08th Mar2015

Still Alice – Film

by timbaros

Julianne Moore realistically and achingly plays a middle-aged woman who develops Alzheimer’s in the new film Still Alice.

Moore, in the best performance of her career (and having just won the Best Actress Oscar for this film) plays Alice Howland, a highly successful college lecturer with a loving husband John (Alec Baldwin) and three grown children – Lydia (Kirsten Stewart), Anna (Kate Bosworth), and the very handsome Tom (Hunter Parrish). Alice lives a comfortable and happy life in Brooklyn, that is until she starts forgetting things. One day in class, she struggles to find a word that she’s used many times. Then one day on a run at her university campus she gets lost and disoriented. Worried, she visits a neurologist who tests her on her memory, and she’s unable to repeat a name and street he had told her to remember at the beginning of the session. Soon enough, Alice is diagnosed with early-onset Alzheimer’s disease. But it’s getting worse, and John and the rest of the family realize that it’s going to be hard and tragic to deal with her deteriorating condition. More memory lapses occur; at Christmas she forgets the ingredients to bread pudding, a dish she’s made at least one hundred times. And she reintroduces herself to her son’s girlfriend, minutes after just meeting her. Alice decides to record a video to herself, a video that gives instructions on where to find pills to kill herself if she can’t remember the answer to three personal questions. Meanwhile, she tries to get her daughter Lydia (visiting from Los Angeles where she had moved to pursue an acting career that’s going nowhere) to move back east to go back to school for a real career (and to be close to Alice). Unfortunately, Alice is still getting worse, no longer working, one day at her family’s beach house she can’t find the bathroom, and wets herself. It is up to John to pick her up and change her. Unfortunately, this is the reality of someone living with Alzheimers, and Still Alice perfectly and tragically captures this.

Moore is absolutely amazing. She gives a performance that is so real, so emotional, so tragic, and very raw. Moore spent time with Alzheimer’s patients to capture their every nuance, and she did. She is very deserving of the Oscar she has just won, her first after five nominations. She’s also picked up every Best Actress award given this year. Baldwin as her husband and Parrish as one of her sons are perfectly cast. Stewart, who is always broody and cold in most of her films, really shines through in this movie, being very supporting to her ailing mother. Directed and written by real life couple Richard Glazer and Wash Westmoreland, perhaps in response to Glazer’s battle with ALS, they have done an excellent job in providing a vehicle for Moore – it’s a perfect yet highly emotional film in every sense, and a must to watch just to see Moore’s performance.

Off
23rd Feb2014

Seduced & Abandoned – DVD

by timbaros

images-107

Seduced & Abandoned is not your typical documentary. It is a documentary about a film that will or will not be made. Ultimately, is this film a real film? Or was it made up just to make this documentary?

Written and Directed by James Toback (whose done very little since his 2008 Mike Tyson documentary), Seduced & Abandoned has him and Alec Baldwin trying to get financing for a movie they are looking to make. They attempt to sell their film, provisionally titled Last Tango in Tikrit (inspired by Last Tango in Paris) as a political-erotic romantic Middle Eastern adventure film, and to star Baldwin, and Neve Campbell. Filmed over 10 days at the Cannes Film Festival in 2012, Seduced & Abandoned shows Toback and Baldwin as they pitch the idea of their film, meeting all of the movers and shakers in the film business, the creme de la creme, including actors, producers, directors, agents and most importantly, financiers.
Seduced & Abandoned starts off with a brief history of the festival, along with photos of red carpet events held there over the past 65 years. Then Baldwin and Toback begin their pitch. They seek advice from esteemed and Cannes veteran directors Martin Scorsese, Roman Polanski, Francis Coppola and Bernardo Bertolucci (coupled with clips of their films montaged with the interviews). Then Toback and Baldwin start their mission of trying to get money from anyone who wants to give it to them. They pitch their idea of their film to very very wealthy people, people who can easily afford to write them a check for $20 million. People such as Denise Rich (who tells them she only invests in things that she believes in), Taki Theodoracopulos (where they are seen lunching on his yatch), Jean Pigozzi (who doesn’t commit to anything), and, among others, Arpad Busson, who doesn’t have a lot to say to both men. Also, none are too keen with the choice of Campbell as a leading lady. They also speak to actresses Jessica Chastain and Diane Kruger, asking them if they would like to be in their film. Neither of them are convinced. Ryan Gosling joins them for an interview – with him musing about how he got his break in Hollywood and what it takes to be an actor in the film business. All of these interviews are split-screened with scenes from each of their films. And Cannes is captured as the madcap film festival where deals are done, stars are made, and the red carpet is the place to be seen.
But is Seduced & Abandoned a joke about the film business? Or is it a joke about the making of a non-realistic film? What it is about is what film critic Pauline Kael once said – ‘true moviemaking fever’. People are seduced by the premise of making a film, the glamour, the profile, the seduction of the film business. Yet most of the time people are left abandoned, the film never gets made. In this case, it is more of a question of what were Baldwin and Toback trying to get out of this? Surely, their film was actually never going to be made. So what we have here is a movie about them making a movie that is in turn about making movies. Yet, whose time has been wasted: The financiers they spoke to, very busy and influential men who can make deals happen with the stroke of a pen? Or our time, watching a documentary about a film that will never be made. You decide. Seduced & Abandoned is now out on DVD.
15th Feb2014

Blue Jasmine – DVD

by timbaros

images-99Jasmine’s life is no longer what it used to be. Once married to a rich businessman in New York City who turns out to be a crook and a cheat, she moves to San Francisco to start a new life. This is the plot of Woody Allen’s charming new film Blue Jasmine.

