05th Mar2023

London Film Critics Circle Award Winners (Film)

by timbaros

image001.jpgTár and The Banshees of Inisherin top the London Critics’ Circle Film Awards

Michelle Yeoh is presented with the critics’ top prize, The Dilys Powell Award for Excellence in Film, as Cate Blanchett takes Actress of the Year and the cast of The Banshees of nisherin sweep three other acting categories.

The provocative culture-war drama Tár was a big winner at the 43rd annual London Critics’ Circle Film Awards, taking three major awards at a star-studded ceremony at The May Fair Hotel on Sunday night. Todd Field’s film was crowned Film of the Year, while Field and Cate Blanchett were named Director and Actress of the Year. This is the third time Blanchett has won this award, after Elizabeth in 1998 and Blue Jasmine in 2013.

Meanwhile, Martin McDonagh’s dark comedy The Banshees of Inisherin left the ceremony with five prizes, including The Attenborough Award for British/Irish Film of the Year, Screenwriter of the Year, Actor of the Year for Colin Farrell, and both Supporting Actor and Supporting Actress for Barry Keoghan and Kerry Condon. Another Irish title, The Quiet Girl, won Foreign-Language Film of the Year in a tie win alongside Park Chan-wook’s noir thriller Decision to Leave. Laura Poitras’ pointed Nan Goldin film All the Beauty and the Bloodshed was named Documentary of the Year.

The ceremony was capped with the presentation of The Dilys Powell Award for Excellence in Film to cinematic icon Michelle Yeoh, who was accompanied by her Everything Everywhere All at Once costar Ke Huy Quan. Danny Boyle presented the honour at the end of the night.

Also in attendance were Florence Pugh and Bill Nighy, who were named British/Irish Actress and Actor for their body of work in 2022. Pugh was reunited at the event with her The Wondercostars Tom Burke and Kíla Lord Cassidy. There was also a reunion for Paul Mescal and Frankie Corio, who played father and daughter in Aftersun. Corio won the Young British/Irish Performer award for her role, while Paul was on hand to accept writer-director Charlotte Wells’ Philip French Award for Breakthrough British/Irish Filmmaker. The Technical Achievement Award went to Guillermo del Toro’s Pinocchio for animation and was collected by Gregory Mann, who voiced the title character. British/Irish Short Film of the Year was Keeran Anwar Blessie’s A Fox in the Night.

The awards are given by the 200-member Film Section of the Critics’ Circle, the UK’s longest-standing and most prestigious critics’ organisation. The May Fair Hotel, part of Edwardian Hotels London, is the main sponsor of the event for the 13th year running. Awards sponsors were The House of Koko, the new private members club which is part of the iconic London music venue; leading film, television and online media school MetFilm; and creative-industry accountants Nyman Libson Paul. New sponsors this year included premium non-alcoholic sparkling wine Wild Idol; Gattertop Drinks Co; Black Crowned Gin; large-format printing specialists Wahooti; chauffer service Excel Executive; and live production company JWP.tv, which livestreamed the ceremony on the Critics’ Circle YouTube channel @CriticsCircleFilmSection.
FILM OF THE YEAR
Tár

FOREIGN-LANGUAGE FILM OF THE YEAR (tie)
Decision to Leave
The Quiet Girl (An Cailín Ciúin)

DOCUMENTARY OF THE YEAR
All the Beauty and the Bloodshed

The Attenborough Award:
BRITISH/IRISH FILM OF THE YEAR
The Banshees of Inisherin

DIRECTOR OF THE YEAR sponsored by The House of Koko
Todd Field – Tár

SCREENWRITER OF THE YEAR
Martin McDonagh – The Banshees of Inisherin

ACTRESS OF THE YEAR sponsored by Nyman Libson Paul
Cate Blanchett – Tár
ACTOR OF THE YEAR sponsored by The House of Koko
Colin Farrell – The Banshees of Inisherin

SUPPORTING ACTRESS OF THE YEAR
Kerry Condon – The Banshees of Inisherin

SUPPORTING ACTOR OF THE YEAR
Barry Keoghan – The Banshees of Inisherin

BRITISH/IRISH ACTRESS OF THE YEAR for body of work
Florence Pugh – Don’t Worry Darling, Puss in Boots: The Last Wish, The Wonder

BRITISH/IRISH ACTOR OF THE YEAR for body of work
Bill Nighy – Living

The Philip French Award:
BREAKTHROUGH BRITISH/IRISH FILMMAKER sponsored by MetFilm
Charlotte Wells – Aftersun

YOUNG BRITISH/IRISH PERFORMER
Frankie Corio – Aftersun

BRITISH/IRISH SHORT FILM OF THE YEAR
A Fox in the Night – dir Keeran Anwar Blessie

TECHNICAL ACHIEVEMENT AWARD
Guillermo del Toro’s Pinocchio – Guillermo del Toro and Brian Leif Hansen, animation

DILYS POWELL AWARD FOR EXCELLENCE IN FILM
Michelle Yeoh

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14th Jan2023

Tar (Film)

by timbaros
Image 14-01-2023 at 09.42Cate Blanchett is brilliant as conductor Lydia Tar (and just this week she won a Golden Globe for Best Actress for this role), but at 158 minutes it’s a long slog to get from beginning to end. 
Lydia is in a same sex relationship with a member of her Berlin orchestra – Sharon (Nina Hoss), and Lydia has total control of all the musicians and the staff, she makes all the hiring and firing decisions and can elevate anyone who she feels has earned it (and perhaps  one that she might take a liking to). When Olga (Cellist Sophie Kauer, very very good in her first film role) joins the orchestra, it is a bit obvious to the everyone (and especially to Sharon) that Lydia is interested in Olga in reasons that are not professional, and has members of the orchestra raising their eyebrows. Things get worse for Lydia when a former member of the orchestra commits suicide and leaves a note with serious allegations against Lydia that risks her reputation, professional and personal life. 
Blanchett is absolutely brilliant in her role, one of the best performances of her career (she already has two Oscars under her belt), and is a shoo-in for the Best Actress Oscar. But Tar the film is very slow, the first 70 minutes don’t amount to much, but after this the film kicks into high gear and the plot, and drama ramp up.      
Director and Writer Todd Field brings us a great story that needed a bit tidying up, but it is a very good film and deserves all the kudos it has been nominated for, with Blanchett in center stage, in more ways than one. 
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28th Mar2016

Carol (DVD)

by timbaros

CAROL_Carol and Therese in the store at Christmas time_CA1_3079In the new film ‘Carol’, Rooney Mara and Cate Blanchette play two women who fall in love in a time when it was not accepted and actually frowned upon.

Director Todd Haynes, in his first film since 2007’s ‘I’m Not There,’ has crafted this movie in a style and theme that he’s used before. In ‘Far From Heaven’ Julianne Moore’s housewife faces a marital crisis – her husband is caught kissing another man so she takes comfort in the arms of a black man. Whereas in ‘Carol’ Cate Blanchette’s unhappy housewife falls into the arms of another woman. Both of these films take place in the 1950’s where it’s all dewey and lush and beautiful. And the attention to detail in both films is amazing, capturing the fashion and essence that was the norm of it’s time, where everyone made an effort to dress up, especially the women, even just to go shopping.

