06th Sep2020

Socrates (Film)

by timbaros
Socrates_Select1-624x374A young man tries to find his way in life after the sudden death of his mother in the new film ‘Socrates.’
’Socrates,’ now in cinemas and streaming online, is an emotional and sad story of 15-year old Socrates (Christian Malheiros), who with his mom, a cleaner, live on the margins of society in a favela in São Paulo  His sick mom suddenly dies in their small apartment, and leaves Socrates alone, and crushed. Determined to make it on his own, he does everything he can to find a job to pay the rent, which is way overdue. He even tries to take over his mom’s job but, being underage, the boss says it is not possible. With nowhere to turn, he ends up getting a construction job, where he hauls equipment back and forth. His co-worker, Maicon (Tales Ordakhi) picks a fight with him, but this is a distraction because Maicon likes Socrates, and suddenly (perhaps a bit too sudden), Socrates finds himself at Maicon’s apartment where they fall into each others arms and get it on. In light of this unbelievable plot point, Socrates still has to struggle to pay the rent and survive, and when his long lost father shows up to take him (as he is a minor), Socrates runs away. Things go from bad to worse when he is kicked out of the apartment and has nowhere to live. With no help from social services, and not wanting help from his father, and with Maicon busy with other responsibilities, Socrates fights to survive in a world that seems to be putting roadblocks in his way.
Executive produced by Academy Award-nominated Brazilian director Fermando Meirelles (‘City of God’), ‘Socrates’ brutally shows us what it’s like to grow up poor (and gay) in one of the worlds largest cities. Malheiros is superb as the downtrodden Socrates (he has won two film festival awards for his performance and won the ’Someone to Watch’ award at the 2019 Independent Spirit Awards), while other cast members hold their own. Directed by Alexandre Moratto working with a script written by himself and Thayna Mantesso, ’Socrates’ is a film you won’t easily forget. And while the gay aspect of this film is unbelievable and a bit irrelevant, the story as a whole is about resilience, perseverance, and hope against all odds. 
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05th Sep2020

Linga Franca (Film)

by timbaros

Still 1_ Isabel Sandoval as “Olivia” in LINGUA FRANCA – photo courtesy of ARRAY‘Linga Franca’ follows the story of an undocumented Filipina transwoman Olivia (Isabel Sandoval) in Brooklyn’s Brighton Beach Russian neighbourhood. 

Olivia is the live-in caregiver for elderly feeble Russian Olga (Lynn Cohen – remarkable). Olivia has yet to get her green card, and she’s vulnerable to getting kicked out of the country in Donald Trumps fetish for kicking out illegal aliens – it’s his rhetoric and voice that permeates in the background of the film. Olivia’s best friend and fellow Filipina transgender friend Trixie (Ivory Aquino) has found happiness with a good-looking American man and is more or less guaranteed a green card. 

One day Olga’s Grandson Alex (Eamon Farren) returns from being away for a year – he’s the black sheep of the family. He stays with Olga and Olivia in Olga’s house and gets a job in a meat factory owned by his uncle. 

Sure enough you can guess what happens next. Alex is attracted to Olivia and perhaps all too suddenly they fall into each other’s arms and make love. But is this what Olivia really wants? She had just been dumped by a guy who promised her the world, and Olivia, who was at a loose end and desperate, should’ve welcomed this new man in her life, but she doesn’t. We never really get to understand what makes Olivia tick and what will indeed make her happy. 

While ‘Lingua Franca’ is a very sensual and provocative film, we never really get to the heart and soul of Olivia. And the love affair between Olivia and Alex is a bit too easy. And while the direction and writing by Sandoval herself is delicate and moving, she brings us into already chartered territory (it’s hard to top 2017’s ‘A Fantastic Woman’). ‘Lingua Franca’ may frustrate you a bit but it’s saved by terrific acting – especially by Cohen (she played Miranda’s housekeeper in ‘Sex and the City’), who unfortunately passed away earlier this week.

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02nd Sep2020

Sleepless – Theatre

by timbaros

Sleepless Artwork

The West End is back, and it’s in Wembley!
’Sleepless’ the first major stage productions to open up in London in 6 months (Regent’s Park Open Air Theatre opened in Mid-August with ‘Jesus Christ Superstar’). Originally scheduled to open on April 1st, it was sidelined, like all other productions, until further notice. But now it is here, and it’s a fun and lively show that will keep you entertained and emotional, not just because of the romantic plot but also because it’s a real live show that you’ll be watching, and not a taped show on your laptop!
Playing at the Troubadour Wembley Park Theatre, in, yes Wembley (not quite the West End), ‘Sleepless’ is based on the 1993 hit film ‘Sleepless in Seattle’ (which starred Meg Ryan and Tom Hanks). And while stars Jay McGuiness and Kimberly Walsh are no Hanks and Ryan, they make a fantastic pair as a man and woman who are destined to be together.
If you don’t know the plot, McGuiness is single father Sam. His wife passed away a year ago and he is left with young son Jonah. Jonah calls into a radio station to announce that his father is available to meet someone new, very much to Sam’s dismay. Enter Walsh’s Annie, a journalist about to be married to the dull but romantic Walter (Daniel Casey). When Annie hears about Jonah’s plea, she somehow feels that for her it’s a true calling, and she decides on a rendevous time and place in the hopes that Sam will be there and then. Of course, Sleepless ends on a happy note, and without giving too much away it’s happily ever after, with toe-tapping songs and a very good supporting cast to get us to the happy ending. While it’s not quite award-winning stuff, it gets my award for bringing a smile to people’s faces, and for ambitiously opening up.
The seating capacity at this very large and very new theatre has been reduced from 1,300 to 400. Masks are required to wear while inside the auditorium (including the bar area), temperature checks and track and trace are there as you walk into the compound, and the cast and crew are subject to daily testing. But it’s a magnificent theatre with a bar outside and inside and plenty of space to move around.
But here’s to producers Michael Rose and Damien Sanders for getting this show, a brand new one never been done before, up and running. Kudos to Michael Burdette for the book, Robert Scott and Brendan Cull (new British writers) for the music and lyrics, and the 12 piece orchestra. And kudos to the people you see on stage – they all make it look so seamless and easy, making us forget, temporarily, the events of the past 6 months. This is what theatre is all about.
https://www.youtube.com/watch?v=HrEKCrlhMs4&feature=youtu.be

SLEEPLESS, A Musical Romance

25 August – 27 September 2020

Troubadour Wembley Park Theatre

3 Fulton Rd

Wembley Park

London HA9 0SP

Booking until 27 September 2020

Box Office: customers@kxtickets.com

Performances:

Tuesday – Saturday at 7.45pm*

Saturday and Sunday at 3pm

*The performances on 1 September will begin at 7.00pm

Tickets: from £15

Running Time:  2 hours including interval

Age guidance: Recommended for ages 5+

People within the same household and/or social bubble may buy up to four tickets together.  All tickets will be allocated by the box office.  Please note that, up to two hours before the performance, people may exchange their tickets, should a member of their party fall ill.

Parking at Wembley Stadium will cost only £1 per car when the ticket is validated through the box office on the day of the performance.

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