25th Feb2017

Academy Award Predictions (Film)

by timbaros

464191912_oscar-academy-awards-zoom-bb836c56-be14-43f3-9559-a4bd8253d5b7It’s been a great year for movies, and it all culminates on Sunday night with the award show to end all award shows – the Academy Awards. Herewith are my annual predictions as to what should win, and more importantly, what will win:

Best Picture:
The Academy saw it fit to nominate 9 films in this category (why not round it to 10? Perhaps Jackie or The Lobster?).
Almost all the films nominated in this category deserve to be here, with the exception of Arrival – it just wasn’t that good!
Should win: Moonlight – a beautifully told film about a young black man growing up gay in Miami. It could slip through and win on the heals of it’s rave reveiws and the ‘Oscars so White’ campaign of last year, but ‘La La Land’ is still the odds-on favorite to win.
Will win: La La Land. Hollywood loves films about itself (remember the all-star movie ‘Crash’ which shockingly won ten years ago over Brokeback Mountain?) La La Land has picked up the BAFTA and the Golden Globe awards – and it’s on track to win this category – even though it is not an excellent film.
Other nominees: Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, Lion and Manchester by the Sea

Best Actor:
There is no contest in this category. Casey Affleck will deservedly win for his performance as a man struck by tragedy and who who has to raise the teenage son of his dead brother in Manchester by the Sea. None of the other acting nominees stand a chance as Affleck has won every award for this performance. He’s a much better actor than his brother, Ben.
Should and will win: Affleck
Other nominees: Andrew Garfield for Hacksaw Ridge, Ryan Gosling for La La Land, Viggo Mortensen for Captain Fantastic and Denzel Washington for Fences.

Best Actress:
This category is hard to call. It’s a three-way race, and it’s anyone’s guess as to whose name will appear on the envelope. Emma Stone has won the BAFTA and Golden Globe (Comedy or Musical) for La La Land, however, Isabelle Huppert also won a Golden Globe (Drama) and is the sentimental favorite for her performance in Elle where she plays a woman who tracks down the man who raped her. A few months ago this award would’ve gone to Natalie Portman for her stunning performance in Jackie, however, the film was not great and it failed to get Best Picture, director or writing nominations. I’m not too sure why Meryl Streep in Florence Foster Jenikins was included, her performance was OK but Viola Davis for Fences really does belong in this category and not Supporting Actress.
Should win: Huppert – she is one of the France’s most iconic actress of all time and she’s been ignored by the Academy until now. She’s been nominated for the César Award (French Oscars) 16 times.
Will win: Stone. She will piggy-back on La La Land’s momentum on the night and win in this category.
Other nominee: Ruth Negga for Loving.

Best Supporting Actor: This is a category where any one of the actors nominated deserves to win. Dev Patel just won the BAFTA for Lion, while Mahershala Ali is gaining momentum for his portrayal of a drug dealer who befriends a young black child in Moonlight, and Jeff Bridges’ rancher in Hell or High Water has won several film critics awards. Michael Shannon was the second best thing in Nocturnal Animals – however, it was Aaron Taylor Johnson who had the meatiest role – he should’ve also been nominated in this category (he won the Golden Globe) but wasn’t.
Should win: Mahershalla Ali’s performance was exquisite.
Will win: Ali.
Other nominee is Lucas Hedges for Manchester by the Sea

Supporting Actress: This is the easiest category to call. Viola Davis has it all sewn up for her role in Fences where she plays Denzel Washington’s suffering wife. It’s a role thats leading and not supporting, but she’s in this category and will win. The other women don’t even stand a chance.
Should and will win: Davis
Other nominees: Naomie Harris for Moonlight, Nicole Kidman for Lion, Octavia Spencer for Hidden Figures, and Michelle Williams for Manchester by the Sea.

Best Director: Damien Chazelle will win for La La Land as it’s the film to beat, an award he’s getting for his celebration of Los Angeles/Hollywood in his film. He’s won almost every other directing award this year, including the all-important Directors Guild of America Award which guarantees him a win in this category.
Should win: Barry Jenkins for Moonlight. It’s a film that’s different in so many ways – it’s about struggle, race, discrimination, acceptance, homophobia – themes that are so relevant in today’s crazy political environment, and Jenkins captures it beautifully.
Will win: Chazelle
Other nominees: Denis Villeneuve for Arrival, Mel Gibson for Hacksaw Ridge and Kenneth Lonergan for Manchester by the Sea.

