THE ENTERTAINMENT WEBSITE

Now playing at the fabulous (and best venue in London) The Palladium, Joseph & the Amazing Technicolor Dreamcoat boasts a cast that is first rate and leaves the audience wanting more. The show, based on the ‘Coat of many colours’ story of Joseph from the Bible’s Book of Genesis, begins with Joseph (Jac Yarrow) being given a colourful coat by his dad. He’s then sold into slavery by his jealous bothers, and then climbs back to the top. The show is considered a camp classic and this version puts it over the top!

Sheridan Smith is very good as the narrator – she guides us through the show effortlessly, and cheekily – it looks like she is having as good a time as we are. Jason Donovan makes an all too very brief appearance as the Pharaoh (with an excellent Elvis Presley-like imitation), in his gold harness-style outfit dutifully displaying most of his upper torso and legs – Jason has still got it. Yarrow, making his West End debut, is absolute perfection as the main character Joseph. Currently training at the Arts Educational School, Yarrow is the strongest voice in the show, and his rendition of ‘Close Every Door’ right before the end of the first half literally brings down the house. It’s a stunning West End debut by someone so young and very talented (he is only 21). And Donovan, who played Joseph in a 1991 version (also at the Palladium, has come full circle and weathered it very very well.

The show does not rely on razzle dazzle sets and special effects – it’s all about the actors and talent on stage – and they more than deliver. The sets are effortlessly perfect, and the cast of children, most of them playing adult characters (a few with fake beards) make the show charming and enduring. But the show, on the technical side on the night I saw it, had sound problems. The audience could not quite understand Donovans’ lyrics, while, in a show that is mostly sung and not spoken, makes a big impact on the storytelling for those of us seeing it for the first time. But’s it a minor quibble – Joseph and the Amazing Technicolor Dreamcoat (written by by a very young Andrew Lloyd Webber and Tim Rice) is lively and fun and should continue to bring this to audiences to come, probably for the next 49 years.

Malkovich, star of screen and stage (70 films in total including ‘Empire of the Sun’ and Burn After Reading), and playwright David Mamet (Glengarry Glen Ross, Speed the Plow) are where the blames lie in a show that tries to deal with an issue that is very timely but in this stage production is poorly executed. Malkovich is super-rich movie mogul Barney Fein who thinks and makes decisions with his nether regions. All likeliness to Harvey Weinstein is purely coincidental (!!). In this satire that is far from funny, Fein’s life is managed by his loyal assistant (Doon Mackichan). He even relies on her to get a gift for his mothers birthday (his mother owns the company) -strangely the same scarf she got her the year before. And then there is another assistant (Alexander Arnold) who has no other function then just to walk in from time to time (including at the end where he announces that there is a man with a gun in the lobby – the same man who kills Feins’ mother in the second half – not shown) – all very silly and unbelievable. But before we get to this we are witness to an attempt by Fein to get young  British-Korean actress and Cambridge grad Yung Kim Li (Ioanna Kimbook), who’s flown in to meet him, into a sexual liaison (all she wants is to eat after a long flight). Fein first asks her for a massage, and then finally asks her if she would watch him take a shower. It’s all very creepy and weird. And the show, at only 110 minutes long, (it also has an interval,) continues on a downward spiral that becomes shockingly dumb and just as quick as Weinteins’ downfall. Malkovich is just not convincing enough and delivers his lines likes he’s reading them, while Mamet, who wrote and directed, knows better than to stage a show this bad. Avoid at all costs.