06th Jun2015

Foxcatcher (DVD)

by timbaros

o-FOXCATCHER-facebookJohn du Pont was a multi-millionaire, a scion of the very wealthy American family that made their fortune in chemicals. He also died in prison 2012 while serving time for murdering a famous Olympic athlete.

Foxcatcher tells the riveting story of du Pont and his involvement in the sport of wrestling in the late 1980’s. It’s also a tale of how one man with so much money can buy whatever he wants. And du Pont pretty much buys Mark Schultz, an Olympic Gold Medal-winning wrestler in Athens in 1984. Du Pont Schultz (played by Channing Tatum) away from his post Olympic miserable life and places him on his amazing estate called Valley Forge in the hopes of transforming him back into a world class athlete. Du Pont lures Schultz by offering him practically whatever he wants, including his own lodge on the estate as well as a newly-built state of the art wrestling auditorium. And Du Pont tells Schultz that he’s in charge. But there’s something more that seems to be taking place between Du Pont and Schultz. There is not only a business relationship between them, but Du Pont seems to have had a homoerotic fixation with Schultz. And while there are no explicit homosexual scenes in the film, Du Pont’s fascination with Schulz and with the sport of wrestling is homoerotic and at the same time very creepy. It becomes more so when Du Pont starts sharing cocaine with Schulz and even has him speak the opening remarks at an important speech in front of politicians and wealthy people.

But things turn sour when all of a sudden Du Pont says he’s not happy with Schulz’s way of coaching as he catches all of the wrestlers taking a morning off, and he slaps Schultz in front of the men. It’s an action that sets off something in Schultz in which he (probably) realizes that Du Pont sees their relationship as something more. It gets more complicated when Du Pont brings in (at any cost) Schulz’s brother David, who was also an Olympic Gold Medal winning wrestler. Du Pont has David coach the team, while Mark goes through the motions, trying to stay out of Du Pont’s way but at the same time focusing on his training. His goal is to get to the next Olympics – Seoul – and he does, but things don’t turn out the way Du Pont had in mind. And it all leads to a devastating conclusion.

Foxcatcher is the name the du Pont’s gave to their racing horses. It’s also an appropriate name for this film – what was the Fox trying to catch. Is du Pont the fox who was trying to catch something with his sudden and strange interest in wrestling? The lure of money was all that was needed for him to catch Mark Schultz, who was down on his luck living in a small apartment on the top of a garage years after his Olympic win. David Schultz had a happy life with his wife and two kids, but it was also the lure of money that got him to go work for Du Pont, a job that cost him his life at the hands of Du Pont.

Foxcatcher is an excellent movie. It’s also excellent because of the performances of it’s three leading men. Tatum has never been better. His Mark Schultz is vulnerable, bold, athletic, infantile yet very masculine – Tatum pretty much carries the whole movie. Ruffalo gives David Schultz a face – a family man who heeded the call to coach a world class team which included his younger brother. And Ruffalo does a very good job in the role. The performance, however, that everyone is talking about is Steven Carrell as Jon du Pont. Carrell, unrecognizable, wears a prosthetic nose to match the large nose that du Pont had. Everything about Carrell’s performance is all Jon du Pont – even down to his gait. Carrell, the star comedic movies such as Anchorman, Date Night, Knocked Up, among others, is completely amazing. And it’s a transformation that needs to be seen to be believed. It is, unfortunately, Carrell’s performance that is getting all the attention, but in my opinion Foxcatcher is Tatum’s movie. He’s the actual star of the film as he’s in most of the film. Foxcatcher begins with him and ends with him, and throughout his performance is consistent, solid, and amazing. Tatum deserves the Golden Globe and Screen Actors Guild Best Actor nominations as much as Carrell does, yet Tatum’s not been nominated. Ruffalo performance is gentle, simple, low key, the kind of performances that Ruffalo always gives, successfully.

Director Bennett Miller (Moneyball) and writers E. Max Frye and Dan Futterman have crafted a film that succeeds on every level. It’s directed and shot tight, the story never gets dull, and it’s intensity builds up to shattering conclusion. Miller has directed three actors who all come from different cinematic backgrounds into one film where they all excel in ways they have never done before. Foxcatcher is one of the best films of the year.

Foxcatcher is now at on DVD – buy it below.


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12th Jan2015

Foxcatcher – Film

by timbaros

John du Pont was a multi-millionaire, a scion of the very wealthy American family that made their fortune in chemicals. He also died in prison 2012 while serving time for murdering a famous Olympic athlete.