Writing (Adapted Screenplay): Moonlight will and should win this award for the reasons mentioned above. Jenkins, with the story by Tarell Alvin McCraney, is the standout in this category. Other nominees: include Arrival, Fences, Hidden Figures and Lion.

Writing (Original Screenplay): Chazelle will take the statuette in this category for a film that is as original as they come.
Should win: Lonergan for Manchester by the Sea because it’s a pull at your heartstrings kind of film that’s packs a strong punch.
Will win: Chazelle
Other nominees include Hell or High Water, The Lobster and 20th Century Women.

Best Animated Feature Film: Zootopia should and will win this award. It’s Disney and they’ve got a good track record in this category. Other nominees include Kubo and the Two Strings, Moana, My Life as a Zucchini and The Red Turtle.
The 89th Annual Academy Awards will be shown live on television here in the UK on Sunday night/Monday morning on Sky Cinena (channel 304) at 1:30 a.m. For those of you who are unable to stay up all night to watch the show, an Oscar highlights show will air on Monday night at 10:00 p.m. on Sky Living (221).

Off
28th Jan2017

Oscar Nominations announced (Film)

by timbaros

la-la-land-2016-001-couple-spin-dancing-twilight

Damien Chazelle’s vibrant musical La La Land has been nominated for a whopping 14 Academy Award nominations – the joint record for any film in history. This include nominations for best picture, best director, best actor for Ryan Gosling and best actress for Emma Stone.

Barry Jenkins’ coming-of-age drama Moonlight and Denis Villeneuve’s sci-fi Arrival follow on eight nominations each.

Here is a complete list of the nominations:

Here are the nominations in full.

Best Picture

Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight
Best Actress

Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Best Supporting Actress

Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Best Actor

Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Supporting Actor

Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

Best Director

Denis Villeneuve, Arrival
Mel Gibson, Hacksaw Ridge
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester by the Sea
Barry Jenkins, Moonlight

Best Adapted Screenplay

Arrival
Fences
Hidden Figures
Lion
Moonlight

Best Original Screenplay

Hell or High Water
La La Land
The Lobster
Manchester by the Sea
20th Century Women
Best Animated Feature

Kubo and the Two Strings
Moana
My Life as a Zucchini
The Red Turtle
Zootropolis

Best Film Editing

Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

Best Documentary Feature

Fire at Sea
I Am Not Your Negro
Life, Animated
O.J.: Made in America
13th

Best Foreign Language Film

Land of Mine
A Man Called Ove
The Salesman
Tanna
Toni Erdmann
Best Original Score

Jackie
La La Land
Lion
Moonlight
Passengers

Best Original Song

“Audition (The Fools Who Dream),” La La Land
“Can’t Stop the Feeling,” Trolls
“City of Stars,” La La LAnd
“The Empty Chair,” Jim: The James Foley Story
“How Far I’ll Go,” Moana

Best Cinematography

Arrival
La La Land
Lion
Moonlight
Silence

Best Production Design

Arrival
Fantastic Beasts and Where to Find Them
Hail, Caesar!
La La Land
Passengers
Best Makeup and Hairstyling

A Man Called Ove
Star Trek Beyond
Suicide Squad

Best Costume Design

Allied
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Visual Effects

Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best Sound Editing

Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Sound Mixing

Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours: The Secret Soldiers of Benghazi

Best Documentary Short

Extremis
4.1 Miles
Joe’s Violin
Watani: My Homeland
The White Helmets

Best Live Action Short

Ennemis Intérieurs
La Femme et le TGV
Silent Nights
Sing
Timecode

Best Animated Short

Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl
Piper

 

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15th Jan2017

Gay and Lesbian Film Critics announce their film award nominations (Film)

by timbaros

ml_web‘Moonlight’ leads the list of nominations for the Gay and Lesbian Entertainment Critics Association (GALECA) Dorian Awards.

Director Barry Jenkins story of growing up gay in Miami was nominated in both Film and LGBTQ Film of the year categories. It was also nominated for it’s screenplay and directing for Jenkins, as well as Mahershala Ali and Trevante Rhodes as Film Performance of the Year – Male, and it was also nominated for Visually Striking Film of the Year.

