15th Jul2017

Cars 3 (Film)

by timbaros

NEXT-GEN TAKES THE LEAD — Jackson Storm (voice of Armie Hammer), a frontrunner in the next generation of racers, posts speeds that even Lightning McQueen (voice of Owen Wilson) hasn’t seen. “Cars 3” is in theaters June 16, 2017. ©2016 Disney•Pixar. All Rights Reserved.
Lighting McQueen is back in the latest instalment of Disney’s Cars movie franchise.

If you remember him from “Cars” and “Cars 2,” Lightning McQueen is a racing car whose red exterior and very likeable and loveable interior melts children and adults hearts alike. But in “Cars 3,” the world is changing and Lightning McQueen (voiced by Luke Wilson) can’t keep up with the new mangled fangled super fast highly technologically-advanced new cars now racing, and this includes the shiny and cocky Jackson Storm (Armie Hammer). So what should Lighting McQueen do, retire? No way! After a nasty car accident in a race, McQueen is sent to Radiator Springs to recover from the crash, and from there he joins a new racing facility so that he can up his game to compete with the new cars. There he meets Cruz Ramirez (Cristela Alonzo), a feisty female personal trainer who whips cars back into racing shape. Ramirez also had hopes of being a championship race car but she gave these dreams up years ago. But McQueen has to follow her instructions and at the same time he has to convince his owner Sterling (Nathan Fillion) that he can and will win his next race, for if he doesn’t, then he will give up racing altogether and just stick to endorsements. With McQueen getting into tip top shape, and Cruz’s confidence picking up and raising hopes of her going back to racing, it all boils down to the big race where McQueen has to show what he’s now made of, all thanks to Cruz.

As in “Cars” and “Cars 2,” “Cars 3” is an entertaining movie that provides us with excellent animation and a story where we route not just for Lightning McQueen but for Cruz as well – a minority female character with an inspiring storyline – a rarity in animation films. Expect Disney to have another big hit on their hands with this film as it appeals to both children and adults alike, and perhaps expect “Cars 4” to come our way in a few years time.

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15th Jul2017

Yank (Theatre)

by timbaros

The company of YANK! at Charing Cross Theatre 2, credit Clair BilyardA gay fictional World War II love story that tells some of it’s story via musical numbers is now playing at the Charing Cross Theatre.

In “Yank,” Stu (Scott Hunter), also given the name ‘light loafers’ by his 89th squadron fellow soldiers, is an 18 year-old wet behind the ears soldier drafted for WW II. His fellow soldiers know that he is gay, hence the nickname, but they must also contend with trying to save their lives as battles loom ahead. It’s not too long before Stu and fellow soldier, the hot and sexy Mitch (Andy Coxon), get together. After a few side glances and more than a few cheeky conversations, they expectantly kiss when they’re forced to share a bunk bed (ah, it’s all of our fantasies!). But is Mitch really gay or is he caught up in the moment? Their sort of relationship takes a turn when Stu is offered a job writing for Yank Magazine (it might just as well be called Wank magazine). It’s a job Stu wants because it will take him away from fighting on the front lines and will hopefully one day help him to publish the diary he has written of his exploits as a soldier. Stu’s new position takes him all over but he begs his editor Artie (Chris Kiely) to go to Hawaii as this is where the 89th is fighting, and it’s of course where Mitch is. Stu can’t stop thinking about Mitch and they rekindle the romance they had, well now it’s more than a romance, it’s a full blown relationship as Mitch discusses them moving back to his hometown and living together. But it’s the evil Tennessee (Lee Dillon) who steals Stu’s diary and turns in into the authorities in a time when homosexuality was absolutely forbidden in the army. And things will not be the same for Stu and Mitch and the rest of the 89th- war, death, and jail rear it’s ugly head.

‘Yank’ is reminiscent of the war musicals of Rogers & Hammerstein (“South Pacific”) where romance, between a man and woman, was interspliced with memorable musical numbers. In “Yank,” brothers David and Joseph Zellnik have created a gay WWII love story that pays homage to these 1940’s musicals and cleverly takes the name of their show from the WWII army publication Yank, the Army Weekly. Having opened up, appropriately, on gay pride weekend, Yank is a celebration of gays in the military, but it does make a few missteps along the way. Hunter is fine as the scared soldier Stu, but I didn’t find him as charasmatic as he should’ve been, while some of the staging and songs are a bit off, including a song about pin-up girls (“Betty”) that goes on way too long. Coxon shows that he’s the true stage actor among the cast – his acting and singing are excellent, while the rest of the supporting soldiers do the best they can do with what they have been given (a scene about gay telephone operators is a bit dreadful and really doesn’t need to be in the show). There is at times clever use of the stage, including during the battle and interrogation scenes, and Sarah-Louise Young is just about perfect in her various roles. Director James Baker just doesn’t get it exactly right in making this show a must see event. While it’s a show that is light on it’s feet and has a few snappy musical numbers, it’s not groundbreaking nor particularly excellent.

To buy tickets, please go to:
http://charingcrosstheatre.co.uk/theatre/yank-a-wwii-love-story

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