08th Mar2015

Still Alice – Film

by timbaros

Julianne Moore realistically and achingly plays a middle-aged woman who develops Alzheimer’s in the new film Still Alice.

Moore, in the best performance of her career (and having just won the Best Actress Oscar for this film) plays Alice Howland, a highly successful college lecturer with a loving husband John (Alec Baldwin) and three grown children – Lydia (Kirsten Stewart), Anna (Kate Bosworth), and the very handsome Tom (Hunter Parrish). Alice lives a comfortable and happy life in Brooklyn, that is until she starts forgetting things. One day in class, she struggles to find a word that she’s used many times. Then one day on a run at her university campus she gets lost and disoriented. Worried, she visits a neurologist who tests her on her memory, and she’s unable to repeat a name and street he had told her to remember at the beginning of the session. Soon enough, Alice is diagnosed with early-onset Alzheimer’s disease. But it’s getting worse, and John and the rest of the family realize that it’s going to be hard and tragic to deal with her deteriorating condition. More memory lapses occur; at Christmas she forgets the ingredients to bread pudding, a dish she’s made at least one hundred times. And she reintroduces herself to her son’s girlfriend, minutes after just meeting her. Alice decides to record a video to herself, a video that gives instructions on where to find pills to kill herself if she can’t remember the answer to three personal questions. Meanwhile, she tries to get her daughter Lydia (visiting from Los Angeles where she had moved to pursue an acting career that’s going nowhere) to move back east to go back to school for a real career (and to be close to Alice). Unfortunately, Alice is still getting worse, no longer working, one day at her family’s beach house she can’t find the bathroom, and wets herself. It is up to John to pick her up and change her. Unfortunately, this is the reality of someone living with Alzheimers, and Still Alice perfectly and tragically captures this.

Moore is absolutely amazing. She gives a performance that is so real, so emotional, so tragic, and very raw. Moore spent time with Alzheimer’s patients to capture their every nuance, and she did. She is very deserving of the Oscar she has just won, her first after five nominations. She’s also picked up every Best Actress award given this year. Baldwin as her husband and Parrish as one of her sons are perfectly cast. Stewart, who is always broody and cold in most of her films, really shines through in this movie, being very supporting to her ailing mother. Directed and written by real life couple Richard Glazer and Wash Westmoreland, perhaps in response to Glazer’s battle with ALS, they have done an excellent job in providing a vehicle for Moore – it’s a perfect yet highly emotional film in every sense, and a must to watch just to see Moore’s performance.

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08th Mar2015

White Bird in a Blizzard – Film

by timbaros

Shailene Woodley stars as a young girl whose mother suddenly disappears in the new film White Bird in a Blizzard.

Woodley plays Cat Corvis, a 17-year old high school student on the cusp of adulthood and womanhood. It’s 1988, and one day she comes home from school to find her father Brock (Christopher Meloni) sitting on the couch, upset, and he tells Kat that he can’t find her mom Eve (Eva Green). Kat’s quite unemotional about this as her mom had recently been acting very strange, recently barging into her bedroom and asking questions about her sex life. Eve’s had also been acting very cold to Brock. But director Greg Araki doesn’t just tell a straight forward narrative, he bounces forward to 1999 and then back to 1988 throughout the film to advance the story yet not giving anything away.

So what’s happened to Kat’s mother? Detective Scieziesciez (Thomas Jane) is investigating the case, but Kat doesn’t really care about her mother’s disappearance – all she cares about is trying to bed the detective. She’s also sleeping with the boy next door Phil (Shiloh Fernandez), a grungy type who lives with his blind mother.

Jumping back again to 1988 in the days leading up to Eve’s disappearance, we see her become a stranger in her own home, cold and ambivalent to Cat and Brock. So what’s happened to her? Did she runaway? Kat and her mates can only speculate but when other people know more than what they’re saying, Kat’s suspicions point towards someone whom she least expected.

Araki, who also wrote the script, is very good at keeping the suspense up throughout the film until’s it’s final shocking end. And boy is it shocking. This is a real mainstream movie for Araki as he typically directs films that are made for primarily a gay audience (Kaboom, Mysterious Skin). Plus he’s got the right cast for this film. Woodley, of The Fault in our Stars and Divergent films, is a screen natural and is able to carry the film. She’s a natural on screen. Meloni, known for his television work (including the prison drama Oz where he starred with recent Oscar winner J.K. Simmons) is very good as the shattered, confused husband. A cameo by Angela Bassett as Kat’s therapist helps us to understand Kat’s feelings and emotions. All in all, this movie is recommended for all the points mentioned above as well as the clever script.

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