebsite.com is up for a National UK Blog Award. It’s a real honour just to be nominated – but it will an even greater honour and accomplishment if we place at least in the top ten! So please please please vote here:

http://www.blogawardsuk.co.uk/candidates/theentertainmentwebsite/

Every vote counts, and please share this with your friends, neighbours, co-workers – everyone! Many Thanks!

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12th Sep2014

TheEntertainmentWebsite.com reaches 100,000 hits!

by timbaros

Orange British Academy Film Awards 2010 - Red Carpet ArrivalsTheEntertainmentWebsite.com has reached the remarkable number of 100,000 hits (page views) in just over one year since its inception. It’s an amazing milestone in that there are so many film blogs and film websites out there on the internet; this proves that there is room for one more – one that is unique in terms of content and style, and which stands out from the others.

TheEntertainmentWebsite.com covers film, DVD and theatre reviews, as well as the current Box Office figures, upcoming film releases and West End productions, film awards, and Film Trailer of the Week. TheEntertaimentWebsite.com also covers breaking entertainment news – including the untimely death of comedienne Joan Rivers last week.

In the past year alone, TheEntertainmentWebsite.com has covered press conferences for major film releases including Philomena, Saving Mr. Banks, 12 Years a Slave and Red 2. TheEntertainmentWebsite.com has also interviewed actor Alan Cumming to discuss his career and the release of his 2013 film Any Day Now. TheEntertainmentWebsite.com has also been invited to attend the London, Sundance and BFI Flare Film festivals, the announcement of the 2014 BAFTA nominations, as well as dozens of film premieres and red carpet events. Just last week TheEntertainmentWebsite.com was granted access to Pride Director Matthew Warchus and writer Stephen Beresford as well as co-star Andrew Scott. An interview with Warchus and Beresford, along with a review of the film, can be viewed at TheEntertainmentWebsite.com.

Other interviews granted to TheEntertainmentWebsite.com include ones with David W. Ross, star and writer of the American drama I Do; Stacey Passon – Director of the newly-released on DVD film Concussion: Shane Bitney Crone – Producer and star of the riveting documentary Bridegroom; and Darren Stein – Director of the camp comedy G.B.F.; and several others.

TheEntertainmentWebsite.com was created by Tim Baros in July 2013. Tim also writes for and contributes to Pride Life Magazine and website, The American Magazine and website, www.Hereisthecity.com and www.Blu-Raydefinition.com. Tim Baros is a member of the UK Regional Film Critics and is the UK representative for the Gay & Lesbian Entertainment Critics Association.

What’s next for TheEntertainmentWebsite.com? Coverage of the upcoming London Film Festival, next year’s BFI Flare Film Festival, and following that, attendance at the biggest film festival in the world – the Cannes Film Festival.

Keep on clicking on TheEntertainmentWebsite.com!!

04th Sep2014

Joan Rivers – Comedienne – dies in NYC at the age of 81

by timbaros

Joan Rivers passed away today.

The woman who went where no one else dared to go, has died at the age of 81 in a New York City hospital. Her daughter Melissa issued this statement:

“My son and I would like to thank the doctors, nurses, and staff of Mount Sinai Hospital for the amazing care they provided for my mother. Cooper and I have found ourselves humbled by the outpouring of love, support, and prayers we have received from around the world. They have been heard and appreciated. My mother’s greatest joy in life was to make people laugh. Although that is difficult to do right now, I know her final wish would be that we return to laughing soon.”

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13th Aug2014

Lauren Bacall – screen legend – dies at 89

by timbaros

images-222Lauren Bacall, screen legend, dies in her New York City home on Tuesday. She was 89.

Bacall’s career—anchored in part by her beauty, that husky voice and her signature “look” but given longevity by her sharp wit and charisma—flourished for several decades.

In addition to being a smart, sassy and always sexy film noir heroine, she was known for comedic (yet still whip-smart) roles in How to Marry a Millionaire, opposite Gregory Peck in Designing Women, and with Tony Curtis and Henry Fonda in Sex and the Single Girl.

The list of iconic actors she worked with was long (Bogart, PeckCharles BoyerRock Hudson and John Wayne, to name a few) and Bacall worked with an estimable list of directors, too: Hawks (To Have and Have NotThe Big Sleep), John Huston (Key Largo),Douglas Sirk (Written on the Wind), William Wellman (Blood Alley), Vincente Minnelli(Designing Woman), Sidney Lumet (Murder on the Orient Express) and Rob Reiner(Misery).

