25th Feb2017

Academy Award Predictions (Film)

by timbaros

464191912_oscar-academy-awards-zoom-bb836c56-be14-43f3-9559-a4bd8253d5b7It’s been a great year for movies, and it all culminates on Sunday night with the award show to end all award shows – the Academy Awards. Herewith are my annual predictions as to what should win, and more importantly, what will win:

Best Picture:
The Academy saw it fit to nominate 9 films in this category (why not round it to 10? Perhaps Jackie or The Lobster?).
Almost all the films nominated in this category deserve to be here, with the exception of Arrival – it just wasn’t that good!
Should win: Moonlight – a beautifully told film about a young black man growing up gay in Miami. It could slip through and win on the heals of it’s rave reveiws and the ‘Oscars so White’ campaign of last year, but ‘La La Land’ is still the odds-on favorite to win.
Will win: La La Land. Hollywood loves films about itself (remember the all-star movie ‘Crash’ which shockingly won ten years ago over Brokeback Mountain?) La La Land has picked up the BAFTA and the Golden Globe awards – and it’s on track to win this category – even though it is not an excellent film.
Other nominees: Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, Lion and Manchester by the Sea

Best Actor:
There is no contest in this category. Casey Affleck will deservedly win for his performance as a man struck by tragedy and who who has to raise the teenage son of his dead brother in Manchester by the Sea. None of the other acting nominees stand a chance as Affleck has won every award for this performance. He’s a much better actor than his brother, Ben.
Should and will win: Affleck
Other nominees: Andrew Garfield for Hacksaw Ridge, Ryan Gosling for La La Land, Viggo Mortensen for Captain Fantastic and Denzel Washington for Fences.

Best Actress:
This category is hard to call. It’s a three-way race, and it’s anyone’s guess as to whose name will appear on the envelope. Emma Stone has won the BAFTA and Golden Globe (Comedy or Musical) for La La Land, however, Isabelle Huppert also won a Golden Globe (Drama) and is the sentimental favorite for her performance in Elle where she plays a woman who tracks down the man who raped her. A few months ago this award would’ve gone to Natalie Portman for her stunning performance in Jackie, however, the film was not great and it failed to get Best Picture, director or writing nominations. I’m not too sure why Meryl Streep in Florence Foster Jenikins was included, her performance was OK but Viola Davis for Fences really does belong in this category and not Supporting Actress.
Should win: Huppert – she is one of the France’s most iconic actress of all time and she’s been ignored by the Academy until now. She’s been nominated for the César Award (French Oscars) 16 times.
Will win: Stone. She will piggy-back on La La Land’s momentum on the night and win in this category.
Other nominee: Ruth Negga for Loving.

Best Supporting Actor: This is a category where any one of the actors nominated deserves to win. Dev Patel just won the BAFTA for Lion, while Mahershala Ali is gaining momentum for his portrayal of a drug dealer who befriends a young black child in Moonlight, and Jeff Bridges’ rancher in Hell or High Water has won several film critics awards. Michael Shannon was the second best thing in Nocturnal Animals – however, it was Aaron Taylor Johnson who had the meatiest role – he should’ve also been nominated in this category (he won the Golden Globe) but wasn’t.
Should win: Mahershalla Ali’s performance was exquisite.
Will win: Ali.
Other nominee is Lucas Hedges for Manchester by the Sea

Supporting Actress: This is the easiest category to call. Viola Davis has it all sewn up for her role in Fences where she plays Denzel Washington’s suffering wife. It’s a role thats leading and not supporting, but she’s in this category and will win. The other women don’t even stand a chance.
Should and will win: Davis
Other nominees: Naomie Harris for Moonlight, Nicole Kidman for Lion, Octavia Spencer for Hidden Figures, and Michelle Williams for Manchester by the Sea.

Best Director: Damien Chazelle will win for La La Land as it’s the film to beat, an award he’s getting for his celebration of Los Angeles/Hollywood in his film. He’s won almost every other directing award this year, including the all-important Directors Guild of America Award which guarantees him a win in this category.
Should win: Barry Jenkins for Moonlight. It’s a film that’s different in so many ways – it’s about struggle, race, discrimination, acceptance, homophobia – themes that are so relevant in today’s crazy political environment, and Jenkins captures it beautifully.
Will win: Chazelle
Other nominees: Denis Villeneuve for Arrival, Mel Gibson for Hacksaw Ridge and Kenneth Lonergan for Manchester by the Sea.

Writing (Adapted Screenplay): Moonlight will and should win this award for the reasons mentioned above. Jenkins, with the story by Tarell Alvin McCraney, is the standout in this category. Other nominees: include Arrival, Fences, Hidden Figures and Lion.

