12th Jan2015

Foxcatcher – Film

by timbaros

John du Pont was a multi-millionaire, a scion of the very wealthy American family that made their fortune in chemicals. He also died in prison 2012 while serving time for murdering a famous Olympic athlete.

Foxcatcher tells the riveting story of du Pont and his involvement in the sport of wrestling in the late 1980’s. It’s also a tale of how one man with so much money can buy whatever he wants. And du Pont pretty much buys Mark Schultz, an Olympic Gold Medal-winning wrestler in Athens in 1984. Du Pont Schultz (played by Channing Tatum) away from his post Olympic miserable life and places him on his amazing estate called Valley Forge in the hopes of transforming him back into a world class athlete. Du Pont lures Schultz by offering him practically whatever he wants, including his own lodge on the estate as well as a newly-built state of the art wrestling auditorium. And Du Pont tells Schultz that he’s in charge. But there’s something more that seems to be taking place between Du Pont and Schultz. There is not only a business relationship between them, but Du Pont seems to have had a homoerotic fixation with Schultz. And while there are no explicit homosexual scenes in the film, Du Pont’s fascination with Schulz and with the sport of wrestling is homoerotic and at the same time very creepy. It becomes more so when Du Pont starts sharing cocaine with Schulz and even has him speak the opening remarks at an important speech in front of politicians and wealthy people.

But things turn sour when all of a sudden Du Pont says he’s not happy with Schulz’s way of coaching as he catches all of the wrestlers taking a morning off, and he slaps Schultz in front of the men. It’s an action that sets off something in Schultz in which he (probably) realizes that Du Pont sees their relationship as something more. It gets more complicated when Du Pont brings in (at any cost) Schulz’s brother David, who was also an Olympic Gold Medal winning wrestler. Du Pont has David coach the team, while Mark goes through the motions, trying to stay out of Du Pont’s way but at the same time focusing on his training. His goal is to get to the next Olympics – Seoul – and he does, but things don’t turn out the way Du Pont had in mind. And it all leads to a devastating conclusion.

Foxcatcher is the name the du Pont’s gave to their racing horses. It’s also an appropriate name for this film – what was the Fox trying to catch. Is du Pont the fox who was trying to catch something with his sudden and strange interest in wrestling? The lure of money was all that was needed for him to catch Mark Schultz, who was down on his luck living in a small apartment on the top of a garage years after his Olympic win. David Schultz had a happy life with his wife and two kids, but it was also the lure of money that got him to go work for Du Pont, a job that cost him his life at the hands of Du Pont.

Foxcatcher is an excellent movie. It’s also excellent because of the performances of it’s three leading men. Tatum has never been better. His Mark Schultz is vulnerable, bold, athletic, infantile yet very masculine – Tatum pretty much carries the whole movie. Ruffalo gives David Schultz a face – a family man who heeded the call to coach a world class team which included his younger brother. And Ruffalo does a very good job in the role. The performance, however, that everyone is talking about is Steven Carrell as Jon du Pont. Carrell, unrecognizable, wears a prosthetic nose to match the large nose that du Pont had. Everything about Carrell’s performance is all Jon du Pont – even down to his gait. Carrell, the star comedic movies such as Anchorman, Date Night, Knocked Up, among others, is completely amazing. And it’s a transformation that needs to be seen to be believed. It is, unfortunately, Carrell’s performance that is getting all the attention, but in my opinion Foxcatcher is Tatum’s movie. He’s the actual star of the film as he’s in most of the film. Foxcatcher begins with him and ends with him, and throughout his performance is consistent, solid, and amazing. Tatum deserves the Golden Globe and Screen Actors Guild Best Actor nominations as much as Carrell does, yet Tatum’s not been nominated. Ruffalo performance is gentle, simple, low key, the kind of performances that Ruffalo always gives, successfully.