‘Moonlight’ will compete in the best film category along with ‘Jackie,’ ‘La La Land,’ ‘Manchester by the Sea,’ and ‘20th Century Women.’ ‘Jackie’ also received nominations for Film Performance of the Year – Female for Natalie Portman, Director of the Year (Pablo Larrain) and Visually Striking Film of the Year. ‘La La Land,’ which recently won 7 Golden Globe Awards, besides Film of the Year is also nominated for Director and Screenplay of the Year (for Damien Chazelle), Film Performance of the Year – Male – Ryan Gosling and Female – Emma Stone, as well as Visually Striking Film of the Year. Gay film director and fashion designer Tom Ford’s ‘Nocturnal Animals’ was all but ignored by the Gay and Lesbian critics, yet they found a spot for it in the Campy Film of the Year category.

In addition to film and television awards, the group also nominates individuals for their overall achievements. The Timeless Star Award will be automatically presented to John Waters. The Wilde Wit of the Year, honoring a performer, writer or commenetator whose observations both challenge and amuse, includes the late Carrie Fisher amongst it’s nominees.

The Dorian winners will be announced Jan. 26. The group’s annual Winners Toast, honoring a select group of the 2016-17 winners, will be held Feb. 18, 2017 in Los Angeles.

Here is a complete list of the nominees:

Film of the Year
Jackie (Fox Searchlight)
La La Land (Summit/Lionsgate)
Manchester by the Sea (Roadside/Amazon Studios)
Moonlight (A24)
20th Century Women (A24)

Director of the Year
(Film or Television)
Barry Jenkins, Moonlight (A24)
Pablo Larraín, Jackie (Fox Searchlight)
Kenneth Lonergan, Manchester By the Sea (Roadside/Amazon Studios)
Park Chan-wook, The Handmaiden (Amazon Studios)
Damien Chazelle, La La Land (Summit/Lionsgate)

Film Performance of the Year — Actress
Annette Bening, 20th Century Women (A24)
Viola Davis, Fences (Paramount)
Isabelle Huppert, Elle (Sony Classics)
Emma Stone, La La Land (Summit/Lionsgate)
Natalie Portman, Jackie (Fox Searchlight)

Film Performance of the Year — Actor
Casey Affleck, Manchester by the Sea (Roadside/Amazon Studios)
Mahershala Ali, Moonlight (A24)
Ryan Gosling, La La Land (Summit/Lionsgate)
Trevante Rhodes, Moonlight (A24)
Denzel Washington, Fences (Paramount)

LGBTQ Film of the Year
Being 17 (Strand)
Closet Monster (Strand)
Moonlight (A24)
Other People (Vertical)
The Handmaiden (Amazon Studios)

Foreign Language Film of the Year
Elle (Sony Classics)
Neruda (The Orchard)
The Handmaiden (Amazon Studios)
Things to Come (Sundance Selects)
Toni Erdmann (Sony Pictures Classics)

Screenplay of the Year
Barry Jenkins, Moonlight (A24)
Efthymis Filippou, Yorgos Lanthimos, The Lobster (A24)
Damien Chazelle, La La Land (Summit/Lionsgate)
Kenneth Lonergan, Manchester by the Sea (Roadside/Amazon Studios)
Mike Mills, 20th Century Women (A24)

Documentary of the Year
(theatrical release, TV airing or DVD release)
I Am Not Your Negro (Magnolia)
O.J. Made in America (ESPN Films)
13th (Netflix)
Tickled (Magnolia)
Weiner (Netflix)

Visually Striking Film of the Year
Arrival (Paramount)
Jackie (Fox Searchlight)
La La Land (Lionsgate)
Moonlight (A24)
The Handmaiden (Amazon Studios)

Unsung Film of the Year
American Honey (A24)
Captain Fantastic (Bleecker Street)
Christine (The Orchard)
Other People (Vertical)
Sing Street (The Weinstein Company)

Campy Film of the Year
Absolutely Fabulous: The Movie (Fox Searchlight)
King Cobra (IFC Midnight)
Nocturnal Animals (Focus Features)
The Dressmaker (Broadgreen/Amazon Studios)
The Neon Demon (Broadgreen/Amazon Studios)

TV Drama of the Year
Black Mirror (Netflix)
Game of Thrones (HBO)
Stranger Things (Netflix)
The Crown (Netflix)
The People v. O.J. Simpson: American Crime Story (FX)
Westworld (HBO)