Blanchett’s character, Carol Aird, is in a loveless marriage but it’s not because her husband is cheating on her with another man, it’s because Carol is cheating on her husband with another woman. It’s not a mid life crisis that Carol is going through, she’s been linked to Abby Gerhard (Sarah Paulson) in the past, and Abby has always been in the shadows throughout Carol’s marriage to Harge (Kyle Chandler). Harge still loves Carol, he wants to stay married, but Carol insists that the divorce still go ahead, which is very difficult for the both of them because of their young daughter. But one day Carol goes into a department store and is eyed by employee Therese Belivet (Rooney Mara), who suggests to Carol to buy a train set for her daughter. Carol and Therese have chemistry, and the next day Carol invites Therese out for lunch to thank her for helping her out with her purchase. Eventually they start seeing each other more and more, and they fall headstrong into a relationship. Carol, who has the perfect husband and the perfect house, pursues a relationship with Therese, at the risk of losing custody of her daughter. Harge, in utter frustration over Carol’s new found relationship, seeks full custody of their daughter using a morality clause as the reason. And Therese risks her impending marriage to her boyfriend Richard (Jake Lacy) to be with Carol, and her and Carol embark on several trips together. It’s not until New Year’s Eve where they consummate their relationship in a full on one minute lip lock, which leads to a sexual act, again full on, there’s almost nothing left to the imagination. But will Carol’s impending divorce and the threat of losing her daughter and Therese’s burgeoning career as a photographer get in the way of their relationship?

Blanchett is magnificent as Carol, who risks losing her daughter yet has strong feelings for a much younger woman. Mara is even more superb as Therese, her innocence and naivete in full display. Both actresses are excellent, yet it’s Mara who ups Blanchette in the acting arena. The movie basically revolves around Therese and her coming of age not just with her career but with her sexuality as well. It would be a shame if Mara is reduced to supporting actress level as Blanchett does get top billing, they both deserve Best Actress Academy Award nominations but it’s Mara who should be on the podium. Chandler is also excellent as Carols’ husband – he’s got an ideal 1950’s look about him. ‘Carol,’ Based on the novel ‘The Price of Salt’ by Patricia Highsmith, was written at a time when it’s subject was considered scandalous, which Haynes truly captures. ‘Carol’ was filmed with Super 16mm to produce the muted hues of glamour magazines of the era, it’s romantic and dramatic and lovely to watch.


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06th Mar2016

GALECA announces film award Winners (Film)

by timbaros

CAROL_shop counterGay and Lesbian Entertainment Critics Association (GALECA) Announces Dorian Film and Television Winners

The Oscars and BAFTA’s have announced their winners, and now the final (and some would say most important) awards show has taken places. The Gay and Lesbian Entertainment Critics Association, comprised of over 130 professional critics and entertainment journalists worldwide, have announced its choices for the best in movies and television of 2015. It’s an award they call the Dorian Awards.

This year, the 1950s-set lesbian romance Carol surprised with a rare GALECA sweep, with wins for Film of the Year, Director of the Year (Todd Haynes), Screenplay of the year (Phyllis Nagy) and LGBTQ Film of the Year. In addition, Cate Blanchett, star of the ‘50s-set lesbian romance, earned Film Performance of the Year — Actress for her titular turn. Haynes also was also hailed as Wilde Artist of the Year (named for the group’s patron saint Oscar Wilde). As for Film Performance of the Year — Actor, Leonardo DiCaprio for The Revenant prevailed. Blanchett previously won a Dorian Award forBlue Jasmine.

Director Sean Baker’s Tangerine, the drama of a clique of transgender women navigating the mean streets of Hollywood, took Unsung Film of the Year, while George Miller’s Mad Max: Fury Road was deemed Visually Striking Film of the Year. Amy, the unvarnished account of the rise and fall of soulful singer Amy Winehouse, won Documentary of the Year.

In television categories, Fargo and Orange is the Black tied for TV Drama of the Year. Transparent won again for TV Comedy of the Year, with star Jeffrey Tambor winning his second Dorian as well for TV Performance of the Year — Actor. Empire’s Taraji P. Henson was victorious in the Actress category (her series landed as Campy TV Show of the Year).

Taking a stand in less traditional categories, GALECA members chose edgy comic and society button-pusher Amy Schumer (Trainwreck, Comedy Central’s Inside Amy Schumer) as Wilde Wit of the Year. Last Week Tonight with John Oliver won TV Current Affairs Show of the Year. Campy Flick victor: Magic Mike XXL.

GALECA’s annual, Hasty Pudding-esque Winners Toast is set for Sunday, March 6, in Los Angeles. Past GALECA toasts have drawn Orange is the New Black star Lea DeLaria, Transparent’s Melora Hardin, famed marriage rights activists Jeff Carrillo and Paul Katami, The Comeback’s Robert Michael Morris and trailblazing actor Wilson Cruz.

The week previous, GALECA added actress Jane Fonda — veteran star of the film classics Klute, Coming Home and 9 to 5 as well as the past year’s Youth and ongoing Netflix comedy Grace and Frankie — to their Timeless Star list. Previous winners of this career achievement kudos are Sir Ian McKellen, George Takei, Betty White, Chloris Leachman and Fonda’s Grace costar Lily Tomlin.

Full list of winners (with nominees) here:

GALECA 2015/16 DORIAN AWARDS (WINNERS HAVE • )

FILM OF THE YEAR

The Big Short / Paramount, Regency
Brooklyn / Fox Searchlight
• Carol / The Weinstein Company
Mad Max: Fury Road / Warner Bros., Village Roadshow
Spotlight / Open Road, Participant, First Look

DIRECTOR OF THE YEAR

(Film or Television)
Sean Baker, Tangerine / Magnolia Pictures
• Todd Haynes, Carol / The Weinstein Company
Alejandro Gonzalez Iñárritu, The Revenant / Fox
Tom McCarthy, Spotlight / Open Road, Participant, First Look
George Miller, Mad Max: Fury Road / Warner Bros., Village Roadshow

PERFORMANCE OF THE YEAR — ACTRESS

• Cate Blanchett, Carol / The Weinstein Company
Brie Larson, Room / A24
Rooney Mara, Carol / The Weinstein Company
Charlotte Rampling, 45 Years / Sundance Selects
Saoirse Ronan, Brooklyn / Fox Searchlight

PERFORMANCE OF THE YEAR — ACTOR

Matt Damon, The Martian / Fox
• Leonardo DiCaprio, The Revenant / Fox
Michael Fassbender, Steve Jobs / Universal
Tom Hardy, Legend / Universal, Cross Creek
Eddie Redmayne, The Danish Girl / Focus, Working Title

LGBTQ FILM OF THE YEAR

• Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Freeheld / Summit
Grandma / Sony Pictures Classics
Tangerine / Magnolia Pictures

FOREIGN LANGUAGE FILM OF THE YEAR

The Assassin / Central Motion Pictures, Well Go USA
Mustang / Cohen Media Group
Phoenix / Sundance Selects
• Son of Saul / Sony Pictures Classics
Viva / Magnolia Pictures