Director Bennett Miller (Moneyball) and writers E. Max Frye and Dan Futterman have crafted a film that succeeds on every level. It’s directed and shot tight, the story never gets dull, and it’s intensity builds up to shattering conclusion. Miller has directed three actors who all come from different cinematic backgrounds into one film where they all excel in ways they have never done before. Foxcatcher is one of the best films of the year.

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09th Jan2015

BAFTA Nominations announced – Film

by timbaros

_30A4636The nominations have been announced for the EE British Academy Film Awards in 2015.

The Grand Budapest Hotel receives 11 nominations. Birdman and The Theory of Everything are each nominated in ten categories. The Imitation Game has nine nominations. Boyhood and Whiplash are each nominated five times. Mr. Turner, Nightcrawler and Interstellar receive four nominations. Pride has three nominations.

The Grand Budapest Hotel is nominated in the following categories: Best Film, Director and Original Screenplay for Wes Anderson, Original Music, Cinematography, Editing, Production Design, Costume Design, Make Up & Hair and Sound. Ralph Fiennes is nominated for Leading Actor.

Birdman is nominated for Best Film, Director for Alejandro G. Iñárritu, Original Screenplay, Original Music, Cinematography, Editing and Sound. Michael Keaton is nominated for Leading Actor. Edward Norton is nominated for Supporting Actor and Emma Stone is nominated for Supporting Actress.

The Theory of Everything receives nominations for Best Film, Outstanding British Film, Director for James Marsh, Adapted Screenplay, Original Music, Editing, Costume Design and Make Up & Hair. Eddie Redmayne is nominated for Leading Actor, whilst Felicity Jones receives a nomination for Leading Actress.

The Imitation Game is nominated in Best Film, Outstanding British Film, Adapted Screenplay, Editing, Production Design, Costume Design and Sound. Benedict Cumberbatch is nominated for Leading Actor and Keira Knightley is nominated for Supporting Actress.

Boyhood completes the Best Film line-up, with four further nominations in Director and Original Screenplay for Richard Linklater, with Supporting Actor and Supporting Actress nominations for Ethan Hawke and Patricia Arquette respectively.

BEST FILM

BIRDMAN Alejandro G. Iñárritu, John Lesher, James W. Skotchdopole
BOYHOOD Richard Linklater, Cathleen Sutherland
THE GRAND BUDAPEST HOTEL Wes Anderson, Scott Rudin, Steven Rales, Jeremy Dawson THE IMITATION GAME Nora Grossman, Ido Ostrowsky, Teddy Schwarzman
THE THEORY OF EVERYTHING Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten

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OUTSTANDING BRITISH FILM

’71 Yann Demange, Angus Lamont, Robin Gutch, Gregory Burke
THE IMITATION GAME Morten Tyldum, Nora Grossman, Ido Ostrowsky, Teddy Schwarzman, Graham Moore
PADDINGTON Paul King, David Heyman
PRIDE Matthew Warchus, David Livingstone, Stephen Beresford
THE THEORY OF EVERYTHING James Marsh, Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten UNDER THE SKIN Jonathan Glazer, James Wilson, Nick Wechsler, Walter Campbell

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OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

ELAINE CONSTANTINE (Writer/Director) Northern Soul
GREGORY BURKE (Writer), YANN DEMANGE (Director) ’71
HONG KHAOU (Writer/Director) Lilting
PAUL KATIS (Director/Producer), ANDREW DE LOTBINIÈRE (Producer) Kajaki: The True Story STEPHEN BERESFORD (Writer), DAVID LIVINGSTONE (Producer) Pride

FILM NOT IN THE ENGLISH LANGUAGE

IDA Pawel Pawlikowski, Eric Abraham, Piotr Dzieciol, Ewa Puszczynska LEVIATHAN Andrey Zvyagintsev, Alexander Rodnyansky, Sergey Melkumov
THE LUNCHBOX Ritesh Batra, Arun Rangachari, Anurag Kashyap, Guneet Monga TRASH Stephen Daldry, Tim Bevan, Eric Fellner, Kris Thykier
TWO DAYS, ONE NIGHT Jean-Pierre Dardenne, Luc Dardenne, Denis Freyd