Foxcatcher tells the riveting story of du Pont and his involvement in the sport of wrestling in the late 1980’s. It’s also a tale of how one man with so much money can buy whatever he wants. And du Pont pretty much buys Mark Schultz, an Olympic Gold Medal-winning wrestler in Athens in 1984. Du Pont Schultz (played by Channing Tatum) away from his post Olympic miserable life and places him on his amazing estate called Valley Forge in the hopes of transforming him back into a world class athlete. Du Pont lures Schultz by offering him practically whatever he wants, including his own lodge on the estate as well as a newly-built state of the art wrestling auditorium. And Du Pont tells Schultz that he’s in charge. But there’s something more that seems to be taking place between Du Pont and Schultz. There is not only a business relationship between them, but Du Pont seems to have had a homoerotic fixation with Schultz. And while there are no explicit homosexual scenes in the film, Du Pont’s fascination with Schulz and with the sport of wrestling is homoerotic and at the same time very creepy. It becomes more so when Du Pont starts sharing cocaine with Schulz and even has him speak the opening remarks at an important speech in front of politicians and wealthy people.

But things turn sour when all of a sudden Du Pont says he’s not happy with Schulz’s way of coaching as he catches all of the wrestlers taking a morning off, and he slaps Schultz in front of the men. It’s an action that sets off something in Schultz in which he (probably) realizes that Du Pont sees their relationship as something more. It gets more complicated when Du Pont brings in (at any cost) Schulz’s brother David, who was also an Olympic Gold Medal winning wrestler. Du Pont has David coach the team, while Mark goes through the motions, trying to stay out of Du Pont’s way but at the same time focusing on his training. His goal is to get to the next Olympics – Seoul – and he does, but things don’t turn out the way Du Pont had in mind. And it all leads to a devastating conclusion.

Foxcatcher is the name the du Pont’s gave to their racing horses. It’s also an appropriate name for this film – what was the Fox trying to catch. Is du Pont the fox who was trying to catch something with his sudden and strange interest in wrestling? The lure of money was all that was needed for him to catch Mark Schultz, who was down on his luck living in a small apartment on the top of a garage years after his Olympic win. David Schultz had a happy life with his wife and two kids, but it was also the lure of money that got him to go work for Du Pont, a job that cost him his life at the hands of Du Pont.

Foxcatcher is an excellent movie. It’s also excellent because of the performances of it’s three leading men. Tatum has never been better. His Mark Schultz is vulnerable, bold, athletic, infantile yet very masculine – Tatum pretty much carries the whole movie. Ruffalo gives David Schultz a face – a family man who heeded the call to coach a world class team which included his younger brother. And Ruffalo does a very good job in the role. The performance, however, that everyone is talking about is Steven Carrell as Jon du Pont. Carrell, unrecognizable, wears a prosthetic nose to match the large nose that du Pont had. Everything about Carrell’s performance is all Jon du Pont – even down to his gait. Carrell, the star comedic movies such as Anchorman, Date Night, Knocked Up, among others, is completely amazing. And it’s a transformation that needs to be seen to be believed. It is, unfortunately, Carrell’s performance that is getting all the attention, but in my opinion Foxcatcher is Tatum’s movie. He’s the actual star of the film as he’s in most of the film. Foxcatcher begins with him and ends with him, and throughout his performance is consistent, solid, and amazing. Tatum deserves the Golden Globe and Screen Actors Guild Best Actor nominations as much as Carrell does, yet Tatum’s not been nominated. Ruffalo performance is gentle, simple, low key, the kind of performances that Ruffalo always gives, successfully.

Director Bennett Miller (Moneyball) and writers E. Max Frye and Dan Futterman have crafted a film that succeeds on every level. It’s directed and shot tight, the story never gets dull, and it’s intensity builds up to shattering conclusion. Miller has directed three actors who all come from different cinematic backgrounds into one film where they all excel in ways they have never done before. Foxcatcher is one of the best films of the year.

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07th Oct2014

2014 London Film Festival – Film

by timbaros

The 58th BFI London Film Festival in partnership with American Express® starts today and promises big movies and even bigger stars.