She took her talents to Broadway, winning Tony Awards for Applause (based on the Bette Davis classic All About Eve) in 1970; and Woman of the Year (based on the Tracy-and-Hepburn film of the same name) in 1981.

It’s hard to believe she never won an Oscar in competition, or wasn’t even nominated (for Best Supporting Actress) until she played Barbra Streisand’s still-gorgeous and gloriously vain mother in The Mirror Had Two Faces, for which she did win the Screen Actors Guild Award and the Golden Globe—four years after she got the Globes’ Cecil B. DeMille Award for lifetime achievement.

 

The above courtesy of Eonline.com

11th Aug2014

Robin Williams – actor, comedian – dies

by timbaros

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Robins Williams is dead at the age of 63

He committed suicide at his home.

July 21, 1951 – August 11, 2014

Shockingly, suddenly, tragically, the actor was found dead at his home in Tiburon, Calif., Monday morning, according to the Marin County Sheriff’s Office Coroner Division.

“Robin Williams passed away this morning,” his rep confirmed to E! News. “He has been battling severe depression of late. This is a tragic and sudden loss. The family respectfully asks for their privacy as they grieve during this very difficult time.”

Williams had been extremely candid–and humorously self-deprecating–when it came to his past battles with substance abuse. Earlier this summer he had checked into a preventive treatment facility as part of what his rep called his “continued commitment” to staying sober.

According to the Marin County authorities, a 911 call was received at 11:55 a.m. reporting that a male adult had been found unconscious and was not breathing. The Sheriff’s Office and Tiburon Fire Department and Southern Marin Fire Protection District were dispatched to the scene and arrived at noon.

Williams was pronounced dead at 12:02 p.m. on Monday.

The Coroner Division has confirmed the death was suicide due to asphyxia.

Some of the many hit movies Williams starred in include:
Mrs. Doubtfire

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Good Morning Vietnam

Patch Adams

Good Will Hunting (Best Supporting Actor Oscar)

One Hour Photo

The Fisher King

Dead Poets Society

 

29th May2014

Summer of Cinema 2014

by timbaros

Video of the films to watch out for in Summer 2014!!!

Thanks to the Film Distributor’s Association for the use of their video.

15th Mar2014

The Zero Theorem – Film

by timbaros
images-132The Zero Theorem is a film where, after I walked out, asked myself “what have I just seen?” The answer to that is: “I have no idea!”

I expected The Zero Theorem to be a film right out of left field, just like Director Terry Gilliam’s previous films The Imaginarium of Doctor Parnassus and The Brothers Grimm. But The Zero Theorem is not even in a ball park, it is clearly in a different realm, and it makes no sense to me at all. What should’ve tipped me off as to how bad it was was when there were only 5 people at the press screening I went to. And the reaction from them at the end of the movie was not a very good one.
I was really confused about the plot after leaving the film, and then I read an article in a magazine about the film that kind of but not really cleared it up for me: Qohen Leth (a shaven-headed Christoph Waltz) works for a company called Mancom (it sounds to me like a gay dating sight, but it is not). There are very little clues as to what he does for the company or what kind of business the compay is in, but Leth’s job is to work on a project to prove that everything equals nothing (huh?). In other words, to determine if life has any meaning (another huh?).
Leth works from home, which used to be a church, but is now a burned-out wreck (it used to house priests who happened to have taken a vow of silence and therefore did not tell each other that their church was on fire), so Leth lives in a charred, dirty, rat infested place. To put it midly, it’s disgusting. He even, at times, sits in front of his computer, naked, while it keeps screaming at him “next installment is due in one hour, one must equal 100%”. So he just can’t seem to make his installment equal 100%. Are you still confused? I was too. To make matters even more confusing, Matt Damon (looking like a thiner Philip Seymour Hoffman) is The Boss of Mancom who happens to wear clothing that matches his surroundings (chair, curtains) – quite odd. The boss (called Management in the film) sends his teenage son around to Leth’s home to either 1.) do some spying on him or 2.) to help him with his job as the son is, as you would expect, a computer whizz, or 3) to try to annoy him. Perphaps it is all three, though this is not made clear in the film. Leth is also visited by a very seductive woman (unknown Melanie Thierry) who gives him a disc to insert into his computer, and when he does, it takes him (to meet her) at a very romantic and beautiful island. Perhaps this is to escape his boring life. He’s also been assigned a shrink from work – Dr. Shrink-Rom (Tilda Swinton) who speaks to him through his computer. Some other characters come and go but it is not clear what their purposes are.
Once in a while Leth ventures out of his house to a world that looks like London in 100 years time, with visual adverts that follow him as he walks along the sidewalk, and a skyline that looks futuristic, even including what looks to be the Shard under construction (though it was filmed in Bucharest as Gilliam prefers to shoot in that country because it is cheap for him to do so).
I find it unbelievable that 2 time Oscar-winning actor Waltz would sign up to play a part so confusing, mad, stupid, and incomprehensible, and even to allow himself to be shown in various states of undress, with a belly! The Zero Theorem cost over $13 million to make; sure the sets look amazing and the special effects are good, but you’d think they could’ve used some of the money to write a better script and hire a director who would make a movie that would be interesting and intellectual. What Gilliam & Co. have made is one big mess.