DOCUMENTARY

20 FEET FROM STARDOM Morgan Neville, Caitrin Rogers, Gil Friesen 20,000 DAYS ON EARTH Iain Forsyth, Jane Pollard
CITIZENFOUR Laura Poitras
FINDING VIVIAN MAIER John Maloof, Charlie Siskel

VIRUNGA Orlando von Einsiedel, Joanna Natasegara

ANIMATED FILM

BIG HERO 6 Don Hall, Chris Williams
THE BOXTROLLS Anthony Stacchi, Graham Annable

THE LEGO MOVIE Phil Lord, Christopher Miller

DIRECTOR

BIRDMAN Alejandro G. Iñárritu
BOYHOOD Richard Linklater
THE GRAND BUDAPEST HOTEL Wes Anderson

THE THEORY OF EVERYTHING James Marsh WHIPLASH Damien Chazelle

ORIGINAL SCREENPLAY

BIRDMAN Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr, Armando Bo BOYHOOD Richard Linklater
THE GRAND BUDAPEST HOTEL Wes Anderson
NIGHTCRAWLER Dan Gilroy

WHIPLASH Damien Chazelle

ADAPTED SCREENPLAY

AMERICAN SNIPER Jason Hall
GONE GIRL Gillian Flynn
THE IMITATION GAME Graham Moore PADDINGTON Paul King
THE THEORY OF EVERYTHING Anthony McCarten

LEADING ACTOR

BENEDICT CUMBERBATCH The Imitation Game EDDIE REDMAYNE The Theory of Everything JAKE GYLLENHAAL Nightcrawler
MICHAEL KEATON Birdman

  • images-322RALPH FIENNES The Grand Budapest Hotel

LEADING ACTRESS

AMY ADAMS Big Eyes
FELICITY JONES The Theory of Everything JULIANNE MOORE Still Alice

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REESE WITHERSPOON Wild
ROSAMUND PIKE Gone Girl

SUPPORTING ACTOR

EDWARD NORTON Birdman ETHAN HAWKE Boyhood J.K. SIMMONS Whiplash MARK RUFFALO Foxcatcher STEVE CARELL Foxcatcher

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SUPPORTING ACTRESS

EMMA STONE Birdman

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IMELDA STAUNTON Pride
KEIRA KNIGHTLEY The Imitation Game PATRICIA ARQUETTE Boyhood
RENE RUSSO Nightcrawler

ORIGINAL MUSIC

BIRDMAN Antonio Sanchez
THE GRAND BUDAPEST HOTEL Alexandre Desplat INTERSTELLAR Hans Zimmer
THE THEORY OF EVERYTHING Jóhann Jóhannsson UNDER THE SKIN Mica Levi

CINEMATOGRAPHY

BIRDMAN Emmanuel Lubezki
THE GRAND BUDAPEST HOTEL Robert Yeoman IDA Lukasz Zal, Ryzsard Lenczewski INTERSTELLAR Hoyte van Hoytema
MR. TURNER Dick Pope

EDITING

Due to a tie in voting in this category, there are six nominations BIRDMAN Douglas Crise, Stephen Mirrione THE GRAND BUDAPEST HOTEL Barney Pilling THE IMITATION GAME William Goldenberg NIGHTCRAWLER John Gilroy

THE THEORY OF EVERYTHING Jinx Godfrey WHIPLASH Tom Cross

PRODUCTION DESIGN

BIG EYES Rick Heinrichs, Shane Vieau
THE GRAND BUDAPEST HOTEL Adam Stockhausen, Anna Pinnock THE IMITATION GAME Maria Djurkovic, Tatiana MacDonald INTERSTELLAR Nathan Crowley, Gary Fettis
MR. TURNER Suzie Davies, Charlotte Watts

