03rd May2016

In the Heart of the Sea (DVD)

by timbaros

Image 20-12-2015 at 19.40Ron Howard and Chris Hemsworth, director and star of 2013’s hit film ‘Rush,’ have teamed up again to bring us a film that can only be described as the epic action adventure film of the year. It’s ‘In the Heart of the Sea.’

‘Rush’ was the true story of two Formula One racing rivals, and the film had lots of pulse racing car races. ‘In the Heart of the Sea’ does it better by telling the real-life maritime disaster that would inspire Herman Melville’s book ‘Moby Dick,’ – the whale that roamed around in the Pacific ocean and caused the deaths of many shipmen. ‘In the Heart of the Sea’ reveals the aftermath of the ship’s crews disastrous meeting with the whale, how they survived at sea for over 100 days, braved storms, starvation, blazing sun and doing the unthinkable, to survive. It’s a movie that could’ve been sunk by any other director, but Howard, who also directed ‘Apollo 13′ and ‘Beautiful Mind,’ superbly directs this film which is based on Nathaniel Philbrick’s best-selling 2000 book ‘In the Heart of the Sea: The Tragedy of the Whaleship Essex.’

The cast and crew make this film a believable tale of a whaling ship called the ‘Essex’ that goes out to sea in search of whales for oil. It’s led by inexperienced captain George Pollard (Benjamin Walker), but First Mate Owen Chase (Hemsworth) is more qualified than him to be in charge of the ship. Cillian Murphy plays Second Mate Matthew Joy. ‘In the Heart of the Sea’ is told not through the eyes of any of these men but it’s told by seaman Tom Nickerson, who was 14-years old when he was on the crew of the Essex. He relays this epic story to novelist Herman Melville (Ben Whishaw) 30 years later. Melville would go on to write a book about the catastrophic event called ‘Moby Dick.’

While ‘Moby Dick’ is a work of fiction, ‘In the Heart of the Sea’ brings to life the true epic journey that begins in 1820 in New England when the whaling ship Essex leaves it’s port to embark on a journey that would find it sailing to the southernmost tip of South America, where it would encounter a whale the size of enormous proportions. It’s a whale that turns on them, and soon enough the hunters become the hunted. And there’s tension between Pollard and Chase; Chase being the more experienced seaman leads the ship’s crew almost every step of the way, however Pollard’s inexperience causes him to make some bad decisions, decisions which endanger the lives of the crew. It’s up to Second Mate Joy to try and smooth the waters between them. And also on the boat is the young 14-year old Nickerson (played by Tom Holland), experiencing his first whaling expedition, and probably the first time out on his own. He’s witness to the catastrophic unfurling events that take place on the boat, not just the life-threatening encounters with the whale, but also being on a lifeboat, with the other men, on the open seas, and surviving to tell the tale. Thirty years later, as the last survivor of the Essex, he’s reluctant to relive the story, but Melville, in the film’s fictional account, get’s Nickerson to tell his story. And what a story it is.

‘In The Heart of the Sea’ is an incredible journey of survival and and the lengths a man is willing to go to save his own life and the lives of others. We are literally transported to another time and place, and for 121 minutes (which fly by), we are taken on a ride that is very convincing and unforgettable. Hemsworth does a fine job as Chase, rugged good looks notwithstanding. Murphy ups the acting stakes as the loyal and determined Second Mate Joy – he’s loyal and has a strong will to live but luck is not on his side. And the whale; it’s a living presence in the film. It’s always lurking in the background, and it looks very real. But credit goes to Howard for allowing us to be swept up into the drama and action as it’s happening. ‘In the Heart of the Sea’ is one of the best films of the year.

Off
02nd Apr2016

The Lobster (DVD)

by timbaros

IMG_0214.CR2Imagine a world where if you can’t find a parter in 45 days you will be changed into the animal of your choice. That’s what ‘The Lobster’ is all about.

Colin Farrell plays David. He looks like he could be an accountant; glasses, a bit overweight, squarish nerd type, and just been dumped by his wife. Him and a few dozen other people check into a hotel. It’s not just any hotel, it’s a hotel where men and women are expected to find a compatible partner during their stay there. They’re deemed compatible if they both have something in common; for instance a favorite color or a favorite pastime. And homosexual couples are also part of the mix in a world in the future where society has changed, and so has it’s requirements.

