Blackbird (Film)
Susan Sarandon is amazing as Lily, a woman slowly losing her faculties and who has decided that at the end of a perfect weekend she will choose to die. The perfect weekend includes visits by her two daughters – Jennifer (an unrecognisable Kate Winslet) with husband Michael (Rainn Wilson) and their teenage son Jonathan (Anson Boon); dysfunctional Anna (Mia Wasikowska) and her female partner Chris (Bex Taylor Klaus). Also along for the ride is Lily’s best friend Elizabeth (Lindsey Duncan) as well as her loyal and handsome husband Paul (Sam Neill), who has always been by Lily’s side.
The family is not a perfect one – Jennifer has controlling issues while Anna has never been truthful and transparent about her life. Sure she’s in a same-sex relationship but there have been times where she’s fallen off everyone’s radar – but Lily is still proud of both of her strong daughters who she raised to be just like her. But as the clock ticks to the final moment we know is coming, there is some excellent family time around the house, including the emotional ‘Christmas Dinner’ they have which is Lilly’s last evening meal. There is also lots of tension when several unresolved issues are revealed.
‘Blackbird’ is hard to sit through – it’s very emotional and very real, but up until the end, when every truth has been told and every tear has been wept, Sarandon still holds the screen – and our attention. It’s one of her finest film performances.
Directed by Roger Michell (Notting Hill, My Cousin Rachel) Written by Christian Torpe
Blackbird is on Digital Download 21 September & DVD 28 September from Lionsgate UK
Socrates (Film)
Linga Franca (Film)
‘Linga Franca’ follows the story of an undocumented Filipina transwoman Olivia (Isabel Sandoval) in Brooklyn’s Brighton Beach Russian neighbourhood.
Olivia is the live-in caregiver for elderly feeble Russian Olga (Lynn Cohen – remarkable). Olivia has yet to get her green card, and she’s vulnerable to getting kicked out of the country in Donald Trumps fetish for kicking out illegal aliens – it’s his rhetoric and voice that permeates in the background of the film. Olivia’s best friend and fellow Filipina transgender friend Trixie (Ivory Aquino) has found happiness with a good-looking American man and is more or less guaranteed a green card.
One day Olga’s Grandson Alex (Eamon Farren) returns from being away for a year – he’s the black sheep of the family. He stays with Olga and Olivia in Olga’s house and gets a job in a meat factory owned by his uncle.
Sure enough you can guess what happens next. Alex is attracted to Olivia and perhaps all too suddenly they fall into each other’s arms and make love. But is this what Olivia really wants? She had just been dumped by a guy who promised her the world, and Olivia, who was at a loose end and desperate, should’ve welcomed this new man in her life, but she doesn’t. We never really get to understand what makes Olivia tick and what will indeed make her happy.
While ‘Lingua Franca’ is a very sensual and provocative film, we never really get to the heart and soul of Olivia. And the love affair between Olivia and Alex is a bit too easy. And while the direction and writing by Sandoval herself is delicate and moving, she brings us into already chartered territory (it’s hard to top 2017’s ‘A Fantastic Woman’). ‘Lingua Franca’ may frustrate you a bit but it’s saved by terrific acting – especially by Cohen (she played Miranda’s housekeeper in ‘Sex and the City’), who unfortunately passed away earlier this week.
Only the Animals (Film)
The opening shot in this film is of a black man with a goat on his back riding a bike through the streets of Abidjan, but then the film quickly swings to France. But the goat scene is a metaphor for when, later in the film, a man (Damian Bonnard) carries a dead woman’s body, on his back, in the mountains in a trek to find her a final resting place. But who is this dead woman? Joseph (Bonnard) has not killed her, this plot point is shown near the end of the film, but it’s the journey to get there that’s extremely intriguing where we discover the link between these people. Alice (Laure Balamy) is a social worker whose job it is to go and check on lonely disturbed people in and around her area. One of her clients is Joseph, who she’s also having sex. Her husband Michel (Denis Ménochet), meanwhile is having an online love affair with photos of an attractive young woman Marion (Nadia Tereskzkiewicz) but in fact he’s being scammed by a gang of men in Adijban who scam him for a lot of money. But the woman whose photo he is sent by these men does actually exists, and coincidentally winds up near his village. Why is she there? Because she is tracking down Evelyn Ducat (Valeria Bruni Tedeschi), a very well-to-do attractive woman she meets at the restaurant she works at, and they have a brief affair, but Marion wants more. But as the story winds and the drama and tensions builds up, we soon realize who the dead woman is, and how her death will change all the characters lives.
Rebel in the Rye (Film)
A film about the author J.D. Salinger that was originally shot in 2016 is now released in the UK and is actually not half bad.
‘Rebel in the Rye’ is about J.D. (Jerome David Salinger) and the years leading up to him writing what is perhaps the most famous novel of all time – Catcher in the Rye. It’s a book that almost everyone has read at least once while a million copies are still sold every year. The film did have its premiere at the 2017 Sundance Film Festival and a U.S. release followed – earning an eye-watering pittance of $154,326 total – it was hardly enough to recoup it’s cost. ‘Rebel in the Rye’ stars Nicholas Hoult as Salinger, but more worringly Kevin Spacey plays his mentor and teacher Whit Burnett. It was in 2017 when Spacey was accused of molesting actor Anthony Rapp when he was young, then more molestation allegations against Spacey surfaced. But if this did not happen Spacey could’ve picked up awards for his performance in this film – he’s fantastic.
