27th May2019

Glass (DVD)

by timbaros

Glass-Film-ReviewDirector M. Night Shyamalan had a huge hit with one of his first films ‘The Sixth Sense’, about a young boy who sees dead people. He’s now back a film with another supernatural theme called ‘Glass.’

Shyamalan has yet to repeat the success of ‘The Sixth Sense.’ He is very consistent in coming out with a film every two years or so, but the quality of his films seems to be getting worse and worse. ‘Glass’ is the third (and hopefully last) film in the fictitious Eastrail #177 train derailment series.

The series, which includes the 2000 film ‘Unbreakable’ and the 2016 film ‘Split, is where multiple characters have some sort of connection to the train disaster. But these characters are not normal people – they are superheroes with powers that they use for reasons that have never really been clear to me.

In ‘Glass’, which mostly takes place in a mental institution conveniently overlooking downtown Philadelphia, reunites Bruce Willis, James McAvoy and Samuel Jackson as the same characters from the previous films. Irrelevant of the plots of the first two films, ‘Glass’ is as silly and unbelievable as anything you would’ve seen at the cinema in years. All the characters wind up in the same mental institution, coincidentally, where there is not much staff on duty and the three of them seem to have free reign of the place.

A psychiatrist (a dismal Sarah Paulson) wants to convince all the men that they suffer from delusion (which is far far from the truth – can’t she see this?). Each of the men has, conveniently, one person who comes to visit them – all with some knowledge of their ‘illness.’ It all boils down to one messy showdown in the front parking lot of the institution and the view of the opening of a new downtown skyscraper which is talked about during the film quite a lot but doesn’t seem to have any connection at all to the characters. It’s all one big silly mess, and the people I saw it with (fellow film critics) shook their head as they walked out of the cinema. Avoid this one, please.

Off
04th Dec2016

Chi-Raq (Film)

by timbaros
CR_D10_00012.CR2

CR_D10_00012.CR2

Chicago has such a high murder rate that from 2003 to 2011 there were more murders there than in the same years in the Iraq war. On one Independence Day, 55 people were murdered. And in one year alone, 400 school kids were shot. With stats like this, a film with a message about violence and murder in the Windy City is seriously needed. But don’t expect it from Spike Lee’s new film called ‘Chi-raq’ (Chicago and Iraq).

What we do get instead is a musical drama where woman ‘take away the pussy’ from the men in order to stop them from using their guns. This is triggered by the death of a local girl who is the daughter of a church going religious momma (Jennifer Hudson). This in turns leads Lysistrata (yes, that’s her character’s name – and she’s played brilliantly by Teyonah Parris), to withhold sex from her boyfriend Demetrius, whose nickname is ‘Chi-raq (a surprisingly good turn by an unrecognizable and very buffed up Nick Cannon a/k/a the former Mr. Mariah Carey). Lysistrata rallies her girlfriends to do the same, and they all band together to declare ‘no peace, no pussy’ while wholed up in an armory in downtown Chicago (the scene where Lysistrata seduces the general in charge of the armory is got to be the most ridiculous scene this year). This sex strike makes the men crazy, they’re missing their women, and even the mayor’s wife joins the strike, causing him (played by D.B. Sweeney) to intervene in this major crises that’s taking place in his city, and, of course, right before a re-election.

It’s the women who take center stage in this movie; they’re sexy and hot and all of them seem to be wearing very little clothing, and what they do wear is extremely provocative – tight fitting tops and shorts – with padlocks over their crotches (yes, for real). It’s quite misogynistic. It all comes to a head when Lysistrata and Demetrius have a sort of sex-off to resolve the crises that’s televised live for everyone to see. Really stupid stuff there.

Spike Lee has a voice and the talent to make a film that could’ve highlighted the problems and issues dealing with Chicago’s murder rate, but instead he’s written, produced and co-wrote a satire/comedic farce that can’t decide whether it’s a musical, a tragi-comedy, or something so surreal and stupid that you can’t believe that it’s is unfolding right before your very eyes. The cast is first rate, including Angela Bassett as a woman who had a daughter that was killed by a stray bullet, and John Cusak as the local white priest who has to preside over the many funerals that take place in the black neighborhood. The music is excellent and the locations and cinematography are all first rate. Samuel Jackson is ridiculous as a narrator who pops up every now and then wearing very bright colored suits – his role is a distraction that doesn’t really help the film’s narrative. ‘Chi-raq’ was released in U.S. Cinemas in 2015 and was a commercial bomb, making only $2.7 million from a budget of $15 million. It’s a film that’s likely to recoup it’s costs back – deversedly so.

Off