TV Comedy of the Year
Atlanta (FX)
Crazy Ex-Girlfriend (CW)
Insecure (HBO)
Transparent (Amazon)
Veep (FX)

TV Performance of the Year — Actor
Riz Ahmed, The Night Of (HBO)
Sterling K. Brown, The People v. O.J. Simpson (FX)
Donald Glover, Atlanta (FX)
Jeffrey Tambor, Transparent (Amazon)
Courtney B. Vance, The People v. O.J. Simpson (FX)

TV Performance of the Year — Actress
Claire Foy, The Crown (Netflix)
Julia Louis-Dreyfus, Veep (HBO)
Thandie Newton, Westworld (HBO)
Sarah Paulson, American Crime Story: The People V. O.J. Simpson (FX)
Winona Ryder, Stranger Things (Netflix)

TV Current Affairs Show of the Year
Anderson Cooper 360 (CNN)
Full Frontal with Samantha Bee (TBS)
Last Week Tonight with John Oliver (HBO)
The Rachel Maddow Show (MSNBC)
Real Time with Bill Maher (HBO)

TV Musical Performance of the Year
Beyonce, “Lemonade,” MTV Video Music Awards (MTV)
Kelly Clarkson, “Piece by Piece,” American Idol (Fox)
Lady Gaga – “Til It Happens to You,” The 88th Academy Awards (ABC)
Jennifer Hudson, “I Know Where I’ve Been,” Hairspray Live! (NBC)
Kate McKinnon “Hallelujah,” Saturday Night Live (NBC)

LGBTQ TV Show of the Year
Looking: The Movie (HBO)
Orange Is the New Black (Netflix)
RuPaul’s Drag Race All-Stars (Logo)
The Real O’Neals (ABC)
Transparent (Amazon)

Unsung TV Show of the Year
Fleabag (Amazon)
Lady Dynamite (Netflix)
London Spy (BBC America)
Please Like Me (Pivot)
The Real O’Neals (ABC)

Campy TV Show of the Year
Finding Prince Charming (Logo)
Fuller House (Netflix)
Hairspray Live! (NBC)
RuPaul’s Drag Race All-Stars (Logo)
Scream Queens (Fox)
The Rocky Horror Picture Show (Fox)

We’re Wilde About You! Rising Star of the Year
Millie Bobby Brown
Lucas Hedges
Connor Jessup
Ruth Negga
Trevante Rhodes

Wilde Wit of the Year
(honoring a performer, writer or commentator whose observations both challenge and amuse)
Samantha Bee
Carrie Fisher
Bill Maher
Kate McKinnon
John Oliver

Wilde Artist of the Year
(honoring a truly groundbreaking force in the fields of film, theater and/or television)
Beyonce
Viola Davis
Barry Jenkins
Kate McKinnon
Lin-Manuel Miranda

Timeless Star
(to an actor or performer whose exemplary career is marked by character, wisdom and wit)
John Waters

Off
23rd Feb2014

Seduced & Abandoned – DVD

by timbaros

images-107

Seduced & Abandoned is not your typical documentary. It is a documentary about a film that will or will not be made. Ultimately, is this film a real film? Or was it made up just to make this documentary?