SCREENPLAY OF THE YEAR

Emma Donoghue, Room / A24
• Phyllis Nagy, Carol / The Weinstein Company
Charles Randolph and Adam McKay, The Big Short / Paramount, Regency
Josh Singer & Tom McCarthy, Spotlight / Open Road, Participant, First Look
Aaron Sorkin, Steve Jobs / Universal

DOCUMENTARY OF THE YEAR
(theatrical release, TV airing or DVD release)

• Amy / A24
Best of Enemies / Magnolia Pictures, Magnet
Going Clear: Scientology and the Prison of Belief / HBO
Making a Murderer / Netflix
What Happened, Miss Simone? / Netflix

VISUALLY STRIKING FILM OF THE YEAR
(honoring a production of stunning beauty, from art direction to cinematography)

Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
• Mad Max: Fury Road / Warner Bros., Village Roadshow
The Martian / Fox
The Revenant / Fox

UNSUNG FILM OF THE YEAR

The Diary of a Teenage Girl / Sony Pictures Classics
Ex Machina / A24
Grandma / Sony Pictures Classics
Me and Earl and the Dying Girl / Fox Searchlight
• Tangerine / Magnolia

CAMPY FLICK OF THE YEAR

The Boy Next Door
Fifty Shades of Grey
• Magic Mike XXL
Jupiter Ascending
Stonewall

TV DRAMA OF THE YEAR (TIE)

• Fargo / FX
The Leftovers / HBO
Mad Men / AMC
Mr. Robot / USA
• Orange is the New Black / Netflix

TV COMEDY OF THE YEAR

Grace and Frankie / Netflix
Master of None / Netflix
• Transparent / Amazon
Unbreakable Kimmy Schmidt / Netflix
Veep / HBO

TV PERFORMANCE OF THE YEAR — ACTOR

Tituss Burgess, Unbreakable Kimmy Schmidt / Netflix
Jon Hamm, Mad Men / AMC
Rami Malek, Mr. Robot / USA
• Jeffrey Tambor, Transparent / Amazon
Justin Theroux, The Leftovers / HBO

TV PERFORMANCE OF THE YEAR — ACTRESS

Viola Davis, How to Get Away with Murder / ABC
Jane Fonda, Grace and Frankie / Netflix
• Taraji P. Henson, Empire / Fox
Krysten Ritter, Jessica Jones / Netflix
Lily Tomlin, Grace and Frankie / Netflix

TV CURRENT AFFAIRS SHOW OF THE YEAR

Anderson Cooper 360 / CNN
The Daily Show / Comedy Central
• Last Week Tonight with John Oliver / HBO
The Rachel Maddow Show / MSNBC
Real Time with Bill Maher / HBO

LGBTQ TV SHOW OF THE YEAR

Grace and Frankie / Netflix
Looking / HBO
Orange is the New Black / Netflix
Sense8 / Netflix
• Transparent / Amazon

UNSUNG TV SHOW OF THE YEAR

Broad City / Comedy Central
Crazy Ex-Girlfriend / CW
Getting On / HBO
• Looking / HBO
UnReal / Lifetime

TV MUSICAL MOMENT OF THE YEAR

– Adele: “Hello / ” Adele Live in New York City / NBC
• Aretha Franklin: “(You Make Me Feel Like) A Natural Woman,” 38th Annual Kennedy Center Honors / CBS
– Lady Gaga: The Sound of Music 50th anniversary tribute, 87th Annual Academy Awards / ABC
– Sydney Lucas and the Cast of Fun Home: “Ring of Keys” 69th Annual Tony Awards / CBS
– John Legend and Common: “Glory” (Original song nominee, Selma): 87th Annual Academy Awards / ABC

CAMPY TV SHOW OF THE YEAR

American Horror Story: Hotel
• Empire
How to Get Away with Murder
Scream Queens
Sense8

“WE’RE WILDE ABOUT YOU!” RISING STAR AWARD

Rami Malek
Kitana Kiki Rodriguez
Mya Taylor
Jacob Tremblay
• Alicia Vikander

WILDE WIT OF THE YEAR

(honoring a performer, writer or commentator whose observations both challenge and amuse)
Billy Eichner
Rachel Maddow
Tig Notaro
John Oliver
• Amy Schumer

WILDE ARTIST OF THE YEAR
(honoring a truly groundbreaking force in the fields of film, theater and/or television)

Andrew Haigh
• Todd Haynes
Lin-Manuel Miranda
Tig Notaro
Amy Schumer

TIMELESS STAR
(to an actor or performer whose exemplary career is marked by character, wisdom and wit)

Jane Fonda (previously announced)

GALECA’S MISSION

GALECA, an established 501 C-6 nonprofit, aims to generate camaraderie in an unsettling media environment, champion constructive film and TV criticism and elevate entertainment journalism as a whole. Via panels, screenings, events and its occasional “Ten Best” lists, GALECA also strives to remind the world that the LGBTQ-munity has a significant history of helping improve pop culture at large. After all, how would the world fare without knowing what’s campy?

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28th Nov2015

Carol (Film)

by timbaros

CAROL_Carol and Therese in the store at Christmas time_CA1_3079In the new film ‘Carol’, Rooney Mara and Cate Blanchette play two women who fall in love in a time when it was not accepted and actually frowned upon.

Director Todd Haynes, in his first film since 2007’s ‘I’m Not There,’ has crafted this movie in a style and theme that he’s used before. In ‘Far From Heaven’ Julianne Moore’s housewife faces a marital crisis – her husband is caught kissing another man so she takes comfort in the arms of a black man. Whereas in ‘Carol’ Cate Blanchette’s unhappy housewife falls into the arms of another woman. Both of these films take place in the 1950’s where it’s all dewey and lush and beautiful. And the attention to detail in both films is amazing, capturing the fashion and essence that was the norm of it’s time, where everyone made an effort to dress up, especially the women, even just to go shopping.

Blanchett’s character, Carol Aird, is in a loveless marriage but it’s not because her husband is cheating on her with another man, it’s because Carol is cheating on her husband with another woman. It’s not a mid life crisis that Carol is going through, she’s been linked to Abby Gerhard (Sarah Paulson) in the past, and Abby has always been in the shadows throughout Carol’s marriage to Harge (Kyle Chandler). Harge still loves Carol, he wants to stay married, but Carol insists that the divorce still go ahead, which is very difficult for the both of them because of their young daughter. But one day Carol goes into a department store and is eyed by employee Therese Belivet (Rooney Mara), who suggests to Carol to buy a train set for her daughter. Carol and Therese have chemistry, and the next day Carol invites Therese out for lunch to thank her for helping her out with her purchase. Eventually they start seeing each other more and more, and they fall headstrong into a relationship. Carol, who has the perfect husband and the perfect house, pursues a relationship with Therese, at the risk of losing custody of her daughter. Harge, in utter frustration over Carol’s new found relationship, seeks full custody of their daughter using a morality clause as the reason. And Therese risks her impending marriage to her boyfriend Richard (Jake Lacy) to be with Carol, and her and Carol embark on several trips together. It’s not until New Year’s Eve where they consummate their relationship in a full on one minute lip lock, which leads to a sexual act, again full on, there’s almost nothing left to the imagination. But will Carol’s impending divorce and the threat of losing her daughter and Therese’s burgeoning career as a photographer get in the way of their relationship?