Writing (Original Screenplay): Chazelle will take the statuette in this category for a film that is as original as they come.
Should win: Lonergan for Manchester by the Sea because it’s a pull at your heartstrings kind of film that’s packs a strong punch.
Will win: Chazelle
Other nominees include Hell or High Water, The Lobster and 20th Century Women.

Best Animated Feature Film: Zootopia should and will win this award. It’s Disney and they’ve got a good track record in this category. Other nominees include Kubo and the Two Strings, Moana, My Life as a Zucchini and The Red Turtle.
The 89th Annual Academy Awards will be shown live on television here in the UK on Sunday night/Monday morning on Sky Cinena (channel 304) at 1:30 a.m. For those of you who are unable to stay up all night to watch the show, an Oscar highlights show will air on Monday night at 10:00 p.m. on Sky Living (221).

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28th Jan2017

Oscar Nominations announced (Film)

by timbaros

la-la-land-2016-001-couple-spin-dancing-twilight

Damien Chazelle’s vibrant musical La La Land has been nominated for a whopping 14 Academy Award nominations – the joint record for any film in history. This include nominations for best picture, best director, best actor for Ryan Gosling and best actress for Emma Stone.

Barry Jenkins’ coming-of-age drama Moonlight and Denis Villeneuve’s sci-fi Arrival follow on eight nominations each.

Here is a complete list of the nominations:

Here are the nominations in full.

Best Picture

Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight
Best Actress

Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Best Supporting Actress

Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Best Actor

Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Supporting Actor

Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

Best Director

Denis Villeneuve, Arrival
Mel Gibson, Hacksaw Ridge
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester by the Sea
Barry Jenkins, Moonlight

Best Adapted Screenplay

Arrival
Fences
Hidden Figures
Lion
Moonlight

Best Original Screenplay

Hell or High Water
La La Land
The Lobster
Manchester by the Sea
20th Century Women
Best Animated Feature

Kubo and the Two Strings
Moana
My Life as a Zucchini
The Red Turtle
Zootropolis

Best Film Editing

Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

Best Documentary Feature

Fire at Sea
I Am Not Your Negro
Life, Animated
O.J.: Made in America
13th

Best Foreign Language Film

Land of Mine
A Man Called Ove
The Salesman
Tanna
Toni Erdmann
Best Original Score

Jackie
La La Land
Lion
Moonlight
Passengers

Best Original Song

“Audition (The Fools Who Dream),” La La Land
“Can’t Stop the Feeling,” Trolls
“City of Stars,” La La LAnd
“The Empty Chair,” Jim: The James Foley Story
“How Far I’ll Go,” Moana

Best Cinematography

Arrival
La La Land
Lion
Moonlight
Silence

Best Production Design

Arrival
Fantastic Beasts and Where to Find Them
Hail, Caesar!
La La Land
Passengers
Best Makeup and Hairstyling

A Man Called Ove
Star Trek Beyond
Suicide Squad

Best Costume Design

Allied
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Visual Effects

Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best Sound Editing

Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Sound Mixing

Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours: The Secret Soldiers of Benghazi

Best Documentary Short

Extremis
4.1 Miles
Joe’s Violin
Watani: My Homeland
The White Helmets

Best Live Action Short

Ennemis Intérieurs
La Femme et le TGV
Silent Nights
Sing
Timecode

Best Animated Short

Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl
Piper

 

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20th Mar2016

Suffragette (DVD)

by timbaros

‘Suffragette’ is the story of the women who battled for equals right in London in the 1910’s, and it’s a must see

The plight of the British women who fought for the right to vote is beautifully told in the excellent film ‘Suffragette.’

‘Suffragette’ is told through the eyes Maud Watts (Carey Mulligan) in London, 1912. She works in a local factory, the Glass House Laundry in Bethnal Green, is married to fellow factory worker Sonny Watts (Ben Whishaw) and they have a young son. Watts has actually been a part of the factory since she was very young: her mother worked in the same factory and would strap her to her back when she went to work. Her mother died when she was four and Maud started working part-time there at the age of 7. At the age of 12, she started working full-time. She’s now a lead washer where she makes 13 schillings a week (compared to the salary a man is paid for the same job – 19 schillings a week). Watts has also been sexually molested by the hard core boss Norman Taylor (Geoff Bell). One day Watts is asked to accompany another women who’s to speak at Parliament about women’s working conditions and a bill to give women the right to vote. Watts wasn’t supposed to speak, but the other woman, Mrs. Violet Miller (Anne-Marie Duff) had been beaten up and didn’t look presentable, so Watts is thrust into giving the preprepared speech. Watts speaks from her heart, and from her experience, ignoring the script that was written. This lights something within Watts and turns her into an activist. She gets more more disgusted at the lack of women’s rights, and even more so when she sees young factory worker Maggie Miller (Grace Stotter), Violet’s daughter, being groped by Taylor in his office. Taylor is a sexual predator who believe women have no rights, and he tells Watts to ‘leave the vote to us.’