Jasmine, in an Oscar-worthy performance by Cate Blanchett, lived in a sumptious apartment on Park Avenue, had lots of clothes and jewellery, and seemed to have the perfect life. Her husband, Harold “Hal” Francis (a perfectly cast and suave Alec Baldwin), was a successful businessman. But it was all smoke and mirrors. Not only was her husband having affairs behind her back, but he was also swindling investors (friends and family included – a la Bernie Madoff), including her sister and her husband. When he tells Jasmine that he is leaving her for a much younger woman, she decides to call the FBI to report him. By doing this, she realizes her life will change dramatically, and change it does. Jasmine has a nervous breakdown, everything that she and her husband owned are taken by the U.S. government, and she is left with just the clothes she has. Broke and nowhere to go, she heads to San Francisco to live with her half-sister, Ginger (an adorable and perky Sally Hawkins). Blue Jasmine juxtaposes her San Francisco life with her former New York life, the smallest memory or thought she has in San Francisco takes her mind back to certain New York memories. Yet, still mentally unstable and extremely emotional,  she is at a loss as to what to do with her life.  Thanks to her sister’s fiance Chili (recent Emmy winner Bobby Cannavale), she gets a job as a receptionist in a dentist office while at night she studies computers so that she can become an interior designer. In the meantime, she meets and falls in love with wealthy diplomat Dwight Westlake (Peter Sarsgaard), yet she is not quite ready to tell him about her previous life in New York, including the fact that her husband committed suicide in prison. Jasmine is not having it easy.

Blue Jasmine, written and directed by Woody Allen, is one of his best films in years. His last two films, the charming To Rome With Love and the beautiful Midnight in Paris, took him to Europe. With Blue Jasmine Allen is back on familiar territory (New York). Allen tends to bring out the best in acting from his actors, and Blue Jasmine is no exception. Blanchett has never been better, in Blue Jasmine she is obviously having a hard time of life, and when it appears she is on the way up, she just gets knocked back down again. Her character is a strong woman, but circumstance beyond her control have changed that. Baldwin, all so suave and slick, is one of those actors where you can always count on giving a great performance, and in Blue Jasmine he does again. Hawkins, always so bubbly in everything she is in, is fantastic as the sister who is happy with her lot in life (working as a clerk in a grocery store) and being attracted to men who are not very ambitious. Max Casalla as Ginger’s ex-husband is very good as he still blames Jasmine for her husband’s swindling of all of his money and the breakdown of his marriage. Blue Jasmine is a very charming movie, with great performances, great location scenery in San Francisco, and a timely story. Let’s hope Woody Allen continues to make movies for the next 50 years.

10th Nov2013

Seduced & Abandoned – Film

by timbaros

images-24Seduced & Abandoned is not your typical documentary. It is a documentary about a film that will or will not be made. Ultimately, is this film a real film? Or was it made up just to make this documentary?

Written and Directed by James Toback (whose done very little since his 2008 Mike Tyson documentary), Seduced & Abandoned has him and Alec Baldwin trying to get financing for a movie they are looking to make. They attempt to sell their film, provisionally titled Last Tango in Tikrit (inspired by Last Tango in Paris) as a political-erotic romantic Middle Eastern adventure film, and to star Baldwin, and Neve Campbell. Filmed over 10 days at the Cannes Film Festival in 2012, Seduced & Abandoned shows Toback and Baldwin as they pitch the idea of their film, meeting all of the movers and shakers in the film business, the creme de la creme, including actors, producers, directors, agents and most importantly, financiers.
Seduced & Abandoned starts off with a brief history of the festival, along with photos of red carpet events held there over the past 65 years. Then Baldwin and Toback begin their pitch. They seek advice from esteemed and Cannes veteran directors Martin Scorsese, Roman Polanski, Francis Coppola and Bernardo Bertolucci (coupled with clips of their films montaged with the interviews). Then Toback and Baldwin start their mission of trying to get money from anyone who wants to give it to them. They pitch their idea of their film to very very wealthy people, people who can easily afford to write them a check for $20 million. People such as Denise Rich (who tells them she only invests in things that she believes in), Taki Theodoracopulos (where they are seen lunching on his yatch), Jean Pigozzi (who doesn’t commit to anything), and, among others, Arpad Busson, who doesn’t have a lot to say to both men. Also, none are too keen with the choice of Campbell as a leading lady. They also speak to actresses Jessica Chastain and Diane Kruger, asking them if they would like to be in their film. Neither of them are convinced. Ryan Gosling joins them for an interview – with him musing about how he got his break in Hollywood and what it takes to be an actor in the film business. All of these interviews are split-screened with scenes from each of their films. And Cannes is captured as the madcap film festival where deals are done, stars are made, and the red carpet is the place to be seen.
But is Seduced & Abandoned a joke about the film business? Or is it a joke about the making of a non-realistic film? What it is about is what film critic Pauline Kael once said – ‘true moviemaking fever’. People are seduced by the premise of making a film, the glamour, the profile, the seduction of the film business. Yet most of the time people are left abandoned, the film never gets made. In this case, it is more of a question of what were Baldwin and Toback trying to get out of this? Surely, their film was actually never going to be made. So what we have here is a movie about them making a movie that is in turn about making movies. Yet, whose time has been wasted: The financiers they spoke to, very busy and influential men who can make deals happen with the stroke of a pen? Or our time, watching a documentary about a film that will never be made. You decide.