Blanchett is magnificent as Carol, who risks losing her daughter yet has strong feelings for a much younger woman. Mara is even more superb as Therese, her innocence and naivete in full display. Both actresses are excellent, yet it’s Mara who ups Blanchette in the acting arena. The movie basically revolves around Therese and her coming of age not just with her career but with her sexuality as well. It would be a shame if Mara is reduced to supporting actress level as Blanchett does get top billing, they both deserve Best Actress Academy Award nominations but it’s Mara who should be on the podium. Chandler is also excellent as Carols’ husband – he’s got an ideal 1950’s look about him. ‘Carol,’ Based on the novel ‘The Price of Salt’ by Patricia Highsmith, was written at a time when it’s subject was considered scandalous, which Haynes truly captures. ‘Carol’ was filmed with Super 16mm to produce the muted hues of glamour magazines of the era, it’s romantic and dramatic and lovely to watch.

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28th Feb2014

Predictions for the 86th Annual Academy Awards – Film

by timbaros

This has got to be the toughest Oscar race in years. While in one or two categories there are clear cut winners, the rest of the categories are neck and neck between two clear cut potential winners. Here are my predictions on the 86th annual Academy Awards on Sunday night, predictions for those who should win and for those who will win.

images-112
Best Picture:
For some strange reason the Academy nominated 9 films in this category, and not ten as it has in years past.
12 Years a Slave is the sentimental and dramatic favorite because of its storyline, a topic no other film has tackled. Gravity could slip in and win because of it special effects wizardry, telling the amazing story of a woman adrift in space. But it looks like 12 Years a Slave will squeak by.
Nominees:The Wolf of Wall Street, Nebraska, Captain Phillips, Gravity, American Hustle, Philomena, Dallas Buyers Club, Her, and 12 Years a Slave.
Should Win: 12 Years a Slave. The film has opened up an international conversation on slavery. And the Academy would love to see producers Brad Pitt and Steve Mcqueen on the podium.
Will Win: 12 Years a Slave. As McQueen may be shut out as Best Director, this category will be where he wins an Oscar.
 images-110
Best Actor:
This race is either a shoo-in for Matthew McConaughey for Dallas Buyers Club or a shoo-in for Chiwotel Ejiofor for 12 Years a Slave. While McConaughey has won 17 Best Actor awards from various critics groups, Ejiofor just recently won the BAFTA for Best Actor (Dallas Buyers Club was not eligible for the BAFTA’s due to its 2014 release). If either man wins it won’t be a surprise as this is the closest Best Actor race in years. In any other year, Bruce Dern would win for Nebraska, but the quality of performances in this category this year are high caliber. So high caliber that two beloved actors who gave perhaps the best performances of their careers were overlooked: Tom Hanks for Captain Phillips and Robert Redford for All is Lost.
Nominees: Christian Bale for American Hustle, Dern, Leonardo DiCaprio for The Wolf of Wall Street, Ejiofor, and McConaughey
Should win: McConaughey. He lost 45 pounds to play AIDS patient Ron Woodruff.
Will win: McConaughey. Ejiofor may be gaining momentum, but its McConaughey’s year (and he was also memorable in The Wolf of Wall Street)
 images-113
Best Actress:
Cate Blanchett for Blue Jasmine will win and should win. Her performance of a woman who has lost everything and has to her life over again start from scratch is excellent. The other woman in this category don’t stand a chance, though if Gravity sweeps everything it is nominated for, then expect Sandra Bullock to take it. Though Blanchett is a sure lock.
Nominees: Blanchett, Bullock, Amy Adams for American Hustle, Judi Dench for Philomena, and Meryl Street for August: Osage County
Should and will win: Blanchett
 images-111
Best Supporting Actor:
At this point it appears that Jared Leto is the frontrunner for his role as Rayon the drag queen in Dallas Buyers Club. Leto has won an incredible 38 awards for this performance, his first performance in a film since 2009’s Mr. Nobody. Michael Fassbender could sneak in take the prize if the Academy feels that it needs to hand 12 Years a Slave lots of awards.
Nominees: Barkhad Abdi for Captain Phillips, Bradley Cooper for American Hustle, Fassbender, Leto, and Jonah Hill for The Wolf of Wall Street
Should win: Leto, who has walked off with the Golden Globe and Screen Actors Guild Awards
Will win: Leto, for losing a lot of weight to play a drag queen with AIDS.
 images-114
Best Supporting Actress:
A month ago I would’ve predicted that Lupita N’yongo was a shoo-in for her performance of a repressed slave in 12 Years a Slave. But tJennifer Lawrence has been winning the majority of awards for her role in American Hustle. And while Lawrence won the Best Actress statuette last year for Silver Linings Playbook, she could possibly win back-to-back Oscars. However, N’yongo and Lawrence may cancel each other out, as this how close this race is, and any of the other nominees sneak in and win.
Nominees: Sally Hawkins for Blue Jasmin, Lawrence, N’yongo, Julia Roberts for August: Osage County, and June Squibb for Nebraska
Should win: N’yongo. Even though she was in very little of 12 Years a Slave, she was in it’s most memorable scene where she gets lashed by Fassbender’s character – one of the most brutal screen moments of last year.
Will win: Lawrence. This is her third nomination, and she is absolutely loved in Hollywood, so there is no doubt they will award her again.
Best Director:
Alfonso Cuaron should and will win for Gravity. Cuaron waited for new technology to be built in order to make the movie that he wanted to make. Gravity has received worldwide excellent reviews and is still making loads of money. Plus, he’s won the DGA, BAFTA and the Golden Globe Awards for Best Director. It is highly unlikely that Steve McQueen will win this, but if he does he will be the first African to win Best Director.
Nominees: Cuaron, McQueen, Alexander Payne for Nebraska, David O. Russell for American Hustle, and Martin Scorsese for The Wolf of Wall Street
Should and will win: Cuaron, for making an incredible and beautiful film, so unlike anything that has ever been shown in cinemas.
Best Animated film: Frozen
Best Adapted Screenplay: 12 Years a Slave
Best Original Screenplay: Her
Best Foreign Language Film: The Great Beauty (Italy)
15th Feb2014