 

03rd Mar2014

Academy Award Winners

by timbaros

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OSCAR WINNERS of the 86th Annual Academy Awards:

Best Picture

Best Director

Alfonso Cuaron, Gravity

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Best Actress

Cate Blanchett, Blue Jasmine

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Best Actor

Matthew McConaughey, Dallas Buyers Club

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Best Supporting Actor

Jared Leto – Dallas Buyer’s Club

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Best Supporting Actress

Lupita Nyong’o, 12 Years A Slave

Oscars Host: Ellen DeGeneres

Oscars Host: Ellen DeGeneres

Ellen DeGeneres hosts the Oscars at the Dolby Theatre on Sunday, March 2, 2014, in Los Angeles.

Best Costume Design

The Great Gatsby

Best Makeup

Dallas Buyer’s Club

Best Animated Short

Mr. Hublot

Best Animated Movie

Frozen

Best Visual Effects

Gravity

Best Live Action Short Film

Helium

Best Documentary Short

The Lady In Number 6

Best Documentary Film

20 Feet From Stardom

 Best Foreign Language Film

The Great Beauty

Best Sound Mixing

Gravity

Best Sound Editing

Gravity

Best Cinematography

Gravity

Best Editing

Gravity

Best Production Design

The Great Gatsby

Best Original Score

Gravity

Best Original Song

“Let it Go” from Frozen

Best Adapted Screenplay

John Ridley, 12 Years a Slave

Best Original Screenplay

Spike Jonze, Her

13th Jan2014

Golden Globe Awards – Film

by timbaros

The Golden Globes were handed out last night in Hollywood and there were some surprises in the acting categories.

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Matthew McConaughey won Best Performance by an Actor in a Motion Picture – Drama for his role as an AIDS activist in Dallas Buyers Club,  beating what was the stiffest competition in years in this category which included Tom Hanks for Captain Phillips, Robert Redford for All is Lost and Chiwotel Ejiofor for 12 Years a Slave.

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Cate Blanchett, as expected, won Best Performance by an Actress in a Motion Picture – Drama for role as a wealthy wife who falls into a life of poverty in Blue Jasmine. Sandra Bullock for Gravity and Judi Dench for Philomena would’ve been favorited if Blanchett had not been nominated in this category.

12 Years a Slave won Best Motion Picture – Drama. This category could’ve been won by any of the other films nominated: Gravity, Rush, Captain Phillips, and Philomena.

For Best Motion Picture – Comedy – it was American Hustle which took this top prize. It beat Her, Inside Llewyn Davis, Nebraska and The Wolf of Wall Street.

Amy Adams won Best Performance by an Actress in a Motion Picture for American Hustle, beating out Meryl Streep for August: Osage County.

Leonardo DiCaprio won Best Performance by an Actor in a Motion Picture – Comedy for his role in The Wolf of Wall Street where he played a Wall Street Trader who gets arrested and put in prison. This category was open to all of the nominees, the others of which were Bruce Dern for Nebraska, Joaquin Phoenix for Her, Oscar Davis for Inside Llewyn Davis, and Christian Bale for American Hustle. Dern was slightly favored.

In the supporting categories, Jared Leto won Best Performance by an Actor in a Supporting Role in a Motion Picture for his performance as a drag queen stricken with AIDS in Dallas Buyers Club. He beat the favorite Michael Fassbender for 12 Years as a Slave. Bradley Cooper also could’ve won for American Hustle. Jennifer Hustle won Best Performance by an Actress in a Supporting Role in a Motion Picture for American Hustle. She beat Lupita N’yongo of 12 Years as a Slave who was the favorite.