The hotel manager is played by Olivia Colman – she runs the hotel like it’s a prison. And in way it is. The rules are lengthy, complex and must be adhered to. All those detained are issued uniform clothes to wear so that no one stands out. They also must follow a rigorous schedule that includes eating meals at set times. And of course the one main rule is that the ‘guests’ must find a suitable partner amongst the other hotel guests by the end of their stay.

David instantly makes friends with two other men who are also staying at the hotel; John C. Reilly plays ‘Lisping Man,’ (lots of characters in ‘The Lobster’ don’t have proper names, just adjectives to describe them). He’s overweight and is a schlub. Ben Whishaw plays a character also known for his trait; Limping Man. These men form a friendship of sorts and it’s a bit of a race between them to see who can find a partner before ‘their time is up.’

It’s Limping Man who finds a partner first. She’s got a constant nosebleed (Jessica Barden – Nosebleed Woman). So in order for Nosebleed Woman to fall in love with him, Limping Man causes his nose to bleed by hitting his nose, thereby creating a characteristic trait that makes them both compatible. They get married and are ‘assigned’ a child to make their relationship stronger. Meanwhile, various animals walk around and near the hotel and at some point these animals were human beings who were not able to find a suitable partner.

The Maid of the hotel (Ariane Labed) takes an intense liking to David. Their relationship turns sexual and emotional, and since she can’t leave the hotel, she helps David to escape. He escapes into the woods and is soon in the hands of the renegade Loners. They’ve dedicated their lives to everything that the Hotel isn’t. But this group has rules as well – it’s everyman for himself. There is no coupling of any sort, and actually there’s very little freedom amongst the members of the group – with it’s leader (Lea Seydoux) being very dictatorial, and cruel and cold. David has run away from an authoritarian society to another. And when he falls in love with a fellow Loner member Short Sighted-Woman (Rachel Weisz), the rules that they have to adhere to make it harder for them to live the lives that they want.

The idea for the very unusual script for ‘The Lobster’ came about through discussions with the writer and director and about how people feel like they always needs to be in a relationship; how other people see those who can’t make it; how you’re considered a failure if you can’t be with someone; and the lengths people go to in order to be with someone. Director (and co-writer) Yorgos Lanthimos (Dogtooth), with fellow co-writer Efthimis Filippou, tells a tale of two different worlds; one where couples live, and one where singles (loners) live, it’s a parallel world, one that takes a look at how we are as a people. ‘The Lobster,’ which won the Jury Prize at this year’s Cannes Film Festival, is a highly unusual film – one with great humor, and with great sadness, and with some violence. It’s unusual and that’s what makes it unique.


Off
03rd Jan2016

The Danish Girl (Film)

by timbaros

A171_C001_03123F.0017547.tif

Oscar-winning Director Tom Hooper (‘The Kings Speech’) and Oscar-winning Actor Eddie Redmayne (‘The Theory of Everything’) bring us the life of a male Dutch artist who, with the support from his wife, becomes a woman, in the new film ‘The Danish Girl.’

Based on the book of the same name by David Ebershoff, ‘The Danish Girl’ tells the real life story of Einar Wegener (Redmayne) who never felt right as a man so he decides to transition into a woman, being one of the first known recipients ever of sex reassignment surgery. It was with the support of his wife and fellow painter Gerde Wegener (Alicia Vikander) that gave him the courage and hope that helped him through the transition to live the rest of his life as Lili Elbe. But the film portrays Einar’s transition and Gerde’s acceptance as a dull one, there are no real revelations, nothing exciting about the story, and even Redmayne’s performance is a bit under the radar. It’s Vikander who steals the movie right from under Redmayne’s corset.

The movie tells us that Einar’s interest in all things Transgender suddenly happened when Gerde asked him to fill in for a female model who didn’t show up for one of her painting sessions. So she asks him to put on a dress so that she can finish the painting. He likes the way it feels, but more importantly he likes the way he looks in it, and this suddenly (a bit too suddenly) awakens Einar’s inner woman. This takes place in 1926 while the couple was living in the liberal land of Copenhagen, though such things were not done, nor not even discussed back then. But with Gerde’s full support, and help, Einar starts dressing up as a woman outside of their house. Things get a bit more complicated when another man, Henrick (Ben Whishaw) takes an interest in Einar, who by this time has started calling himself Lili.