COSTUME DESIGN

THE GRAND BUDAPEST HOTEL Milena Canonero THE IMITATION GAME Sammy Sheldon Differ INTO THE WOODS Colleen Atwood
MR. TURNER Jacqueline Durran

THE THEORY OF EVERYTHING Steven Noble

MAKE UP & HAIR

THE GRAND BUDAPEST HOTEL Frances Hannon
GUARDIANS OF THE GALAXY Elizabeth Yianni-Georgiou, David White INTO THE WOODS Peter Swords King, J. Roy Helland
MR. TURNER Christine Blundell, Lesa Warrener
THE THEORY OF EVERYTHING Jan Sewell

SOUND

AMERICAN SNIPER Walt Martin, John Reitz, Gregg Rudloff, Alan Robert Murray, Bub Asman BIRDMAN Thomas Varga, Martin Hernández, Aaron Glascock, Jon Taylor, Frank A. Montaño THE GRAND BUDAPEST HOTEL Wayne Lemmer, Christopher Scarabosio, Pawel Wdowczak THE IMITATION GAME John Midgley, Lee Walpole, Stuart Hilliker, Martin Jensen

WHIPLASH Thomas Curley, Ben Wilkins, Craig Mann

SPECIAL VISUAL EFFECTS

DAWN OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett GUARDIANS OF THE GALAXY Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi
THE HOBBIT: THE BATTLE OF THE FIVE ARMIES Joe Letteri, Eric Saindon, David Clayton, R. Christopher White

INTERSTELLAR Paul Franklin, Scott Fisher, Andrew Lockley
X-MEN: DAYS OF FUTURE PAST Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer

BRITISH SHORT ANIMATION

THE BIGGER PICTURE Chris Hees, Daisy Jacobs, Jennifer Majka
MONKEY LOVE EXPERIMENTS Ainslie Henderson, Cam Fraser, Will Anderson MY DAD Marcus Armitage

BRITISH SHORT FILM

BOOGALOO AND GRAHAM Brian J. Falconer, Michael Lennox, Ronan Blaney EMOTIONAL FUSEBOX Michael Berliner, Rachel Tunnard
THE KÁRMÁN LINE Campbell Beaton, Dawn King, Tiernan Hanby, Oscar Sharp SLAP Islay Bell-Webb, Michelangelo Fano, Nick Rowland

THREE BROTHERS Aleem Khan, Matthieu de Braconier, Stephanie Paeplow

THE EE RISING STAR AWARD (voted for by the public)

GUGU MBATHA-RAW JACK O’CONNELL MARGOT ROBBIE MILES TELLER SHAILENE WOODLEY

Nominations are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 8 February 2015

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02nd Jan2015

The Theory of Everything – Film

by timbaros

The Theory of Everything is not just the story of Stephen Hawking, it’s also the story of his relationship with his first wife Jane.

The Theory of Everything can simply be described as beautiful. Eddie Redmayne, in an Oscar-winning performance, plays Hawking, who at the age of 19 was found to have Motor Neuron Disease and was given just two years to live. But the film does not specifically deal with his struggle with the disease, it very successfully deals with, and is entirely focused on, him and Jane (played very well by Felicity Jones).

While the Theory of Everything does not include a timeline (as The Imitation Game did), we are swept up through Hawking’s life as a young healthy man to, at the end of the film, an accomplished and highly celebrated scientist. It’s beautifully told, shot, acted and crafted (the film is based on the memoir by Jane titled Traveling to Infinity: My Life with Stephen).

The film begins with Hawking meeting Jane at a party. It’s a year or so into their courtship, and after his professors realize that Hawking is a genius, 30 minutes into the film his body starts giving him signals that all is not right. One day while at university he falls flat on his face on the pavement and is taken to the hospital, where’s he diagnosed. Feeling sorry for himself, he doesn’t want to see Jane anymore, but she tells him she loves him no matter what. They end up getting married, have a few kids, while Hawking is being lauded all over the world for his scientific theories. All the meanwhile Jane takes care of him, lovingly, careingly, without reservation. And these emotions are displayed in Jones’ performance.