Alfonso Cuaron won the Best Director category for his film Gravity. Steve McQueen was the favorite for 12 Years a Slave.

Frozen, as expected, won Best Animated Feature Film.

For Best Screenplay – Motion Picture – Spike Jonze won this category for Her.

The Golden Gloves are sponsored by the Hollywood Foreign Press Association.

They also give out television awards.

Here is the complete list of winners (winners in bold):

BEST MOTION PICTURE – DRAMA
“12 Years a Slave”
“Captain Phillips”
“Gravity”
“Philomena”
“Rush”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Chiwetel Ejiofor, “12 Years a Slave”
Idris Elba, “Mandela: Long Walk to Freedom”
Tom Hanks, “Captain Phillips”
Matthew McConaughey, “Dallas Buyers Club”
Robert Redford, “All Is Lost”

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
Cate Blanchett, “Blue Jasmine”
Sandra Bullock, “Gravity”
Judi Dench, “Philomena”
Emma Thompson, “Saving Mr. Banks”
Kate Winslet, “Labor Day”

BEST MOTION PICTURE – COMEDY OR MUSICAL
“American Hustle”
“Her”
“Inside Llewyn Davis”
“Nebraska”
“The Wolf Of Wall Street”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
Christian Bale, “American Hustle”
Bruce Dern, “Nebraska”
Leonardo DiCaprio, “The Wolf of Wall Street”
Oscar Isaac, “Inside Llewyn Davis”
Joaquin Phoenix, “Her”

BEST TELEVISION SERIES – COMEDY OR MUSICAL
“The Big Bang Theory”
“Brooklyn Nine-Nine”
“Girls”
“Modern Family”
“Parks & Recreation”

BEST DIRECTOR – MOTION PICTURE

Alfonso Cuaron, “Gravity”
Paul Greengrass, Captain Phillips”
Steve McQueen, “12 Years a Slave”
Alexander Payne, “Nebraska”
David O. Russell, “American Hustle”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL
Zooey Deschanel, “New Girl”
Lena Dunham, “Girls”
Edie Falco, “Nurse Jackie”
Julia Louis-Dreyfus, “Veep”
Amy Poehler, “Parks & Recreation”

BEST ANIMATED FEATURE FILM
“The Croods”
“Despicable Me 2″
“Frozen”

BEST PERFORMANCE BY AN ACTOR IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Matt Damon, “Behind the Candelabra”
Michael Douglas, “Behind the Candelabra”
Chiwetel Ejiofor, “Dancing on the Edge”
Idris Elba, “Luther”
Al Pacino, “Phil Spector”

BEST FOREIGN LANGUAGE FILM
“Blue is the Warmest Color”
“The Great Beauty”
“The Hunt”
“The Past”
“The Wind Rises”

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
Jason Bateman, “Arrested Development”
Don Cheadle, “House of Lies”
Michael J. Fox, “The Michael J. Fox Show”
Jim Parsons, “The Big Bang Theory”
Andy Samberg, “Brooklyn Nine-Nine”

BEST SCREENPLAY – MOTION PICTURE
Spike Jonze, “Her”
Bob Nelson, “Nebraska”
Jeff Pope, Steve Coogan, “Philomena”
John Ridley, “12 Years A Slave”
Eric Warren Singer, David O. Russell, “American Hustle”

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
Barkhad Abdi, “Captain Phillips”
Daniel Brühl, “Rush”
Bradley Cooper, “American Hustle”
Michael Fassbender, “12 Years a Slave”
Jared Leto, “Dallas Buyers Club”

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
Julianna Margulies, “The Good Wife”
Tatiana Maslany, “Orphan Black”
Taylor Schilling, “Orange Is The New Black”
Kerry Washington, “Scandal”
Robin Wright, “House Of Cards”

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
Amy Adams, “American Hustle”
Julie Delpy, “Before Midnight”
Greta Gerwig, “Frances Ha”
Julia Louis-Dreyfus, “Enough Said”
Meryl Streep, “August: Osage County”

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
Josh Charles, “The Good Wife”
Rob Lowe, “Behind the Candelabra”
Aaron Paul, “Breaking Bad”
Corey Stoll, “House of Cards”
Jon Voight, “Ray Donovan”