The Monuments Men – Film

by timbaros
images-102The Monuments Men was originally scheduled for release in December, 2013 in order to qualify for the awards season, but due to problems in the post-production (editing) process, the release was pushed back to February in both the UK and the U.S.
What were the problems? Trying to balance the dramatic element of the film with the comedic element. Did it work? In my opinion (and in the opinions of other film critics), it did not.
The Monuments Men, with the tag line of ‘based on a true story,’ is about a group of men during World War 2 who set about saving valuable works of art form the hands of the nazis towards the end of WW2.
George Clooney, star, director, co-screenwriter and co-producer, plays the head savoir of the art team, and got together his posse of friends to be in HIS movie. These friends include Matt Damon, Bill Murray, Cate Blanchett and John Goodman. Other actors drafted to be in this film include Jean Dujardin, Bob Balaban and English actor Hugh Bonneville. The men play the team enlisted to find the works of art – some of older men were drafted because they were historians and architects and thus were drafted for their expertise.
The dramatic element of the film works fine: Men in the middle of a very dangerous war in occupied countries are tasked to retrieve stolen art. Deaths happen, scenes of fighting all around them, and the realistic looking art and set direction would’ve made for a good movie. It’s the comedic element that just does not work.
What you have onscreen is a mish mash of actors of different ages who are playing characters, but its the older ones who are the brunt of many jokes. Goodman has a hard time in basic training and just generally getting around due to his weight. Dujardin has a thick French accent this is made fun of, but is it funny? No. And Balaban is completely blind when he doesn’t have his spectacles. There is one strange scene where Balaban’s character has a standoff with a German soldier – nothing really happens in that scene but we are supposed to find it funny that both Balaban and the soldier don’t know what the other is thinking or going to do, until the soldier goes away, happy with the cigarette that was given to him. Huh?
Also, there seems to be a separate movie going on between Damon’s character, who is tasked with actually delivering the art to the rightful owners, and Blanchett’s character – lonely and vulnerable Claire Simone – a curator who is forced to allow the Nazi’s to steal valuable art. Simone pines for Damon, but he’s a married man, and his duty is to deliver art, and nothing more. Damon’s character pops back to the team from time to time to remind us that he is in that part of the film as well, in a way to connect his and Simone’s storyline to the rest of the men’s storyline.
The problem with The Monuments Men is that the film just does not work. Even at the end, when a very valuable and sentimental piece of art work that was stolen is found hidden away in a cave, there really is no emotional impact for the viewer. And in the final final scene, Clooney employs his father to play him as an older man to try to tweak some kind of final wrung of emotion, but it fails.
The Monuments Men was made for a whopping $75,000,000. It has so far grossed a paltry $30,000,000 in the U.S. It has just opened up in the UK. Clooney, in acting as the film’s driver, needs a wakeup call in that everything he does does not turn into gold. In this case, The Monuments Men turns to dust. No team will ever be able to save this piece of art.

 

15th Feb2014

Blue Jasmine – DVD

by timbaros

images-99Jasmine’s life is no longer what it used to be. Once married to a rich businessman in New York City who turns out to be a crook and a cheat, she moves to San Francisco to start a new life. This is the plot of Woody Allen’s charming new film Blue Jasmine.

Jasmine, in an Oscar-worthy performance by Cate Blanchett, lived in a sumptious apartment on Park Avenue, had lots of clothes and jewellery, and seemed to have the perfect life. Her husband, Harold “Hal” Francis (a perfectly cast and suave Alec Baldwin), was a successful businessman. But it was all smoke and mirrors. Not only was her husband having affairs behind her back, but he was also swindling investors (friends and family included – a la Bernie Madoff), including her sister and her husband. When he tells Jasmine that he is leaving her for a much younger woman, she decides to call the FBI to report him. By doing this, she realizes her life will change dramatically, and change it does. Jasmine has a nervous breakdown, everything that she and her husband owned are taken by the U.S. government, and she is left with just the clothes she has. Broke and nowhere to go, she heads to San Francisco to live with her half-sister, Ginger (an adorable and perky Sally Hawkins). Blue Jasmine juxtaposes her San Francisco life with her former New York life, the smallest memory or thought she has in San Francisco takes her mind back to certain New York memories. Yet, still mentally unstable and extremely emotional,  she is at a loss as to what to do with her life.  Thanks to her sister’s fiance Chili (recent Emmy winner Bobby Cannavale), she gets a job as a receptionist in a dentist office while at night she studies computers so that she can become an interior designer. In the meantime, she meets and falls in love with wealthy diplomat Dwight Westlake (Peter Sarsgaard), yet she is not quite ready to tell him about her previous life in New York, including the fact that her husband committed suicide in prison. Jasmine is not having it easy.

Blue Jasmine, written and directed by Woody Allen, is one of his best films in years. His last two films, the charming To Rome With Love and the beautiful Midnight in Paris, took him to Europe. With Blue Jasmine Allen is back on familiar territory (New York). Allen tends to bring out the best in acting from his actors, and Blue Jasmine is no exception. Blanchett has never been better, in Blue Jasmine she is obviously having a hard time of life, and when it appears she is on the way up, she just gets knocked back down again. Her character is a strong woman, but circumstance beyond her control have changed that. Baldwin, all so suave and slick, is one of those actors where you can always count on giving a great performance, and in Blue Jasmine he does again. Hawkins, always so bubbly in everything she is in, is fantastic as the sister who is happy with her lot in life (working as a clerk in a grocery store) and being attracted to men who are not very ambitious. Max Casalla as Ginger’s ex-husband is very good as he still blames Jasmine for her husband’s swindling of all of his money and the breakdown of his marriage. Blue Jasmine is a very charming movie, with great performances, great location scenery in San Francisco, and a timely story. Let’s hope Woody Allen continues to make movies for the next 50 years.

16th Jan2014

Oscar Nominations announced – Film

by timbaros

86th Academy Awards, Nominations AnnouncementsThe nominations for the 86th annual Academy Awards – also know as the Oscars – were announced today in Hollywood.

