24th Mar2018

Westwood: Punk, Icon, Activist (Film)

by timbaros
British designer Vivienne Westwood acknowledges the public at the end of Spring/Summer 2008 ready-to-wear collection show in Paris, 01 October 2007. AFP PHOTO PIERRE VERDY (Photo credit should read PIERRE VERDY/AFP/Getty Images)

British designer Vivienne Westwood acknowledges the public at the end of Spring/Summer 2008 ready-to-wear collection show in Paris, 01 October 2007. AFP PHOTO PIERRE VERDY (Photo credit should read PIERRE VERDY/AFP/Getty Images)

Clothing Designer Vivienne Westwood has denounced the new documentary about her saying that the film does not at all focus on her activism but instead is ‘made up of archive fashion footage.’

In the first few minutes of ‘Westwood: Punk, Icon, Activist,’ Westwood tells the camera, and the interviewer, that she doesn’t want to talk about certain important bits of her life. And that pretty much sets the tone for the rest of this 83-minute documentary.

Filmmaker Lorna Tucker spent three years with the fashion designer trying to get Westwood to tell her life story, and the documentary could’ve been so much more, but we still are presented with a fascinating look at a fascinating woman who changed the course of British fashion with her non-conservative designs and her extreme personality.

‘Westwood: Punk, Icon, Activist,’ glosses over her younger years, and spends more time in the present where she presides over a global empire that she still can’t believe it’s gotten as big as it has – she doesn’t even know what half her staff does. But that’s the job for Austrian Andreas Kronthaler, who was her former fashion student and is now her husband and creative director for the brand. The documentary shows Westwood in her day-to-day life; looking over models wearing her designs, attending store openings where she says she’s not quite convinced she likes them or not, and shows Westwood cycling around London on her bike when she really should be chauffeured about in a limousine. We see snapshots of her life before she became famous, and the ex-council flat in Clapham where she lived for 30 years until 2000, and her two sons speak at times not so glowingly about their famous mother. Less is mentioned about her time with Malcolm McLaren and the clothing shop where she made punk clothes in the 1970’s known as SEX which was controversial and radical for it’s time. Perhaps that’s a topic for another documentary.

But what’s most fascinating about ‘Westwood: Punk, Icon, Activist’ is her clothes. Whether shown in the workshops or on the fashion runways all over the world, the clothes are really a work of beauty, unique in every sense of the word. And so is Vivienne Westwood – she truly is an icon, punk, activist and an inspiration to us all. Westwood called this documentary mediocre, but she is far from mediocre.

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24th Mar2018

Unsane (Film)

by timbaros
Claire Voy stars as Sawyer Valentini

Claire Voy stars as Sawyer Valentini

Is Sawyer Valentini a bit crazy and imagining things or is it all in her head?

Claire Foy (The Crown) plays Valentini, a young successful career woman who had an issue with a stalker years ago. But it’s all behind her now. She’s focused on her career (though her creepy boss offers to take her out of town on a business trip), and just basically getting on with her life.

She goes to see a mental health counselor for a checkup but soon enough, strangely, she is committed against her will in a mental hospital, locked up with people who are all certifiably crazy, so surely why is she locked up with them when of course she is not crazy. She gets a hold of her mother who tries to get her out, but to no avail. Could this be a scam the hospital is involved in just to get her insurance money? But then Valentini recognizes one of the staff who was, or perhaps wasn’t, her stalker. ‘Unsane’ takes us through Valentini’s nightmare experience in the mental hospital and her quest to escape the unjustice, and possibly the stalker, that she is currently facing.

Director Steven Soderbergh in 2013 announced that he was retiring from filmmaking, but ‘Unsane’ marks his second go since then as director (last year’s successful ‘Logan Lucky’ was his ‘return’). ‘Unsane,’ which was shot on an iphone (just like the huge hit ’Tangerine’) is a strange choice for Soderbergh, as he made many successful and award-winning films early on in his career. While ‘Unsane’ won’t be winning any awards, and as the second half spirals a bit out of control relegating it to ‘B’ movie status, it’s still a scary pyschological thriller that will leave you on the edge of your sit with a nail-biting performance by Foy.

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