Gerde is asked to go to Paris so that she can work for a local art dealer, and while her career flourishes, their marriage slowly dissolves. And a childhood friend of Einar’s/Lili’s, Hans (Matthias Schoenaerts) shows up and forms a complex triangle with the couple. And it’s not long before Einar goes ahead with the surgery that will take away his manhood.

‘The Danish Girl’ is dull. It’s not a sweeping European love story where love conquers all in the midst of one man’s gender confusion and one woman’s loyalty to such man. Hooper’s direction can’t bring Lucinda Coxon’s boring script to life. Not even the actors can accomplish this. Redmayne is good as Einar/Lili, yet there were times when I thought I was still watching him play Stephen Hawking. It’s his eyes, he blinks them quite a lot in this film, just like the way he did in ‘The Theory of Everything.’  However, ‘The Danish Girl’ is pretty much Vikander’s movie. She’s beautiful and emotional and accepting when the times call for it – it’s just as good a performance as Felicity Jones was as in ‘The Theory of Everything.’ Vikander’s star is on a meteoric rise, having appeared in three films this past year (‘Ex Machina,’ ‘The Man from U.N.C.L.E.’ and ‘Burnt’). She’s currently filming the fifth Bourne Identity film with Matt Damon and Tommy Lee Jones and has two other features coming out in 2016. I was very disappointed that ‘The Danish Girl’ was not as good as I had hoped, perhaps it might be better to read the actual book, and skip the movie.

Off
29th Dec2015

In the Heart of the Sea (Film)

by timbaros

Image 20-12-2015 at 19.40Ron Howard and Chris Hemsworth, director and star of 2013’s hit film ‘Rush,’ have teamed up again to bring us a film that can only be described as the epic action adventure film of the year. It’s ‘In the Heart of the Sea.’

‘Rush’ was the true story of two Formula One racing rivals, and the film had lots of pulse racing car races. ‘In the Heart of the Sea’ does it better by telling the real-life maritime disaster that would inspire Herman Melville’s book ‘Moby Dick,’ – the whale that roamed around in the Pacific ocean and caused the deaths of many shipmen. ‘In the Heart of the Sea’ reveals the aftermath of the ship’s crews disastrous meeting with the whale, how they survived at sea for over 100 days, braved storms, starvation, blazing sun and doing the unthinkable, to survive. It’s a movie that could’ve been sunk by any other director, but Howard, who also directed ‘Apollo 13′ and ‘Beautiful Mind,’ superbly directs this film which is based on Nathaniel Philbrick’s best-selling 2000 book ‘In the Heart of the Sea: The Tragedy of the Whaleship Essex.’

The cast and crew make this film a believable tale of a whaling ship called the ‘Essex’ that goes out to sea in search of whales for oil. It’s led by inexperienced captain George Pollard (Benjamin Walker), but First Mate Owen Chase (Hemsworth) is more qualified than him to be in charge of the ship. Cillian Murphy plays Second Mate Matthew Joy. ‘In the Heart of the Sea’ is told not through the eyes of any of these men but it’s told by seaman Tom Nickerson, who was 14-years old when he was on the crew of the Essex. He relays this epic story to novelist Herman Melville (Ben Whishaw) 30 years later. Melville would go on to write a book about the catastrophic event called ‘Moby Dick.’

While ‘Moby Dick’ is a work of fiction, ‘In the Heart of the Sea’ brings to life the true epic journey that begins in 1820 in New England when the whaling ship Essex leaves it’s port to embark on a journey that would find it sailing to the southernmost tip of South America, where it would encounter a whale the size of enormous proportions. It’s a whale that turns on them, and soon enough the hunters become the hunted. And there’s tension between Pollard and Chase; Chase being the more experienced seaman leads the ship’s crew almost every step of the way, however Pollard’s inexperience causes him to make some bad decisions, decisions which endanger the lives of the crew. It’s up to Second Mate Joy to try and smooth the waters between them. And also on the boat is the young 14-year old Nickerson (played by Tom Holland), experiencing his first whaling expedition, and probably the first time out on his own. He’s witness to the catastrophic unfurling events that take place on the boat, not just the life-threatening encounters with the whale, but also being on a lifeboat, with the other men, on the open seas, and surviving to tell the tale. Thirty years later, as the last survivor of the Essex, he’s reluctant to relive the story, but Melville, in the film’s fictional account, get’s Nickerson to tell his story. And what a story it is.