BEST ORIGINAL SONG – MOTION PICTURE
“Atlas,” “Hunger Games: Catching Fire”
Music by: Chris Martin, Guy Berryman, Jonny Buckland, Will Champion
Lyrics by: Chris Martin, Guy Berryman, Jonny Buckland, Will Champion

“Let It Go,” “Frozen”
Music by: Kristen Anderson Lopez, Robert Lopez
Lyrics by: Kristen Anderson Lopez, Robert Lopez

“Ordinary Love,” “Mandela: Long Walk to Freedom”
Music by: Bono, The Edge, Adam Clayton, Larry Mullen, Jr., Brian Burton
Lyrics by: Bono

“Please Mr Kennedy,” “Inside Llewyn Davis”
Music by: Ed Rush, George Cromarty, T Bone Burnett, Justin Timberlake, Joel
Coen, Ethan Coen
Lyrics by: Ed Rush, George Cromarty, T Bone Burnett, Justin Timberlake, Joel
Coen, Ethan Coen

“Sweeter Than Fiction,” “One Chance”
Music by: Taylor Swift, Jack Antonoff
Lyrics by: Taylor Swift, Jack Antonoff

BEST ORIGINAL SCORE – MOTION PICTURE
Alex Ebert, “All Is Lost”
Alex Heffes, “Mandela: Long Walk To Freedom”
Steven Price, “Gravity”
John Williams, “The Book Thief”
Hans Zimmer, “12 Years A Slave”

BEST TELEVISION SERIES – DRAMA
“Breaking Bad”
“Downton Abbey”
“The Good Wife”
“House Of Cards”
“Masters Of Sex”

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
Bryan Cranston, “Breaking Bad”
Liev Schreiber, “Ray Donovan”
Michael Sheen, “Masters of Sex”
Kevin Spacey, “House of Cards”
James Spader, “The Blacklist”

BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
Helena Bonham Carter, “Burton and Taylor”
Rebecca Ferguson, “White Queen”
Jessica Lange, “American Horror Story: Coven”
Helen Mirren, “Phil Spector”
Elisabeth Moss, “Top of the Lake”

BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
“American Horror Story: Coven”
“Behind The Candelabra”
“Dancing on the Edge”
“Top of the Lake”
“White Queen”

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
Jacqueline Bisset, “Dancing on the Edge”
Janet McTeer, “White Queen”
Hayden Panettiere , “Nashville”
Monica Potter, “Parenthood”
Sofia Vergara, “Modern Family”

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
Sally Hawkins, “Blue Jasmine”
Jennifer Lawrence “American Hustle”
Lupita Nyong’o, “12 Years a Slave”
Julia Roberts, “August: Osage County”
June Squibb, “Nebraska”

 

 

 

 

 

 

 

 

10th Nov2013

How to Survive a Plague – Film

by timbaros
images-25How to Survive a Plague (Directed by David France), nominated this past year for an Academy Award for Best Documentary, begins in 1987, six years into what activist Larry Kramer called ‘The Plague’ – the AIDS crisis.
It is in Greenwich Village in the 1980’s where HIV activism began, and we meet several very young men who unfortunately have been diagnosed as HIV Positive. They come together as part of the activist group ACT UP (the AIDS Coalition to Unleash Power) to protest against the government’s handling of the AIDS crisis. They perform civil disobedience demonstrations against the drug companies and get into shouting matches with political leaders. Amongst these men is Peter Staley, a former bond trader who was forced into disability at age 26 and was told he had only months to live. Other members of ACT UP that we meet in the documentary are Mark Harrington, who joined ACT Up upon learning that an ex-lover was sick, David Barr, a laywer who was one of the leaders of ACT Up, Bill Bahlman, who was one of the first in the community to invent the idea of  “treatment activism,” and Bob Rafsky, a former PR executive, with a young daughter, who becomes the mouthpiece for ACT Up.
In March 1987, ACT Up stages its first demonstration, on Wall Street, to protest the high cost of AZT, the only drug at that time prescribed to HIV patients. How to Survive a Plaque also shows, using archival and amateur footage throughout, the group staging protests on the Mall in Washington, D.C., at the Federal Drug Administration, in St. Patrick’s Cathedral in New York City, and at the headquarters of AZT manufacturer Burroughs Wellcome. During the time of these protests, several members of ACT Up die of AIDS, and one is marched through the streets in Greenwich village on the eve of Bill Clinton winning the presidency. Another march on the White House is one of the most emotional parts of the film as we see several people throwing ashes of their loved ones over the fence and into the White House lawn. Eventually Act Up breaks into a couple splinter groups with the core of the activists establishing the Treatment Action Group whose sole purpose was to take their battle to the highest levels of AIDS research. There is a lot more to this documentary than what is written here, and if you are old enough to remember what it was like in the 1980’s and early 1990’s when friends were dying right and left, then this documentary will be very emotional to watch. How to Survive a Plague sets the record straight, for the first time, to show these few and young men fighting for their lives when no one else would fight for them. They helped to make survival of being HIV positive possible. And near the end, we see the surviving members what they look like today, with battlescars, both emotional and physical.