But Watts’ pleas to Parliament are not enough. They say that there is not enough evidence to support the bill. The women rebel in front of the Houses of Parliament; many are thrown to the ground by the police with little regard for the women’s safety. Some, including Watts, and fellow protestor Edith Ellyn (Helena Bonham Carter), are sent to jail, where they are humiliatingly stripped naked. But this doesn’t deter them, and this leads to Watts becoming a member of the ever increasing suffragettes – a group of women working full-time to advance the rights of women. The Suffragettes are led by Emmeline Pankhurst (Meryl Streep) – a woman who has given up her life to further the cause. She’s also in hiding for fear of getting arrested for leading the movement (during those times women had very little rights). Determined police inspector Arthur Steed (Brendan Gleeson) puts the women under surveillance – he won’t let them carry on with their protesting and letter box bombings – he wants them all arrested, especially Pankhurst, and calls the women the “East London ladies.” But Pankhurst rallies the women – she tells them at a gathering in a speech from a balcony “We would rather be lawmakers, not lawbreakers.” The women continue their protesting, even resorting to bombing an M.P.’s house, just to get their message across. But Watts eventually loses more than what she bargained for, but she’s more determined than ever to fight for the cause.
‘Suffragette’ tracks the foot soldiers of the early UK feminist movement, working class women who were forced to go into hiding to pursue equality. They were willing to risk, in their fight, their jobs, homes, families, and for some of them, their lives. And it’s a great movie. The film lies heavily on the shoulders of Mulligan’s portrayal of her character, a fictional character but someone who we route for every step of the way. It’s an unflawed performance that hopefully will see Mulligan receive an Academy Award nomination. Streep, who shares top billing, is only in the film for less than five minutes, but her character’s presence is felt all throughout the movie. Carter is perfectly cast as the local pharmacist and fellow activist, with a husband who supports her every step of the way. Carter is actually the great-granddaughter of Herbert Asquith – the Prime Minister during the time this movie takes place. Director Sarah Gavron (Brick Lane), working from a script by Abi Morgan (The Iron Lady), successfully and beautifully blends in actual footage of the real protestors into the film, in a film that effectively uses dark lighting and unglamorous costumes to set the mood of the times. And while the plot may be familiar (the recent Made in Dagenham follows a similar plotline), ‘Suffragette’ is an important film to highlight what women did to get equal rights. And we have to be reminded that they are still fighting, and in some countries around the world (Saudi Arabia), women still have very little or no rights.

‘Suffragette’ is now available on DVD


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12th Oct2015

Suffragette (Film)

by timbaros

110414SH_18307.nefThe plight of the British women who fought for the right to vote is beautifully told in the excellent film ‘Suffragette.’

‘Suffragette’ is told through the eyes Maud Watts (Carey Mulligan) in London, 1912. She works in a local factory, the Glass House Laundry in Bethnal Green, is married to fellow factory worker Sonny Watts (Ben Whishaw) and they have a young son. Watts has actually been a part of the factory since she was very young: her mother worked in the same factory and would strap her to her back when she went to work. Her mother died when she was four and Maud started working part-time there at the age of 7. At the age of 12, she started working full-time. She’s now a lead washer where she makes 13 schillings a week (compared to the salary a man is paid for the same job – 19 schillings a week). Watts has also been sexually molested by the hard core boss Norman Taylor (Geoff Bell). One day Watts is asked to accompany another women who’s to speak at Parliament about women’s working conditions and a bill to give women the right to vote. Watts wasn’t supposed to speak, but the other woman, Mrs. Violet Miller (Anne-Marie Duff) had been beaten up and didn’t look presentable, so Watts is thrust into giving the preprepared speech. Watts speaks from her heart, and from her experience, ignoring the script that was written. This lights something within Watts and turns her into an activist. She gets more more disgusted at the lack of women’s rights, and even more so when she sees young factory worker Maggie Miller (Grace Stotter), Violet’s daughter, being groped by Taylor in his office. Taylor is a sexual predator who believe women have no rights, and he tells Watts to ‘leave the vote to us.’