Jane Hawking’s mother encourages her to get back to singing, so she joins a chorus, led by the handsome Jonathon Jones (Charlie Cox). He takes an interest in Jane, and her family, and helps out with the constantly getting worse Hawking. Slowly Jane and him develop feelings for each other. At a concert in Bordeaux where Hawking is invited, and while Jonathon and Jane have taken her children camping, Hawking stops breathing and is rushed to the hospital. It is then determined that Hawking needs a full-time nurse, and not Jonathon, to take care of him, so Jane hires nurse Elaine Mason (Maxine Peake). And eventually, Hawking fall for Elaine’s sense of humor, beauty and style. It is a bittersweet moment when Hawking breaks the news to Jane, she says she saw it coming so she accepts it. And it is Jane’s last relationship moments with Hawking, and it’s also a poignant moment for we know that whilst they have built a life with each other, Hawking still has more life left in him to fall in love all over again.

It’s amazing, and a miracle, that Hawking is still alive today, at the age of 72, after having been given 2 years to live at the time his diagnosis. And what is almost as amazing is Redmayne’s performance. Redmayne’s performance excellently captures Hawking’s progression of his disease – the slurred speech, the bent fingers, the inability to walk or to do anything for himself, and even to go the bathroom without help. Redmayne also captures Hawking’s excitement and thrill of making his discoveries, including the time in his life when Hawking wrote the highly successful and multi-million selling book A Brief History of Time, about the Big Bang and black holes. Redmayne is almost certain to win the Oscar for this performance. Jones, previously seen in Like Crazy and The Invisible Woman, ups her acting game in this film, which should excel her to Carey Mulligan league-like status. Director James Marsh, who previously directed Shadow Dancer and Academy Award winning documentary Man on Wire, gives us a story that is historical, memorable and beautiful.

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02nd Jan2015

Enemy – Film

by timbaros

Jake Gyllenhaal’s last film, Nightcrawler, was a critical and commercial success, earning him some of the best reviews of his career. His new film, Enemy, won’t.

Actually, Enemy is a strange movie. It’s a Canadian-Spanish film that was released in the U.S. in 2013 to generally good reviews, but only took in $3.4 million at the box office. It’s a psychological thriller, gripping, yet a bit silly. But it’s an original story, loosely based on a 2002 novel called The Double, which would’ve been a more appropriate name to call it. You see, Gyllenhaal plays two characters in the film; one is Adam Bell – a college professor/lecturer who lives in an almost unfurnished apartment (even his mother tells him ‘how could you live in a place like this’) with a pretty part-time blond girlfriend Mary (Melanie Laurent). Gyllenhaal also plays Anthony Claire, an actor (who goes by the name Daniel Saint Claire), who lives in a glamorous high rise with his blond pregnant wife Helen (Sarah Gadon). How do these two characters meet? One of Adam’s fellow teachers recommends a film to Adam that he recently saw called Where There’s a Will There’s a Way. Upon watching the film, Adam recognizes the actor playing a bellman – and the actor looks just like him! So Adam becomes obsessed on finding and actually meeting this guy – his double! And they do meet, in a motel room. But in keeping with Gyllenhaal’s shy Adam Character, he gets nervous and bolts out of the room. Eerily enough, one day Anthony follows Mary to work, and then he goes to Adam’s apartment and tells him that he’s going to be him for a night (and to sleep with his girlfriend), and that Adam will be Anthony for the night.

Confusing? Yes, a bit. But we never learn why Anthony wants anything to do with Adam and his girlfriend. What does he gain out of it? A night away from his pregnant wife? And Adam, who appears to be afraid of his own shadow, can he perform the charade and be Anthony for the night, and fool Anthony’s wife?

