19th Jun2015

Accidental Love (Film)

by timbaros

TN_00261“Accidental Love,” shot in 2008 but not released until now, is not as bad as expected considering it’s been on the shelf for 7 years.

Why did it take this long to be released? During the making of the film, when it was called “Nailed”, “Accidental Love” encountered financial difficulties (production was shut down four times in 2008 as the crew was not getting paid). After several production delays, Director David O. Russell (American Hustle, Silver Linings Playbook) disassociated himself from the film. He then quit and the studio took over and finished the film, but it’s a film that almost hits the nail in the head in it’s humor and story.

Rollerskating waitress in a small Indiana town Alice (Jessica Biehl) literally has a nail fly into her head at a local restaurant just as her boyfriend, percentage quoting policeman Scott (James Mardsen) is proposing to her. Alice isn’t insured so the local hospital won’t remove the nail from her head, which causes her to have extreme mood swings. And she’s too old to be insured under her parents (Beverly D’Angelo and Steve Boles). Even the local town veterinarian, her Aunt Rita (Kirstie Alley), tries to take the nail out but is unsuccessful. So after seeing a campaign commercial on television about their local Congressman Howard Birdwell (Jake Gyllenhaal) who urges his constituents to visit him in Washington, D.C., anytime, Alice does just that. She’s accompanied by other people who aren’t insured but who have strange and unusual medical injuries (including a man with a long-term erection and another man with an introverted arse). They meet with Birdwell, and eventually Alice and Birdwell fall for each other, but in between this we are treated to a funny plot that involves a murderous female Representative (Catherine Keneer) and her loyal assistant (Paul Reubens) who are pushing for a bill to fund a base on the moon, (but what is obviously needed more is more money for healthcare), girl scouts who are promised a visit by Shakira, and Birdwell who takes part in an all-male Shaiman Circle to find his inner man. Yes, this all takes place in the film’s 100 minute running time.

The humor in “Accidental Love” is quite hit or miss – jokes about men’s baskets and bowel movements – “It’s like a fantastic number 2, “litter the movie. But the film’s cute and original opening sequence (Americana at 100% full speed – Chevy’s, drive-in restaurant, hamburgers, shakes) set to the tune of “Mr. Sandman” does not sustain itself throughout the film. “Accidental Love” gets sillier and sillier and less funny, continuing until it’s cute but predictable, and unbelievable (Alice gives a speech to Congress) ending. It’s a film that pokes extreme fun at the lack of universal healthcare in America, and it’s quite fun to watch. “Accidental Love” was co-written by Russell (who appears in the credits as Stephen Greene) and Al Gore’s daughter Kristin.

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19th Jun2015

Dior and I (DVD)

by timbaros

Dior_and_I_Dogwoof_Documentary_Still_1_800_450_85In April 2012 Raf Simons was hired as the creative director of Christian Dior. He then had eight weeks to put together the 2012 spring collection. Dior and I captures the ups, and downs, of this very short time period.

Simons was known for his menswear collections, and for putting his own personal stamp on fashion label Jil Sander, so it sent shockwaves through the fashion industry when he was appointed as the new creative director of one of the most iconic of French fashion brands – Christian Dior. And Simons had big shoes to follow, not just in name but in scandal and reputation. He was replacing John Galliano, who was fired for making anti-semitic remarks in a Paris bar. Also, Simons didn’t at the time speak fluent French, he is from Belgium, but Dior owner Bernard Arnault and fellow LMVH (Dior’s parent company) executives wanted to move away from the Galliano years and inject new blood into their iconic brand, so they hired Simons. So this 90 minute documentary takes us from Simons’ first days at work, meeting the mostly French staff while having someone translate his speech into French, to working closely with two of the most important women in the company – the ‘premieres’ – Florence Chehet and Monique Bailly – the women who are in charge of the staff, which include the seamstresses, basically the people who make the dresses what they are and what they become. Simons also brings in his assistant of over ten years – Pieter Mulier – who does speak French and gets on better with the staff, and premieres, then Simons does.

Dior and I takes us through the taut and stressful short time period in which Simons has to put together a collection. As anyone in the fashion world knows, 8 weeks is not enough time to get a whole collection ready, from ideas to drawing up designs to getting the dresses actually made to getting them ready for the runway (it usually takes six months). Simons insists that some of the dresses he wants to make be identical to paintings from one of his favorite painters. He also asks the dedicated seamstresses to remove beads from the front of one gown, even when it takes them all night to do so. It’s this drama, of Simons and his team having to produce a haute couture collection, intermingled with 68 years of historic Dior footage, that has earned Dior and I the great reviews that it has received. And at the end, we are treated to footage of the fashion show, which takes place in an old empty house where Simons has the walls covered in flowers in front of a star studded crowd including Donatella Versace, Selma Hayek, Sharon Stone, and more emotionally, his parents. And the dresses, wow, they are simply stunning. Dior and I is also stunning. It will give the viewer an understanding of what it takes to make a collection and how the whole process works, and more importantly, the vision of one man and his large team who made it happen. Dior and I is now available on DVD – and it is highly recommended viewing.

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