But Watts’ pleas to Parliament are not enough. They say that there is not enough evidence to support the bill. The women rebel in front of the Houses of Parliament; many are thrown to the ground by the police with little regard for the women’s safety. Some, including Watts, and fellow protestor Edith Ellyn (Helena Bonham Carter), are sent to jail, where they are humiliatingly stripped naked. But this doesn’t deter them, and this leads to Watts becoming a member of the ever increasing suffragettes – a group of women working full-time to advance the rights of women. The Suffragettes are led by Emmeline Pankhurst (Meryl Streep) – a woman who has given up her life to further the cause. She’s also in hiding for fear of getting arrested for leading the movement (during those times women had very little rights). Determined police inspector Arthur Steed (Brendan Gleeson) puts the women under surveillance – he won’t let them carry on with their protesting and letter box bombings – he wants them all arrested, especially Pankhurst, and calls the women the “East London ladies.” But Pankhurst rallies the women – she tells them at a gathering in a speech from a balcony “We would rather be lawmakers, not lawbreakers.” The women continue their protesting, even resorting to bombing an M.P.’s house, just to get their message across. But Watts eventually loses more than what she bargained for, but she’s more determined than ever to fight for the cause.

‘Suffragette’ tracks the foot soldiers of the early UK feminist movement, working class women who were forced to go into hiding to pursue equality. They were willing to risk, in their fight, their jobs, homes, families, and for some of them, their lives. And it’s a great movie. The film lies heavily on the shoulders of Mulligan’s portrayal of her character, a fictional character but someone who we route for every step of the way. It’s an unflawed performance that hopefully will see Mulligan receive an Academy Award nomination. Streep, who shares top billing, is only in the film for less than five minutes, but her character’s presence is felt all throughout the movie. Carter is perfectly cast as the local pharmacist and fellow activist, with a husband who supports her every step of the way. Carter is actually the great-granddaughter of Herbert Asquith – the Prime Minister during the time this movie takes place. Director Sarah Gavron (Brick Lane), working from a script by Abi Morgan (The Iron Lady), successfully and beautifully blends in actual footage of the real protestors into the film, in a film that effectively uses dark lighting and unglamorous costumes to set the mood of the times. And while the plot may be familiar (the recent Made in Dagenham follows a similar plotline), ‘Suffragette’ is an important film to highlight what women did to get equal rights. And we have to be reminded that they are still fighting, and in some countries around the world (Saudi Arabia), women still have very little or no rights.

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15th Jan2015

Oscar Nominations Announced – Film

by timbaros

Oscars-560x315LOS ANGELES, CA — Directors Alfonso Cuarón and J.J. Abrams, actor Chris Pine and Academy President Cheryl Boone Isaacs announced the nominations for the 87th Academy Awards® today (January 15). For the first time, nominees in all 24 categories were announced live.

“Birdman” and “The Grand Budapest Hotel” led nominations for the 87th Academy Awards, each earning nine nominations to top all films.

“Birdman,” subtitled “The Unexpected Virtue of Ignorance” stars Michael Keaton as a former superhero actor trying to revive his career and his life by mounting a Broadway play.

It earned nominations for best picture, best actor for Keaton, director Alejandro Gonzalez Inarritu, supporting actor (Edward Norton), supporting actress (Emma Stone), original screenplay and cinematography, as well as some technical nods.

Others receiving nominations for best picture are “American Sniper,” “Boyhood,” “The Imitation Game,” “The Theory of Everything,” “Selma,” “The Grand Budapest Hotel” and “Whiplash.”

“The Grand Budapest Hotel,” about the denizens of a European hotel in the years between the world wars, has just won best comedy/musical at the Golden Globes (defeating “Birdman,” among others). The film was nominated for best picture and director (Wes Anderson), along with original screenplay, cinematography, score and a host of other awards.

“The Imitation Game” received eight nominations. The drama stars Benedict Cumberbatch as British mathematician Alan Turing, who helped break the Germans’ Enigma coding machine in World War II and was a pioneer of computer science.

Cumberbatch earned a best actor nomination to go along with the film’s nods for picture, director (Morten Tyldum) and supporting actress (Keira Knightley).

“Boyhood,” which won the Golden Globe for best drama, also performed well, earning six nods. Director Richard Linklater picked up a nomination, as did supporting performers Ethan Hawke and Patricia Arquette. The movie follows the maturation of a child over 12 years and was filmed for a week or two each year so that audiences could see the actors age in real time.

There were no major surprises in the big categories, though Mr. Turner was shout out of the major awards, and Selma only picked up a Best Picture nomination. Meryl Streep, as expected, picked up a Best Supporting Actress nomination for Into the Woods – her 19th nomination.

