23rd Oct2016

I, Daniel Blake (Film)

by timbaros

i-daniel-blake-3A middle aged man is down on his luck. He can’t work because he’s got a heart condition while at the same time he’s having trouble navigating the UK’s benefits system. He is I, Daniel Blake and it’s a film that opened this weekend.

I, Daniel Blake, which won the Palme d’Or at this years Cannes Film Festival, and directed by Ken Loach, is the story of one man, in Newcastle, and the trials and tribulations, and the humiliation and despair, he goes through in an attempt to receive benefits he thinks he’s entitled to. Stand up comedian Dave Johns eloquently plays Blake, a man with so much heartbreak and despair where nothing goes his way.

We first meet Blake after he’s had a heart attack and can’t work anymore. So he applies for Employment and Support Allowance, but first he must go through a rigorous telephone assessment by a health care professional who asks him some very intrusive questions. He then heads to the Jobcente where me meets single mom Katie (Hayley Squires). She’s got two kids and has just been moved from London to Newcastle by the system because Newcastle is a cheaper place to house people on benefits. She barely has two dimes to rub together, and her and Blake form a special bond. He’s there to help her around her house, he’s their to support her in any way possible, even after she shoplifts. And he’s there at her side when she makes a wrong decision to earn money. But it’s Blake who is spiralling down a hole; he can’t apply for benefits online because he’s never used a computer. Then he’s been judged fit to work, so his benefits stop, however he doesn’t have a C.V. to look for work so he handwrites one. More despair comes his way when he is told that he’s doesn’t qualify for any benefit so he has to wait for a ‘decision maker’ to decide his fate, while Katie has to rely on the local food bank in order to feed her family. It’s one thing after another for both in this very bleak film that shows how life really must be for people on benefits.

Johns, who has very few acting credits, is superb as Blake. He beautifully portrays a man down on luck who keeps losing his optimism and will to live along the way. Squires is just as good trying to survive in a town where she doesn’t know anyone with two kids who need to eat and have new clothes for school. Loach, who is British born, harshly displays the reality of the UK’s benefits system for people who are really in need, people who lose their dignity, navigating a system that works against them and not for them. As Blake says in the film: “When you lost your self respect, you’re done for.” This film is a wake up call with a strong message that this could happen to anyone of us.

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23rd Oct2016

Ragtime (Theatre)

by timbaros

unspecified-4The U.S. is in turmoil: racial discrimination is rife while immigrants arrive by the boatload to escape feast and famine in their own countries. This could describe present day U.S. but it’s actually the early 20th century in the new production of “Ragtime” now playing at The Charing Cross Theatre.

Ragtime the novel was originally written in 1975 and had it’s London stage debut in 2003, after it had debuted on Broadway in 1998. The revival of the show was brought back to London’s Regent’s Park Open Air Theatre in 2012. This new version, directed by Thom Southerland, is very ambitious, with a very crowded cast of 24 on a stage barely able to fit in their singing, dancing and acting.

It’s the turn of the 20th century in New York and we are sung the story of three different groups; an upper class family, African Americans, and Eastern European immigrants, and eventually all their lives will cross in a show that packs a lot in it’s over two hour running time in a theatre that was too hot and a bit too uncomfortable.

The upper class family takes from and centre. It’s the wife, who’s called Mother (Anita Louise Combe) with a young son and a husband who leaves the family behind to go on an exhibition to the North Pole. Then there’s the African Americans, fronted by Coalhouse Walker Jr. (Ako Mitchell), a Harlem musician whose girlfriend Sarah (Jennifer Saayeng) leaves her baby on Mother’s doorstep, but eventually moves in with Mother and is found living there by Coalhouse. Then there’s the immigrants – Tateh (Gary Tushaw) and his daughter (Alana Hinge) – who arrive in the big city with nothing to their name. However they don’t find their American dream in New York so Tateh decides they should go to Boston but right before their trip they meet Mother and her son. And trouble is in store for Coalhouse and Sarah who get harassed by unfriendly locals and it’s at this point when the first half ends.

The second fails to match the first half’s intensity and drama. It neatly wraps up the storylines, with themes of reunions and acceptance but it’s all a bit of a letdown after the energetic and frantic first half. The cast are all fine, with the excellent vocal chords of Saayeng and Bernadette Bangura. And Combe and Tushaw provide much dramatic acting in their roles, while Samuel Peterson is adorable and perfect as the son on the night I saw it.

If there ever was a musical that’s full of music, this is the one. It’s a good old classic American story that’s pure red, white and blue – there’s nothing as American as this show. And what a pertinent time to have on display this show of Americana, when the U.S. is going through a most unusual election, and where black men are continuously getting killed, and immigrants from all over the world wanting to live to live there. What took place in the early 20th century is still taking place today.

‘Ragtime’ is now playing at the Charing Cross Theatre until Dec. 10th. To purchase tickets, please go to:

http://charingcrosstheatre.co.uk/theatre/ragtime

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