Leading the pack in nominations is, as expected, American Hustle and Gravity, both with 10 nominations each. 12 Years a Slave was nominated for 9 awards while Captain Phillips, Dallas Buyers Club and Nebraska have 6 nominations each.
All of the above films were nominated in the Best Picture category, alongside Her (5 nominations in total), Philomena (4) and The Wolf of Wall Street (5). Four films that were expected to be nominated in this category but were not are: Mandela: Long Walk to Freedom (which received only 1 nomination, for Best Song); Lone Survivor, The Butler (which received no nominations); Saving Mr. Banks; the critically acclaimed Inside Llewyn Davis (which received two nominations); and Rush.
The Best Actor category was the most competitive that is has been in a long time. Five lucky men were nominated, but it is more of a shock as to who was left off the list. Christian Bale, a previous Best Supporting Actor for The Fighter (2010), is nominated for American Hustle. Bruce Dern is nominated for Nebraska, he was last nominated in the Best Supporting Actor category for Coming Home (1978). Leonardo DiCaprio has won his fourth nomination, his third in this category for The Wolf of Wall Street. DiCaprio was previously nominated for The Aviator (2004), Blood Diamond (2006) and What’s Eating Gilbert Grape (1993). Two nominees receive their first nominations. Chiwetel Ejiofor for 12 Years a Slave and Matthew McConaughey for Dallas Buyers Club. Tom Hanks, unfortunately, was not nominated for Captain Phillips, which many people have said was his best performance ever. Either Bale or DiCaprio stole his spot – anyway Hanks was robbed. Robert Redford was left off the list for All is Lost, it was expected that he would be a shoo-in as a sentimental nominee, he did give a great performance. Idris Elba didn’t receive a nomination for Mandela: Long Walk to Freedom as this was kind of expected due to the film’s luke warm reception. And Joaquin Phoenix was left off the list for his excellent mostly solo performance in Her.
There were really no surprises in the Best Actress category. Amy Adams was nominated for American Hustle; this is her fifth nomination and the third in this category. She was previously nominated for Junebug (2005), Doubt (2008), The Fighter (2010) and The Master (2012). Cate Blanchett scored her sixth nomination and third in this category for Blue Jasmine. She was previously nominated for Elizabeth (1998), Elizabeth The Golden Age (2007), Notes on a Scandal (2006) and I’m Not There (2007). She won in Best Supporting Actress in 2004 for The Aviator. Sandra Bullock receives her second nomination for Gravity, she won a couple years back for The Blind Side. Judi Dench has received her seventh nomination and fifth in this category for Philomena. She was previously nominated for Mrs. Brown (1997), Iris (2001), Mrs. Henderson Presents (2005), Notes on a Scandal (2006) and Chocolat (2000). She won Best Supporting Actress for Shakespeare in Love (1998). Meryl Streep has received her 18th nomination and 16th in this category for August: Osage County. She has won this category twice, for Sophie’s Choice (1982) and The Iron Lady (2011). Streep also won a Best Supporting Actress statuette for Kramer vs. Kramer (1979).  Her previous nominations are too many to mention.Emma Thompson was left off the list for her work in Saving Mr. Banks.
86th Academy Awards, Nominations Announcements
In the Best Supporting Actor category the nominees were: Barkhad Abdi for Captain Phillips; Bradley Cooper for American Hustle – he was nominated for Best Actor last year for Silver Linings Playbook Michael Fassbender for 12 Years a Slave; Jonah Hill, who was a surprise nominee, for The Wolf of Wall Street. He was previously nominated for Moneyball in 2011. The final nominee is Jared Leto for Dallas Buyers Club. Daniel Bruhl was left off this list for his performance in Rush – it looks like Hill took his spot.
In the Best Supporting Actress category, there was one major name left off the list – Oprah Winfrey, who was excellent in The Butler. Sally Hawkins is nominated for Blue Jasmine; Jennifer Lawrence is in the running for American Hustle – she was Best Actress last year for Silver Linings Playbook; Lupita Nyong’o for 12 Years a Slave; June Squibb for Nebraska; and Julia Roberts for August: Osage County. This is Roberts’ fourth nomination and second in this category – she was previously nominated for Steel Magnolias (1989) and Pretty Woman (1990). Roberts won Best Actress for Erin Brockovich (in 2000).
Martin Scorcese has won his eighth nomination in the Best Director category for The Wolf of Wall Street. He won in 2011 for Hugo. The other nominees in this category are Steve McQueen for 12 Years a Slave; Alexander Payne for Nebraska; Alfonso Cuarón for Gravity; and David O’Russell for American Hustle. The big names with big movies left off this list are: Paul Greengrass for Captain Phillips; Joel and Ethan Cohen for Inside Llewyn Davis; and Ron Howard for Rush.
Oscars fact sheet:
– 8 actors have received their first acting nomination
– Bradley Cooper, Jennifer Lawrence and Amy Adams were nominated last year
– Jennifer Lawrence is the youngest three-time acting nominee at 23 years old
– American Hustle received nominations in all acting categories, and the Best Picture, Director and Writing categories as well. The last time this happened was last year for Silver Linings Playbook
– Woody Allen has received his 16th writing nomination, a record, for Blue Jasmine. He was won four Oscars in total
– All of the nine Best Picture nominees were released in the last three months of 2013
– Jackass Presents: Bad Grampa got a nomination for Best Makeup and hairstyling
– June Squibb is the oldest Best Supporting Actress nominee
The 86th annual Academy Awards will be presented on March 2, 2014.
Here is the list of nominees:
86th Academy Awards, Nominations Announcements
BEST MOTION PICTURE OF THE YEAR
“American Hustle” (Sony Pictures Releasing)
A Columbia Pictures and Annapurna Pictures Production
Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” (Sony Pictures Releasing)
A Columbia Pictures Production
Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” (Focus Features)
A Voltage Pictures, R2 Films, Evolution Independent Production
Robbie Brenner and Rachel Winter, Producers
“Gravity” (Warner Bros.)
A Warner Bros. UK Services Limited Production
Alfonso Cuarón and David Heyman, Producers
“Her” (Warner Bros.)
An Annapurna Production
Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” (Paramount)
A Paramount Vantage Production
Albert Berger and Ron Yerxa, Producers
“Philomena” (The Weinstein Company)
A Pathé, BBC Films, BFI, Canal+, Cine+ and Baby Cow/Magnolia Mae Production
Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” (Fox Searchlight)
A River Road, Plan B, New Regency Production
Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” (Paramount)
A Red Granite Production
Nominees to be determined

PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Christian Bale in “American Hustle” (Sony Pictures Releasing)
Bruce Dern in “Nebraska” (Paramount)
Leonardo DiCaprio in “The Wolf of Wall Street” (Paramount)
Chiwetel Ejiofor in “12 Years a Slave” (Fox Searchlight)
Matthew McConaughey in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Barkhad Abdi in “Captain Phillips” (Sony Pictures Releasing)
Bradley Cooper in “American Hustle” (Sony Pictures Releasing)
Michael Fassbender in “12 Years a Slave” (Fox Searchlight)
Jonah Hill in “The Wolf of Wall Street” (Paramount)
Jared Leto in “Dallas Buyers Club” (Focus Features)

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Amy Adams in “American Hustle” (Sony Pictures Releasing)
Cate Blanchett in “Blue Jasmine” (Sony Pictures Classics)
Sandra Bullock in “Gravity” (Warner Bros.)
Judi Dench in “Philomena” (The Weinstein Company)
Meryl Streep in “August: Osage County” (The Weinstein Company)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Sally Hawkins in “Blue Jasmine” (Sony Pictures Classics)
Jennifer Lawrence in “American Hustle” (Sony Pictures Releasing)
Lupita Nyong’o in “12 Years a Slave” (Fox Searchlight)
Julia Roberts in “August: Osage County” (The Weinstein Company)
June Squibb in “Nebraska” (Paramount)

BEST ANIMATED FEATURE FILM OF THE YEAR
“The Croods” (20th Century Fox)
Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” (Universal)
Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” (GKIDS)
Benjamin Renner and Didier Brunner
“Frozen” (Walt Disney)
Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” (Walt Disney)
Hayao Miyazaki and Toshio Suzuki

ACHIEVEMENT IN CINEMATOGRAPHY
“The Grandmaster” (The Weinstein Company) Philippe Le Sourd
“Gravity” (Warner Bros.) Emmanuel Lubezki
“Inside Llewyn Davis” (CBS Films) Bruno Delbonnel
“Nebraska” (Paramount) Phedon Papamichael
“Prisoners” (Warner Bros.) Roger A. Deakins

ACHIEVEMENT IN COSTUME DESIGN
“American Hustle” (Sony Pictures Releasing) Michael Wilkinson
“The Grandmaster” (The Weinstein Company) William Chang Suk Ping
“The Great Gatsby” (Warner Bros.) Catherine Martin
“The Invisible Woman” (Sony Pictures Classics) Michael O’Connor
“12 Years a Slave” (Fox Searchlight) Patricia Norris

ACHIEVEMENT IN DIRECTING
“American Hustle” (Sony Pictures Releasing) David O. Russell
“Gravity” (Warner Bros.) Alfonso Cuarón
“Nebraska” (Paramount) Alexander Payne
“12 Years a Slave” (Fox Searchlight) Steve McQueen
“The Wolf of Wall Street” (Paramount) Martin Scorsese