 

17th Aug2013

Planes – Film

by timbaros

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Dusty Crophopper has dreams of becoming a race plane; however, being a tiny crop duster does not exactly guarantee speed. Dusty does not let his dreams fade, and he does everything he can to become a racer plane in the new Disney animated film Planes.

Dusty (well voiced by American stand-up comedian, Dane Cook) spends his days at his boring job dusting crops, and envies the bigger and faster planes who compete in races. Dusty is very good at aerobatic manuveurs, but needs to work on his speed. His boss, Leadbottom (Cedric the Entertainer) and forklift mechanic friend Dottie (the adorable voice of Terri Hatcher) try to talk him out of entering the upcoming Wings Across the World race, as they feel he will make a fool of himself and come in dead last. However, his fuel truck friend Chug (Brad Garrett) supports him and tells him to go for it. Dusty asks for advice from old Navy war plane Skipper Riley (Stacy Keach), who refuses to waste his time on what appears to be a lost cause. (Dusty eventually wins over Skipper, who shares with him his tale of flying in the war where he lost all of his flying battalion in a battle.)

In the qualifiers to the race, Dusty shows what he is made of, but is too slow to gain entry. However, he makes it into the race when another plane drops out because of performance enhancing jet fuel, and he begins the trek from the US, through Europe, to Mumbai and across the Far East, and across the finish line in New York.

Dusty does not give up hope that he can fly as fast as the rest of the other planes, including three-time winner Ripslinger (Roger Craig Smith). While preparing for the next leg of the race, Dusty meets and falls in love with racer plane Ishani (Priyanka Chopra) who helps Dusty with his fear of heights and guides him while flying through the Himalayas. Unfortunately, Dusty crashes into the ocean, and at this point considers dropping out. But with support from the other planes, including the Mexican race-plane El Chupacabra (Carlos Alazraqui), he makes it to the finish line neck-in-neck with Ripslinger.

Planes, a spin-off from Pixar’s animated film Cars (Disney bought Pixar in 2006), is an enjoyable film with very well-voiced characters, including Cook as Dusty and Hatcher as Dottie. One of the best sequences of Planes is when El Chupacabra tries to woo French-Canadian racer Rochelle (Julia Louis-Dreyfuss), doing whatever he can to win her heart.

Planes will please the little ones in your group, and will also provide a smile or two for the adults.

Review originally appeared on hereisthecity.com – please click this link to view

12th Aug2013

The Lone Ranger – Film

by timbaros

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It is a mystery to me why The Lone Ranger flopped in America. It had everything a summer movie can ask for: drama, comedy, action, adventure, great performances, stunning scenery, and two classic American characters.

It was even produced and directed by the team that brought us the Pirates of the Caribbean franchise. And it has Johnny Depp!

The Lone Ranger cost Disney $375 million to produce and market. It has so far grossed a paltry $86 million in the U.S. and another $88 million in other countries. It is said that The Lone Ranger would need to gross $800 million worldwide to break even, accounting for revenue splits with theater owners, and it is expected that it will lose $150 million for Disney. The Lone Ranger, no doubt, needs to open big – not just in the U.K., but in other countries – to help Disney recoup the cost of this film.

No matter how much money it is going to lose, The Lone Ranger is a great film and a unique retelling of the fictional story between two great American classic characters, The Lone Ranger and Tonto.

In this film, a boy at a circus show encounters Tonto (Depp as the Native American warrior, and part of an exhibition in the circus) who tells the boy the tale of John Reid (Armie Hammer), who goes from being a man of the law to a crime-fighting hero. He explains to the boy in great detail how he and The Lone Ranger learned to work together to fight the bad guys. What is unique about this version is that it is told from Tonto’s point of view. And this film tells the story of how John Reid becomes the Lone Ranger.