We see a young Salinger taking a stab at writing with the encouragement of his mother Miriam (Hope Davis), and much to the dismay of his father Sol (Victor Garber) who wants his son to follow him into the cheese business. With Burnett’s mentorship, Salinger keeps on churning out short stories in the hopes of getting published, amidst the backdrop of WWII. Soon enough Salinger is drafted and is off to war (finding out in the papers this his girlfriend Oona (Zoey Deutch) has ran off with Charlie Chaplin). These events lead to a breakdown where he is sectioned in a mental hospital for the horrific things he saw during the war. But his persistence of writing about a fictional character (Holden Caulfield) keeps him going, keeps him alive, until he sees his dream come true, all with the help of his agent Dorothy Olding (Sarah Paulson).
Costumes, set and art direction and the acting are all fine, with Hoult very believable as Salinger, and with strong direction by actor Danny Strong, who also wrote the film. But there is one person who you can blame for the failure of this film. In ‘All the Money in the World’ (2018) all of Spacey’s scenes were redone by the actor Christopher Plummer (who received an Academy Award nomination for his effort). ‘Rebel in the Rye’ could not do this because it already had been premiered and released, so it was too late. This film flopped because of Spacey. But it’s actually quite a good film. If you can overlook that Spacey is in it, seek it out, it’s worth it.
Butt Boy (Film)
The Assistant (Film)
What happens if your boss is molesting women in his office, an office that is right behind where you sit?
This is the dilemna Jane (Julia Garner) faces in the new film ‘The Assistant.’ Jane is an assistant to the chief of a film company (he’s never seen but his presence is felt throughout the film). It’s Julia’s first real job in film and she’s kept busy doing a wide variety of tasks during the day; making coffee, keeping the office kitchen tidy, maintaining her bosses busy diary, managing visitors, dealing with his uncontrollable wife, and, handling the potpourri of women who float in and out of his office. One of these young women, Sienna (Kristine Froseth), who has a lack of office skills, was hired by the same boss for reasons that are obvious. But when Julia appears to have had enough, she goes to HR to complain, but the HR director, who annoyingly takes a personal phone call during their meeting, tells Jane to keep her head down and focus on her role, and that she’s got a great opportunity. He lays into her that to file a claim against her boss would just wreck her career. Meanwhile her male co-workers (Jon Orsini and Noah Robbins) seem to be oblivious to the shenanigans of their boss.
The release of ‘The Assistant’ coincides with the jailing of Harvey Weinstein – it couldn’t be better timing. Garner is brilliant, but the takeaway of this film is her boss, not at all seen in the film but felt enormously throughout. Writer and Director Kitty Green has written and directed a powerful film that perfectly highlights what the Me Too movement is all about.
Crisis Hotline (Film)
The clock is ticking when a distressed young man calls an LGBT suicide hotline – but there is more to his story in the suspense-filled drama ‘Crisis Hotline.’
It’s a film cleverly written and directed by Mark Schwab. The story begins where it ends and tells the caller’s story and why he has contaced the hotline on that particular night. Simon (a very good Corey Jackson) is in his first week volunteering at the hotline office and not much has happened. But one night a young caller, sounding very distressed, threatens to kill himself. So Simon gets the caller to tell his story and the events that have led up to this very disturbing call. Danny the caller (Christian Gabriel), who is from the Midwest, is new to the big city, trying to find his feet, with a dull job and a very small apartment. Soon enough he meets sexy, hot and fun Kyle (Pano Tsaklas), who on the surface appears to have it all: a great apartment, a sexy smile and hot body, and a great job managing websites for a gay couple who have a voracious appetite for sex and all things dark. Soon enough Kyle introduces Danny to his bosses Curtis and Lance (Mike Mizwicki and August Browning). Danny then finds out more about Kyle’s line of work and what he really needs to do to keep his job and apartment. But Danny eventually gets drawn, unwittingly, into their dark games, with Kyle setting him up, which ultimately leads to the hotline call. And throughout the call the suspense builds and builds and the story gets darker and darker until the shattering, and totally unexpected, finale.
Schwab, who also produced, has a keen eye for suspense and drama, and gets great mileage from his cast. While Gabriel doesn’t quite live up to his role and seems to be sleepwalking through the film, Tsaklas owns the movie with his looks, charm, and relative ease in his complicated role as an on-the-surface good and loyal boyfriend but with a dark and dangerous streak. Mizwicki and Browning are okay, but Jackson brings much to the film as it’s his pivotal role that holds the film together. He’s actually fantastic. ‘Crisis Hotline’ throws social media, sex, love, lust, voyeurism and the dark web into one big mixing bowl to make an eerie, clever and fun film.
15 Years (Film)
Yoav is one angry man – so angry that he sacrifices relationships with his partner and his best friend for a life of solitude – in the new heart searing film ’15 Years.’
Moffie (Film)
It’s 1981 South Africa, a time when the country was still at the height of apartheid, and blacks were not the only class of people who were discriminated against, homosexuals didn’t have it easy either.
The Host – Film
Why spend your evening on a boring Zoom chat when you can watch a film that is thrilling, dramatic and sexy!