The 87th Academy Awards will take place Sunday, February 22, at Hollywood’s Dolby Theatre. Neil Patrick Harris will host. The show airs on ABC.

Best Picture
American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash
Best Actor
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything
Best Actress
Marion Cotillard, Two Days, One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Best Supporting Actor
Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
JK Simmons, Whiplash
Best Supporting Actress
Patricia Arquette, Boyhood
Laura Dern, Wild
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into the Woods

Best Director
Wes Anderson, The Grand Budapest Hotel
Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Morten Tyldum, The Imitation Game
Best Adapted Screenplay
American Sniper, Jason Hall
The Imitation Game, Graham Moore
Inherent Vice, Paul Thomas Anderson
The Theory Of Everything, Anthony McCarten
Whiplash, Damien Chazelle
Best Original Screenplay
Birdman, Or (The Unexpected Virtue Of Ignorance), Alejandro G. Inarritu, Nicholas Giacobone, Alexander Dinelaris, Jr., and Armando Bo
Boyhood, Richard Linklater
Foxcatcher, E. Max Frye and Dan Futterman
The Grand Budapest Hotel, Wes Anderson and Hugo Guinness
Nightcrawler, Dan Gilroy
Best Animated Feature
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya
Best Foreign Language Film
Ida
Leviathan
Tangerines
Timbuktu
Wild Tales
Best Documentary Feature
CitizenFour
Finding Vivian Maier
Last Days in Vietnam
The Salt of the Earth
Virunga
Best Production Design
The Grand Budapest Hotel Adam Stockhausen (Production Design); Anna Pinnock (Set Decoration)
The Imitation Game Maria Djurkovic (Production Design); Tatiana Macdonald (Set Decoration)
Interstellar Nathan Crowley (Production Design); Gary Fettis (Set Decoration)
Into the Woods Dennis Gassner (Production Design); Anna Pinnock (Set Decoration)
Mr. Turner Suzie Davies (Production Design); Charlotte Watts (Set Decoration)
Best Cinematography
Birdman
The Grand Budapest Hotel
Ida
Mr. Turner
Unbroken
Best Costume Design
The Grand Budapest Hotel
Inherent Vice
Into The Woods
Maleficent
Mr. Turner
Best Editing
American Sniper
Boyhood
The Grand Budapest Hotel
The Imitation Game
Whiplash
Best Makeup And Hairstyling
Foxcatcher
The Grand Budapest Hotel
Guardians of the Galaxy
Best Score
The Grand Budapest Hotel
The Imitation Game
Interstellar
Mr. Turner
The Theory of Everything
Best Original Song
“Everything is Awesome,” The LEGO Movie
“Glory,” Selma
“Grateful,” Beyond the Lights
“I’m Not Gonna Miss You,” Glen Campbell… I’ll Be Me
“Lost Stars,” Begin Again
Best Sound Editing
American Sniper Alan Robert Murray and Bub Asman
Birdman or (The Unexpected Virtue of Ignorance) Martin Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies Brent Burge and Jason Canovas
Interstellar Richard King
Unbroken Becky Sullivan and Andrew DeCristofaro
Best Sound Mixing
American Sniper John Reitz, Gregg Rudloff and Walt Martin
Birdman or (The Unexpected Virtue of Ignorance) Jon Taylor, Frank A. Montaño and Thomas Varga
Interstellar Gary A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken Jon Taylor, Frank A. Montaño and David Lee
Whiplash Craig Mann, Ben Wilkins and Thomas Curley
Best Visual Effects
Captain America: The Winter Soldier Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
Interstellar Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
X-Men: Days of Future Past Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer
Best Animated Short
The Bigger Picture Daisy Jacobs and Christopher Hees
The Dam Keeper Robert Kondo and Dice Tsutsumi
Feast Patrick Osborne and Kristina Reed
Me and My Moulton Torill Kove
A Single Life Joris Oprins
Best Documentary Short
Crisis Hotline: Veterans Press 1 Ellen Goosenberg Kent and Dana Perry
Joanna Aneta Kopacz
Our Curse Tomasz Śliwiński and Maciej Ślesicki
The Reaper (La Parka) Gabriel Serra Arguello
White Earth J. Christian Jensen
Best Live Action Short
Aya Oded Binnun and Mihal Brezis
Boogaloo and Graham Michael Lennox and Ronan Blaney
Butter Lamp (La Lampe au Beurre de Yak) Hu Wei and Julien Féret
Parvaneh Talkhon Hamzavi and Stefan Eichenberger
The Phone Call Mat Kirkby and James Lucas

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