BEST DOCUMENTARY FEATURE
“The Act of Killing” (Drafthouse Films)
A Final Cut for Real Production
Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” (RADiUS-TWC)
An Ex Lion Tamer and Cine Mosaic Production
Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” (IFC Films)
A Civic Bakery Production
Richard Rowley and Jeremy Scahill
“The Square” (Netflix in association with Worldview
Entertainment and Participant Media)
A Noujaim Films and Maktube Production
Jehane Noujaim and Karim Amer
“20 Feet from Stardom” (RADiUS-TWC)
A Gil Friesen Productions and Tremolo Production
Nominees to be determined

BEST DOCUMENTARY SHORT SUBJECT
“CaveDigger”
A Karoffilms Production
Jeffrey Karoff
“Facing Fear”
A Jason Cohen Production
Jason Cohen
“Karama Has No Walls” (Mudhouse Films)
A Hot Spot Films Production
Sara Ishaq
“The Lady in Number 6: Music Saved My Life”
A Reed Entertainment Production
Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall”
A Prison Terminal LLC Production
Edgar Barens

ACHIEVEMENT IN FILM EDITING
“American Hustle” (Sony Pictures Releasing) Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” (Sony Pictures Releasing) Christopher Rouse
“Dallas Buyers Club” (Focus Features) John Mac McMurphy and Martin Pensa
“Gravity” (Warner Bros.) Alfonso Cuarón and Mark Sanger
“12 Years a Slave” (Fox Searchlight) Joe Walker

BEST FOREIGN LANGUAGE FILM OF THE YEAR
“The Broken Circle Breakdown” (Tribeca Film) – Belgium
A Menuet Production
“The Great Beauty” (Janus Films) – Italy
An Indigo Film Production
“The Hunt” (Magnolia Pictures) – Denmark
A Zentropa Entertainments 19 Production
“The Missing Picture” (Strand Releasing) – Cambodia
A Bophana Production
“Omar” (Adopt Films) – Palestine
An Omar Production Company Production

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Dallas Buyers Club” (Focus Features) Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” (Paramount) Stephen Prouty
“The Lone Ranger” (Walt Disney) Joel Harlow and Gloria Pasqua-Casny

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
“The Book Thief” (20th Century Fox) John Williams
“Gravity” (Warner Bros.) Steven Price
“Her” (Warner Bros.) William Butler and Owen Pallett
“Philomena” (The Weinstein Company) Alexandre Desplat
“Saving Mr. Banks” (Walt Disney) Thomas Newman

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Alone Yet Not Alone” from “Alone Yet Not Alone” (Enthuse Entertainment)
Music by Bruce Broughton
Lyric by Dennis Spiegel
“Happy” from “Despicable Me 2” (Universal)
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen” (Walt Disney)
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her” (Warner Bros.)
Music by Karen O
Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom” (The Weinstein Company)
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen
Lyric by Paul Hewson

ACHIEVEMENT IN PRODUCTION DESIGN

“American Hustle” (Sony Pictures Releasing) Production Design: Judy Becker; Set Decoration: Heather Loeffler
“Gravity” (Warner Bros.) Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard
“The Great Gatsby” (Warner Bros.) Production Design: Catherine Martin; Costume Design: Beverley Dunn
“Her” (Warner Bros.) Production Design: K.K. Barrett; Set Decoration: Gene Serdena
“12 Years a Slave” (Fox Searchlight) Production Design: Adam Stockhausen; Set Decoration: Alice Baker

BEST ANIMATED SHORT FILM
“Feral”
A Daniel Sousa Production
Daniel Sousa and Dan Golden
“Get a Horse!” (Walt Disney)
A Walt Disney Animation Production
Lauren MacMullan and Dorothy McKim
“Mr. Hublot”
A Zeilt Production
Laurent Witz and Alexandre Espigares
“Possessions”
A Sunrise Production
Shuhei Morita
“Room on the Broom”
A Magic Light Pictures Production
Max Lang and Jan Lachauer

BEST LIVE ACTION SHORT FILM
“Aquel No Era Yo (That Wasn’t Me)” (FREAK Independent Film Agency)
A Producciones Africanauan Production
Esteban Crespo
“Avant Que De Tout Perdre (Just before Losing Everything)”
A KG Production
Xavier Legrand and Alexandre Gavras
“Helium”
An M & M Production
Anders Walter and Kim Magnusson
“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)”
A Tuffi Films Production
Selma Vilhunen and Kirsikka Saari
“The Voorman Problem”
A Honlodge Production
Mark Gill and Baldwin Li

ACHIEVEMENT IN SOUND EDITING
“All Is Lost” (Lionsgate & Roadside Attractions) Steve Boeddeker and Richard Hymns
“Captain Phillips” (Sony Pictures Releasing) Oliver Tarney
“Gravity” (Warner Bros.) Glenn Freemantle
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Brent Burge
“Lone Survivor” (Universal) Wylie Stateman

ACHIEVEMENT IN SOUND MIXING
“Captain Phillips” (Sony Pictures Releasing) Chris Burdon, Mark Taylor, Mike Prestwood Smith
“Gravity” (Warner Bros.) Skip Lievsay, Niv Adiri, Christopher Benstead and
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Christopher Boyes, Michael Hedges,
“Inside Llewyn Davis” (CBS Films) Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” (Universal) Andy Koyama, Beau Borders and David Brownlow

ACHIEVEMENT IN VISUAL EFFECTS
“Gravity” (Warner Bros.) Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” (Warner Bros.) Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” (Walt Disney) Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” (Walt Disney) Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” (Paramount) Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

ADAPTED SCREENPLAY
“Before Midnight” (Sony Pictures Classics) Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” (Sony Pictures Releasing) Screenplay by Billy Ray
“Philomena” (The Weinstein Company) Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” (Fox Searchlight) Screenplay by John Ridley
“The Wolf of Wall Street” (Paramount) Screenplay by Terence Winter

ORIGINAL SCREENPLAY
“American Hustle” (Sony Pictures Releasing) Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” (Sony Pictures Classics) Written by Woody Allen
“Dallas Buyers Club” (Focus Features) Written by Craig Borten & Melisa Wallack
“Her” (Warner Bros.) Written by Spike Jonze
“Nebraska” (Paramount) Written by Bob Nelson

 

08th Jan2014

BAFTA Nominations – Film

by timbaros

IMG_3921The British Academy of Film and Television Arts have announced the nominees for the British Academy Film Awards (BAFTA’s). Gravity leads the way with 11 nominations, including Best Film, Outstanding British Film, Director for Alfonso Cuaron, and Leading Actress for Sandra Bullock. 12 Years a Slave and American Hustle are right behind Gravity with 10 nominations each. 12 Years a Slave has nominations for Best Film, Director for Steve McQueen, Chiwetel Ejiofor for Leading Actor, Michael Fassbender for Supporting Actor and Lupita Nyong’o for Supporting Actress. American Hustle is also nominated for Best Film and Director, for David O. Russell. It also has acting nominations in each acting category, including Christian Bale for Leading Actor, Amy Adams for Leading Actress, Bradley Cooper for Supporting Actor and Jennifer Lawrence for Supporting Actress. Captain Phillips has 9 nominations, including Best Film, Director for Paul Greengrass, Tom Hanks for Leading Actor and newcomer Barkhad Barki for Supporting Actor. The winners will be announced in a ceremony to be held on Sunday February 16th at London’s Royal Opera House.

