23rd Apr2023

Vardy V Rooney: The Wagatha Christie (Theatre)

by timbaros
Lucy May Barker, Verna Vyas, Laura Dos Santos in Vardy v Rooney The Wagatha Christie Trial - Pamela RaithIn one corner we have Rebecca Vardy, who has been accused by the woman in the opposite corner – Coleen Rooney – of leaking personal information about her to the press, so Vardy sues Rooney for defamation, all of this cleverly put together in the play ‘Vardy V Rooney: The Wagatha Christie Trial’.

 
We all remember the tribulations, the gossip, and the salacious details that were revealed in the case which was called by the press as the trial of the century. Vardy (Lucy May Barker) and Rooney (Laura Dos Santos) slugged it out in court and we all know that Vardy was not able to prove her case (last year), that Rooney libelled her by blaming her for the leaks from her private Instagram account. Rooney was the victor, according to the judge (the actual ruling, by Judge Mrs Justice Steyn, saw Vardy’s claims as inconsistent and unfounded. There were large parts of evidence that simply did not hold up in court, or were deemed too far-fetched or implausible.’)

 
In the show, which plays out like a football match as a battle between two very famous WAGS (Wives and Girlfriends), two pundits (Halema Hussain and Nathan McMullen) give us the play by play – commentary on what is happening, what has happened, and what is about to happen – it adds quite a clever and fun twist to the trial and not allowing the show to succumb to just another play about a trial (this is definitely not ‘Witness for the Prosecution!)’
 
Writer (adaptor) Liv Hennessy has taken bit parts of the actual trial testimony and turned this into the crux of what this show is all about, the amazing, exciting and unbelievable testimony that these two women gave to the judge on the witness stand. Some of it is hard to believe (a lost phone, deletion of all messages, and Davy Jones), while one of the women keeps digging herself into a large whole, with her credibility sinking fast. But taken as satire, this show gives you food for thought on social media, celebrity and privacy, and when you combine all three, you get a situation like this. It’s the modern age of social media, and as we now know, anything is possible.

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23rd Apr2023

Ain’t Too Proud (Theatre)

by timbaros

AINT TOO PROUD, BOOK BY DOMINIQUE MORISSEAU, MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG, BASED ON THE BOOK ENTITLED THE TEMPTATIONS BY OTIS WILLIAMS WITH PATRICIA ROMANOWSKI, MUSIC BY ARRANGEMENT WITH SONY/ATV MUSIC PUBLISHING,DIRECTED BY DES MCANUFF, CHOREOGRAPHED BY SERGIO TRUJILLO, SCENIC DESIGN ROBERT BRILL, COSTUME DESIGN PAUL TAZEWELL, LIGHTING DESIGN HOWELL BINKLEY, SOUND DESIGN STEVE CANYON KENNEDY, PRODUCTION DESIGN PETER NIGRINI, PRINCE EDWARD THEATRE, 2023, Credit Johan Persson/

The story of one of the biggest selling groups of all time is now a West End show billed as ‘Ain’t Too Proud’

It’s the story of The Temptations, the group behind very memorable songs such as ‘My Girl,’ ‘Pappa was a rolling stone,’ ‘The way you do the things you do,’ and of course ‘Ain’t too proud to beg.’
The show is seen through the eyes of founding member Otis Williams, now 80 years old, and brilliantly played by Sifiso Mazibuko. ‘Ain’t Too Proud’ tells of the ups and downs of the group. From their beginnings in Detroit in 1962, where five young men with soulful voices came together, through to being signed by Motown right after David Ruffin joined the group (a brilliant Tosh Wanogho-Maud) where they were guided by legend Smokey Robinson and managed by Shelly Berger (Dylan Turner). From then their rise to fame continued, through thick and thin. They then became one of the first African American artists to crossover into the mainstream. They were even bigger then The Supremes (told in the mega hit show ‘Dreamgirls’).
But eventually the path to fame would be a rocky one. Ruffin never adhered to the groups rules, was kicked out and would eventually die of a drug overdose at 50. Original member Melvin Franklin would also die at a young age – 52. And Williams was also no stranger to tragedy, his only son would die at the young age of 23.
But ‘Ain’t Too Proud to Beg’ isn’t all about tragedy. It’s a musical with beautiful music, with sings that are not sung to the very end that make you begging for more, and when you get more it’s just not enough. The men who play all the Temptations in this show are perfectly cast, and all with incredible voices (with a lot of sweating involved). Excellent Choreography by Sergio Trujillo and superb direction by Des McAnuff makes this show a winner. ‘Ain’t Too Proud’ is the best thing to happen to the West End in years, and expect it to snatch lots of prizes at next years Olivier Awards.
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