04th Mar2019

A Private War (Film)

by timbaros

Rosamund Pike as journalist Marie Colvin in 'A Private War' copyRosamund Pike is perfect as war journalist Marie Colvin in the new film ‘A Private War.’

Pike is just so good in this film, bringing Colvin to life on the big screen, that it’s quite a shock that she has not been nominated for any of the major acting awards for this film. Sure, Olivia Colman was very good as Anne, Queen of Britian in ‘The Favourite’ while Glenn Close was memorable in ‘The Wife,’ but Pike, in my opinion, had more of a challenging role playing a woman in a man’s industry. Colvin, who was an American war journalist, worked as a foreign affairs correspondent for the British newspaper The Sunday Times. She was always determined to get the story, whether her work took her to Syria, Iraq, or Libya (where she famously interviewed Muammar Gaddafi). Even after she lost her left eye in a blast in Sri Lanka she never gave up, and the black eye patch she wore distinguished her from all of the other war journalists.
First time feature film director Matthew Heineman brilliantly brings her story to the big screen, and Pike really nails it. Along with her photographer Paul Conroy (played by British heartthrob Jamie Dornan), we see Colvin trying to get the story, while leaving the safe confines of her homely Hammersmith terrace house for the dirty and dangerous battlegrounds and war fields of the middle east. We follow her, and Conroy, avoiding bullets and missiles, putting their lives at risk.
Based on the Vanity Fair article “Marie Colvin’s Private War,” this biographical film follows Colvin to her final assignment in Homs, Syria, where she was killed during a siege, at the age of 56. Pike is just simply amazing as Colvin. 
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04th Mar2019

Follies (Theatre)

by timbaros

FOLLIES by Sondheim ; Directed by Dominic Cooke ; Designed by Vicki Mortimer ; Lighting Designer - Paule Constable,  at the National Theatre, London, UK ; 2019 ; Credit : Johan Persson /

If you are a huge theatre fan, love musicals, and worship the ground Stephen Sondheim walks on, then you’ll love ‘Follies.’

Playing in its second run in two years at the National Theatre, ‘Follies’ is true and pure Sondheim. At the ripe age of 88, Sondheim currently has another hit show in the West End – the critically acclaimed and very popular ‘Company.’ But ‘Follies’ is a certain kind of musical – a musical that will perhaps only appeal to the die hard Sondheim musical theatre fan. 

‘Follies’ lusciously and lavishly tells the story of former Follies girls, in 1971, coming back to their soon to be demolished theatre for a reunion. It is a brilliant idea for a show and is executed to flawless perfection. The women range in different ages and are at various stages in their live, but they will always be Follies girl, past performers of the “Weismann’s Follies” musical revue, that played in that theatre between the World Wars. While the next day the building is going to be demolished to make way for a parking lot, the women have one last night to reminisce about their time as Follies Girls, and their younger and more glamorous selves. 

The book of the musical, by James Goldman, takes a look at these women through rose tinted glasses in a story that is all illusion, smoke and mirrors. 

And while there is no proper character development, some of the women do get to shine in a cast that appears to be dozens (40 actually). Tracie Bennett smashes the Soundheim classic ‘I’m Still Here’ while Dawn Hope passionately sings ‘Who’s That Woman.’ Janie Dee excels in ‘Could I Leave You’ and Joanna Riding drips with emotion while singing ‘Losing My Mind.’ 

Yes, ‘Follies’ is a show that showcases the ladies. And while some of the men (Peter Forbes and his younger self Harry Hepple), and Alexander Hanson, get their moments, Sondheim shows his enthusiasm, appreciation and love for the ladies. For it’s their show, it has and always will be. 

Winner of Best Musical Revival at last year’s Olivier Awards, ‘Follies’ is playing until Saturday May 11, 2019.

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