‘In The Heart of the Sea’ is an incredible journey of survival and and the lengths a man is willing to go to save his own life and the lives of others. We are literally transported to another time and place, and for 121 minutes (which fly by), we are taken on a ride that is very convincing and unforgettable. Hemsworth does a fine job as Chase, rugged good looks notwithstanding. Murphy ups the acting stakes as the loyal and determined Second Mate Joy – he’s loyal and has a strong will to live but luck is not on his side. And the whale; it’s a living presence in the film. It’s always lurking in the background, and it looks very real. But credit goes to Howard for allowing us to be swept up into the drama and action as it’s happening. ‘In the Heart of the Sea’ is one of the best films of the year.

Off
17th Oct2015

The Lobster (Film)

by timbaros

IMG_0214.CR2Imagine a world where if you can’t find a parter in 45 days you will be changed into the animal of your choice. That’s what ‘The Lobster’ is all about.

Colin Farrell plays David. He looks like he could be an accountant; glasses, a bit overweight, squarish nerd type, and just been dumped by his wife. Him and a few dozen other people check into a hotel. It’s not just any hotel, it’s a hotel where men and women are expected to find a compatible partner during their stay there. They’re deemed compatible if they both have something in common; for instance a favorite color or a favorite pastime. And homosexual couples are also part of the mix in a world in the future where society has changed, and so has it’s requirements.

The hotel manager is played by Olivia Colman – she runs the hotel like it’s a prison. And in way it is. The rules are lengthy, complex and must be adhered to. All those detained are issued uniform clothes to wear so that no one stands out. They also must follow a rigorous schedule that includes eating meals at set times. And of course the one main rule is that the ‘guests’ must find a suitable partner amongst the other hotel guests by the end of their stay.

David instantly makes friends with two other men who are also staying at the hotel; John C. Reilly plays ‘Lisping Man,’ (lots of characters in ‘The Lobster’ don’t have proper names, just adjectives to describe them). He’s overweight and is a schlub. Ben Whishaw plays a character also known for his trait; Limping Man. These men form a friendship of sorts and it’s a bit of a race between them to see who can find a partner before ‘their time is up.’

It’s Limping Man who finds a partner first. She’s got a constant nosebleed (Jessica Barden – Nosebleed Woman). So in order for Nosebleed Woman to fall in love with him, Limping Man causes his nose to bleed by hitting his nose, thereby creating a characteristic trait that makes them both compatible. They get married and are ‘assigned’ a child to make their relationship stronger. Meanwhile, various animals walk around and near the hotel and at some point these animals were human beings who were not able to find a suitable partner.

The Maid of the hotel (Ariane Labed) takes an intense liking to David. Their relationship turns sexual and emotional, and since she can’t leave the hotel, she helps David to escape. He escapes into the woods and is soon in the hands of the renegade Loners. They’ve dedicated their lives to everything that the Hotel isn’t. But this group has rules as well – it’s everyman for himself. There is no coupling of any sort, and actually there’s very little freedom amongst the members of the group – with it’s leader (Lea Seydoux) being very dictatorial, and cruel and cold. David has run away from an authoritarian society to another. And when he falls in love with a fellow Loner member Short Sighted-Woman (Rachel Weisz), the rules that they have to adhere to make it harder for them to live the lives that they want.

The idea for the very unusual script for ‘The Lobster’ came about through discussions with the writer and director and about how people feel like they always needs to be in a relationship; how other people see those who can’t make it; how you’re considered a failure if you can’t be with someone; and the lengths people go to in order to be with someone. Director (and co-writer) Yorgos Lanthimos (Dogtooth), with fellow co-writer Efthimis Filippou, tells a tale of two different worlds; one where couples live, and one where singles (loners) live, it’s a parallel world, one that takes a look at how we are as a people. ‘The Lobster,’ which won the Jury Prize at this year’s Cannes Film Festival, is a highly unusual film – one with great humor, and with great sadness, and with some violence. It’s unusual and that’s what makes it unique.

Off