This idea for The Lone Ranger was all Depp’s. He asked a makeup artist and photographer friends of his to create a look for Tonto in the hopes that producer Jerry Bruckheimer (and Disney) would greenlight the film. It worked, and filming began in the American Southwest until the end of September 2012.

No one else could have played Tonto to perfection except for Depp. With his facial expressions, white face, and rigid posture, he is funny when needed but viscious when called for. Depp is also an Executive Producer on this film, showing how much faith he had in this production and getting it made. Hammer, as The Lone Ranger, continues to prove that he can act in any type of film. He played the Winklevoss twins in The Social Network, J. Edgar Hoover’s companion in J. Edgar, and a Prince in Mirror, Mirror. He is one of the most versatile actors in Hollywood today. Rounding out the cast is Tom Wilkinson as corrupt railroad tycoon Latham Cole; the always reliable Helena Bonham Carter as madam Red Harrington, who has more than one trick up her dress; American television and film actor William Fitchner as The Lone Ranger’s archenemy Butch Cavendish; and English actress Ruth Wilson as John Reid’s sister-in-law and later love interest.

All performances in The Lone Ranger are excellent, the production values second to none, and there is not one boring minute. At a running time of 149 minutes, though not short, the film goes by very fast as each scene holds your attention, from the fight scenes to the desert scenes, and especially the amazing runaway train scene. I cannot recommend this film enough. You will thoroughly enjoy it. It will only cost you £11 or so, while it cost Disney lots and lots of money to make it, so it is a bargain for the filmgoer anyway you look at it.

Review originally appeared on hereisthecity.com – please click this link to view

06th Aug2013

Wag! The Musical! – Theatre

by timbaros

Wag+the+musical

The website of WAG! The Musical promises “one of the most extraordinary theatrical events of the year”. And sure enough, it is one of the most extraordinary theatricals events of the year – a very bad one at that!

Expecting a story of the Wives and Girlfriends (WAGS) of footballers, with their fake boobs, lavish spending, and bling jewelry, what we get instead is a musical with very bad music, a story with a very bad script, and a show so bad it does not even deserve to be staged.

WAG! The Musical is the story of two girls who work at a cosmetics counter in an unnamed store, and many of their customers happen to be WAGS. Of course, the two girls Jenny (Daisy Wood-Davis) and Sharon (Amy Scott), aspire to be more than just cosmetics girls. One of them (Jenny) wants to run away with a footballer, who unfortunately happens to be married. Sharon finds herself in a volatile relationship with a man whom she thinks she loves, but is told by Jenny to ‘dump him’ because of the way he treats her. She leaves him and finds romance closer to home, with Pete, the store cleaner who also happens to be a musician (a believable Chris Grierson). Olivier Award-winning (1984) American actor Tim Flavin is the store manager (Mr. Frank) in it is a performance that is dreadful. His character is so one-dimensional and predictable, and it is clear that he fancies men, but at the same time, he grovels before his rich, female customers. It is embarrassing.

In WAG! The Musical we are ‘treated’ to a fashion show arranged by Mr. Frank, who has invited all of his WAG customers. They sashay around the stage, with big hair, tight fitting dresses, and pouting lips so large one wonders if they have just eaten lemons.

The selling point of the show (if there is one) is that it casts two real live WAGs: Liz Cundy, ex-wife of former Chelsea defender Jason Cundy, who plays a presenter (and who looks like she has had way too much Botox), and Pippa Fulton, partner of Brentford Striker Clayton Donaldson, who plays a customer spending lots of money, no doubt mirroring her actual life. Both of these woman cannot act, and they definitely cannot sing. They, along with the rest of the cast, don’t have much to work with from a script that is almost invisible, and it is up to comedienne Alyssa Kyria, as a Greek WAG, to sort of save the show. She has the best lines, doing a stand-up routine, but it’s almost as if her act is another show altogether.

It is questionable why the writers (Belvedere Pashum, with music and lyrics by Grant Martin, Thomas Giron-Towers and Tony Bayless) set a show about WAGS at a cosmetics counter in a department store. There are so many different ways they could’ve written a show about WAGS to make it funny and entertaining, but as it is now, it is a laughable production at best. Newspaper critics have declared this the worst show of the year. I would go so far as to say this is the worst show of the decade.

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