Last year’s BFI London Film Festival was a rip-roaring success, with such high-profile premieres as Gravity, Philomena, Captain Phillips and Saving Mr. Banks. All films went on to box office success and many Oscars.
This year’s festival could possibly top last year’s festival. Here is a quick snapshot of what’s on:

Opening Night Gala:

The Imitation Game
Benedict Cumberbatch stars as Alan Turing, who created a machine during WWII that cracked the German Enigma Code and whose inventions would become the prototype of the modern computer. He was also arrested and convicted in 1952 for the criminal offense of homosexuality. Keira Knightley also stars.

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Closing Night Gala:

Fury
Brad Pitt’s new film has him playing a battle-hardened sergeant. Set during WWII when the allies were making their final push into Germany, Pitt commands a Sherman tank, called Fury, that is on a mission behind enemy lines. Also stars Shia LaBeouf.

Foxcatcher
This film comes with the lots of good buzz (and talk of Oscar nominations). An unrecognizable Steve Carrell plays a very wealthy, and crazy, benefactor to wrestlers and brothers Channing Tatum and Mark Ruffalo. Based on the true story of American millionaire John du Pont and his fascination with brothers Dave and Mark Shultz. Directed by Bennett Miller who gave us Capote and Moneyball. Also stars Vanessa Redgrave and Sienna Miller.

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Mr. Turner
Timothy Spall is said to be excellent in Director Mike Leigh’s movie about British painter J.M. William Turner. Mr. Turner is a character study of the last 25 years in the life of the painter, and the relationships he has with several women, including with his children.

Wild
Reese Witherspoon stars in this true story of a young woman attempting to walk the gruelling 1,100-mile hike across the Pacific Crest Trail in the early 1990’s. Directed by Jean-Marc Vallée, who last brought us Dallas Buyers Club.

Mommy
Wunderkind Director Xavier Dolan, a festival favorite, is back with Mommy. His fifth feature in as many years (and he’s only 25) has Anne Dorval as a single mother who takes back into her home her son who is a troublemaker, suffers from ADHD, and has been expelled from a juvenile facility.

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Bjork: Biophilia Live
This is being described as a multidimensional, multimedia project that explores the creative nexus between music, nature, and technology. And Bjork will be attending the festival as well to explain what it all means.

The New Girlfriend
Another film festival favorite – Francois Ozon brings us his latest film about a woman who is devastated by the death of her best friend and makes a promise to watch over her best friend’s husband and newborn child. This has the earmarks of Ozon written all over it – melodramatic and twisty.

Son of a Gun
Ewan McGregor stars in this heist thriller which is all about mobster living: fast cars and firearms. McGregor plays a father figure to a younger man who is just out of the slammer and is trying to take the right path.

’71
Jack O’Connell, excellent in the recent Starred Up, plays a British soldier trapped on the streets of Belfast in 1971 after his army crew accidentally leaves him behind. He struggles to hide, and survive, while being chased by provisional militia and reliant on the mercy of loyalist allies. This one is a must see, just for O’Connell’s performance alone.

Serena
Bradley Cooper and Jennifer Lawrence are on screen again (after Silver Linings Playbook and American Hustle) about a logging magnate and his ruthless brilliant wife set against the backdrop of the hills of North Carolina.

Camp X-Ray
Kristen Stewart plays against type as a soldier in the U.S. army who is tasked to guard over prisoners in Guatanamo Bay. She gets emotionally attached to one of the inmates while at the same time comes up against sexism within her ranks.

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Pasolini
Willem Dafoe could either be perfect, or disastrous, by playing Italian Director Paolo Pasolini who’s films courted controversy for their shocking images of nudity and his homosexual lifestyle. Pasolini the movie is told in the hours leading up to his 1975 murder.

Also on offer are documentaries galore, including ones on artist David Hockney and film Director Robert Altman, as well as a documentary that deals with the Holocaust – titled German Concentration Camps Factual Survey – showing actual footage of the liberation of the concentration camps.

The Festival will screen a total of 245 fiction and documentary features, including 16 World Premieres, 9 International Premieres, 38 European Premieres and 19 Archive films including 2 Restoration World Premiere’s.1 There will also be screenings of 148 live action and animated shorts. A stellar line-up of directors, cast and crew are expected to take part in career interviews, master classes, Q&As and other special events. The 58th BFI London Film Festival will run
Wednesday 8 – Sunday 19 October 2014.

Tickets for the festival can be purchased at:

Telephone Bookings: 020 7928 3232 between 09:30–20:30
Online: www.bfi.org.uk/lff
In person: BFI Southbank Office: 11:30–20:30
Last minute tickets are available to be purchased on the day about 30 minutes prior to the screening at Festival venues