Written and Directed by James Toback (whose done very little since his 2008 Mike Tyson documentary), Seduced & Abandoned has him and Alec Baldwin trying to get financing for a movie they are looking to make. They attempt to sell their film, provisionally titled Last Tango in Tikrit (inspired by Last Tango in Paris) as a political-erotic romantic Middle Eastern adventure film, and to star Baldwin, and Neve Campbell. Filmed over 10 days at the Cannes Film Festival in 2012, Seduced & Abandoned shows Toback and Baldwin as they pitch the idea of their film, meeting all of the movers and shakers in the film business, the creme de la creme, including actors, producers, directors, agents and most importantly, financiers.
Seduced & Abandoned starts off with a brief history of the festival, along with photos of red carpet events held there over the past 65 years. Then Baldwin and Toback begin their pitch. They seek advice from esteemed and Cannes veteran directors Martin Scorsese, Roman Polanski, Francis Coppola and Bernardo Bertolucci (coupled with clips of their films montaged with the interviews). Then Toback and Baldwin start their mission of trying to get money from anyone who wants to give it to them. They pitch their idea of their film to very very wealthy people, people who can easily afford to write them a check for $20 million. People such as Denise Rich (who tells them she only invests in things that she believes in), Taki Theodoracopulos (where they are seen lunching on his yatch), Jean Pigozzi (who doesn’t commit to anything), and, among others, Arpad Busson, who doesn’t have a lot to say to both men. Also, none are too keen with the choice of Campbell as a leading lady. They also speak to actresses Jessica Chastain and Diane Kruger, asking them if they would like to be in their film. Neither of them are convinced. Ryan Gosling joins them for an interview – with him musing about how he got his break in Hollywood and what it takes to be an actor in the film business. All of these interviews are split-screened with scenes from each of their films. And Cannes is captured as the madcap film festival where deals are done, stars are made, and the red carpet is the place to be seen.
But is Seduced & Abandoned a joke about the film business? Or is it a joke about the making of a non-realistic film? What it is about is what film critic Pauline Kael once said – ‘true moviemaking fever’. People are seduced by the premise of making a film, the glamour, the profile, the seduction of the film business. Yet most of the time people are left abandoned, the film never gets made. In this case, it is more of a question of what were Baldwin and Toback trying to get out of this? Surely, their film was actually never going to be made. So what we have here is a movie about them making a movie that is in turn about making movies. Yet, whose time has been wasted: The financiers they spoke to, very busy and influential men who can make deals happen with the stroke of a pen? Or our time, watching a documentary about a film that will never be made. You decide. Seduced & Abandoned is now out on DVD.
10th Nov2013

Seduced & Abandoned – Film

by timbaros

images-24Seduced & Abandoned is not your typical documentary. It is a documentary about a film that will or will not be made. Ultimately, is this film a real film? Or was it made up just to make this documentary?

Written and Directed by James Toback (whose done very little since his 2008 Mike Tyson documentary), Seduced & Abandoned has him and Alec Baldwin trying to get financing for a movie they are looking to make. They attempt to sell their film, provisionally titled Last Tango in Tikrit (inspired by Last Tango in Paris) as a political-erotic romantic Middle Eastern adventure film, and to star Baldwin, and Neve Campbell. Filmed over 10 days at the Cannes Film Festival in 2012, Seduced & Abandoned shows Toback and Baldwin as they pitch the idea of their film, meeting all of the movers and shakers in the film business, the creme de la creme, including actors, producers, directors, agents and most importantly, financiers.
Seduced & Abandoned starts off with a brief history of the festival, along with photos of red carpet events held there over the past 65 years. Then Baldwin and Toback begin their pitch. They seek advice from esteemed and Cannes veteran directors Martin Scorsese, Roman Polanski, Francis Coppola and Bernardo Bertolucci (coupled with clips of their films montaged with the interviews). Then Toback and Baldwin start their mission of trying to get money from anyone who wants to give it to them. They pitch their idea of their film to very very wealthy people, people who can easily afford to write them a check for $20 million. People such as Denise Rich (who tells them she only invests in things that she believes in), Taki Theodoracopulos (where they are seen lunching on his yatch), Jean Pigozzi (who doesn’t commit to anything), and, among others, Arpad Busson, who doesn’t have a lot to say to both men. Also, none are too keen with the choice of Campbell as a leading lady. They also speak to actresses Jessica Chastain and Diane Kruger, asking them if they would like to be in their film. Neither of them are convinced. Ryan Gosling joins them for an interview – with him musing about how he got his break in Hollywood and what it takes to be an actor in the film business. All of these interviews are split-screened with scenes from each of their films. And Cannes is captured as the madcap film festival where deals are done, stars are made, and the red carpet is the place to be seen.
But is Seduced & Abandoned a joke about the film business? Or is it a joke about the making of a non-realistic film? What it is about is what film critic Pauline Kael once said – ‘true moviemaking fever’. People are seduced by the premise of making a film, the glamour, the profile, the seduction of the film business. Yet most of the time people are left abandoned, the film never gets made. In this case, it is more of a question of what were Baldwin and Toback trying to get out of this? Surely, their film was actually never going to be made. So what we have here is a movie about them making a movie that is in turn about making movies. Yet, whose time has been wasted: The financiers they spoke to, very busy and influential men who can make deals happen with the stroke of a pen? Or our time, watching a documentary about a film that will never be made. You decide.