The nominations are:

BEST FILM
12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen
AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon
CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca
GRAVITY Alfonso Cuarón, David Heyman
PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward

OUTSTANDING BRITISH FILM
GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón
MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson
PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope
RUSH Ron Howard, Andrew Eaton, Peter Morgan
SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith
THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
COLIN CARBERRY (Writer), GLENN PATTERSON (Writer)Good Vibrations
KELLY MARCEL (Writer) Saving Mr. Banks
KIERAN EVANS (Director/Writer) Kelly + Victor
PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril
SCOTT GRAHAM (Director/Writer) Shell

FILM NOT IN THE ENGLISH LANGUAGE
THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen
BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval
THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima
METRO MANILA  Sean Ellis, Mathilde Charpentier
WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul

DOCUMENTARY
THE ACT OF KILLING Joshua Oppenheimer
THE ARMSTRONG LIE Alex Gibney
BLACKFISH Gabriela Cowperthwaite
TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler
WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney

ANIMATED FILM
DESPICABLE ME 2 Chris Renaud, Pierre Coffin
FROZEN Chris Buck, Jennifer Lee
MONSTERS UNIVERSITY Dan Scanlon

DIRECTOR
12 YEARS A SLAVE Steve McQueen
AMERICAN HUSTLE David O. Russell
CAPTAIN PHILLIPS Paul Greengrass
GRAVITY Alfonso Cuarón
THE WOLF OF WALL STREET Martin Scorsese

ORIGINAL SCREENPLAY
AMERICAN HUSTLE Eric Warren Singer, David O. Russell
BLUE JASMINE Woody Allen
GRAVITY Alfonso Cuarón, Jonás Cuarón
INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen
NEBRASKA Bob Nelson 

ADAPTED SCREENPLAY
12 YEARS A SLAVE John Ridley
BEHIND THE CANDELABRA Richard LaGravenese
CAPTAIN PHILLIPS Billy Ray
PHILOMENA Steve Coogan, Jeff Pope
THE WOLF OF WALL STREET Terence Winter

LEADING ACTOR
BRUCE DERN Nebraska
CHIWETEL EJIOFOR 12 Years a Slave
CHRISTIAN BALE American Hustle
LEONARDO DICAPRIO The Wolf of Wall Street
TOM HANKS Captain Phillips

LEADING ACTRESS
AMY ADAMS American Hustle
CATE BLANCHETT Blue Jasmine
EMMA THOMPSON Saving Mr. Banks
JUDI DENCH Philomena
SANDRA BULLOCK Gravity

SUPPORTING ACTOR
BARKHAD ABDI Captain Phillips
BRADLEY COOPER American Hustle
DANIEL BRÜHL Rush
MATT DAMON Behind the Candelabra
MICHAEL FASSBENDER 12 Years a Slave

SUPPORTING ACTRESS
JENNIFER LAWRENCE American Hustle
JULIA ROBERTS August: Osage County
LUPITA NYONG’O 12 Years a Slave
OPRAH WINFREY The Butler
SALLY HAWKINS Blue Jasmine

ORIGINAL MUSIC
12 YEARS A SLAVE  Hans Zimmer
THE BOOK THIEF John Williams
CAPTAIN PHILLIPS Henry Jackman
GRAVITY Steven Price
SAVING MR. BANKS Thomas Newman

CINEMATOGRAPHY
12 YEARS A SLAVE Sean Bobbitt
CAPTAIN PHILLIPS Barry Ackroyd
GRAVITY Emmanuel Lubezki
INSIDE LLEWYN DAVIS Bruno Delbonnel
NEBRASKA Phedon Papamichael

EDITING
12 YEARS A SLAVE Joe Walker
CAPTAIN PHILLIPS Christopher Rouse
GRAVITY Alfonso Cuarón, Mark Sanger
RUSH Dan Hanley, Mike Hill
THE WOLF OF WALL STREET Thelma Schoonmaker

PRODUCTION DESIGN
12 YEARS A SLAVE Adam Stockhausen, Alice Baker
AMERICAN HUSTLE Judy Becker, Heather Loeffler
BEHIND THE CANDELABRA Howard Cummings
GRAVITY Andy Nicholson, Rosie Goodwin, Joanne Woodlard
THE GREAT GATSBY Catherine Martin, Beverley Dunn

COSTUME DESIGN
AMERICAN HUSTLE Michael Wilkinson
BEHIND THE CANDELABRA Ellen Mirojnick
THE GREAT GATSBY Catherine Martin
THE INVISIBLE WOMAN Michael O’Connor
SAVING MR. BANKS Daniel Orlandi

MAKE UP & HAIR
AMERICAN HUSTLE Evelyne Noraz, Lori McCoy-Bell
BEHIND THE CANDELABRAKate Biscoe, Marie Larkin
THE BUTLER Debra Denson, Beverly Jo Pryor, Candace Neal
THE GREAT GATSBY Maurizio Silvi, Kerry Warn
THE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater

SOUND

ALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian Arthur

CAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver Tarney

GRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro

INSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg Orloff

RUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus StemlerFrank Kruse

SPECIAL VISUAL EFFECTS

GRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny

THE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds

IRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan Sudick

PACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel Sumner

STAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett

BRITISH SHORT ANIMATION
EVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam Taylor
I AM TOM MOODY Ainslie Henderson
SLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa

BRITISH SHORT FILM
ISLAND QUEEN Ben Mallaby, Nat Luurtsema
KEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina Lim
ORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len Rowles
ROOM 8 James W. Griffiths, Sophie Venner
SEA VIEW Anna Duffield, Jane Linfoot

THE EE RISING STAR AWARD (previously announced, voted for by the public)
DANE DEHAAN
GEORGE MACKAY
LUPITA NYONG’O
WILL POULTER
LÉA SEYDOUX

Tom Hanks nomination is his 4th. He has yet to win a BAFTA. Amy Adams also has had four nominations with no wins. Cate Blanchett has earned her 6th nominations, with two previous wins (Leading Actress in 1999 for Elizabeth and Supporting Actress in 2005 for The Aviator). Emma Thompson has earned her 7th nomination (and has had wins for Leading Actress in 1993 for Howards End and in 1996 for Sense and Sensibility).

Judi Dench is now the most nominated actress is film. She was nominated for her 15th BAFTA for her performance in Philomena. She was won six BAFTA’s: Most promising newcomer (1994), Supporting Actress for A Room With a View (1987), A Handful of Dust (1989) and Shakespeare in Love (2001), and Leading Actress for Mrs Brown (1989) and Iris (2002). She has also won the Fellowship award in 2001.

Martin Scorsese was nominated for his 12th BAFTA. He has won the award three times: Best Film, Screenplay and Director, all for Goodfellas in 1991. He was awarded the Fellowship award in 2012.

Woody Allen is now the most nominations in film. This year he picked up a nomination for Original Screenplay for Blue Jasmine. In total he was been nominated 24 times, and has won 10.

Photo by Tim Baros