The best part of Enemy is the gripping soundtrack. It knaws at the viewer to expect an even more gripping scene is coming up. Yes, there gripping scenes come up, but it’s all for naught as the final scene has something to do with a spider, a spider that is seen in a previous scene in the film that felt a bit out of context. Gyllenhaal is fantastic in both roles (of course he is) and the two female co-stars are also very good, as is Isabella Rossellini in her too brief role as Adam’s mother. But Enemy is a bit of a let down when it all adds up. But both Jake, and the city of Toronto where this film was shot, look good.

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22nd Dec2014

The Circle – Film

by timbaros

images-304The Circle (Der Kreis) is an amazing true story of two men who fall in love in 1956 Zurich, and who are still together today.

Ernst Ostertag and Robi Rapp met through their association with a very underground gay organization and magazine called The Circle. The Circle was a group of gay men who wanted to get together to meet other gay men, and to publish a magazine specifically for the gay community. It was founded in 1942, and included photos of scantily clad men and announcements of get togethers such as costume balls, as well as racier text written in English that the censors were unable to read. It was popular not only in Switzerland but it was smuggled into Germany where it got into the hands of the gay German population who viewed Zurich as a city of gay freedom, but it was hardly that. Many gay Germans, however, would go to Zurich on the weekends to embrace the gay underground scene in that city.
Part documentary, part dramatic recreations, and including interviews with the men associated with Der Kreis, The Circle takes us back to a time when being gay was not accepted. The gay movement in Europe was still reeling from the atrocities of Hitler during WWII, and even in Switzerland it wasn’t very easy being gay. In the movie, Ernst Ostertag (played by Matthias Hungerbuhler) is a teacher about to be certified. He wanders into The Circle offices to volunteer and speaks to Rolf (Anatole Taubman), the ‘father’ of The Circle. At one of The Circle costume balls (where there are lots of scantily clad men posing as Greek statues), he meets Robi Rapp (Sven Schelker), who, dressed as a woman, is the singing entertainment of the evening. Ostertag is immediately smitten, and they fall in love. It’s a love that that they have to keep secret, as Ostertag is not out at work (as most people weren’t during those days). Ostertag evens runs into his boss at the school at a local cruising ground.

Rapp has an understanding mother who knows all about him being gay, so Rapp takes Ostertag to meet her. But Ostertag’s parents are quite the opposite, and when they meet Rapp they speak about everything except their relationship.

The police start to shake down the staff at The Circle after a few gay men are murdered by a hustler, including an in-the-closet well-known music composer. So the police tell Rolf that they can no longer hold their costume balls, but they instead decide to have a gathering in a local bar. Ostertag initially didn’t want to go as his teacher’s certification was about to go through, but he ends up going to see his boyfriend Rapp sing. Unfortunately, the bar gets raided by the police, the men are asked for their ID’s, sent outside, and told to strip, where their private parts were inspected by the police, in front of the local neighbors. Ostertag and Rapp are lucky enough to escape out of a back door.

But nothing can stop Ostertag and Rapp and the love they have for each other. But The Circle magazine is not able to survive, and eventually the magazine ceases operation in 1967. And in this movie Ostertag and Rapp are telling us, their story, 50 years after it had taken place. And as they tell the stories to the camera, the movie goes back to their early era in excellent dramatic recreations. The Circle is centered around their love story, a love story that transcended its time. Theirs became the first officially accepted gay partnership in Switzerland, which they celebrated in 2003. Winner of Audience and Teddy Awards at the Berlin Film Festival this year, The Circle is the Swiss entry for the 87th Academy Awards.

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12th Dec2014

Golden Globe Awards Nominations – Film

by timbaros

images-306The Hollywood Foreign Press Association has announced nominations for the 2015 Golden Globe Awards in all 25 categories. For Best Motion Picture – Drama, film fans can fight over “Boyhood,” “Foxcatcher,” “The Imitation Game,” “Selma” and “The Theory of Everything” to take home the trophy.

On the Comedy/Musical end, the statue will come down to “Birdman,” “The Grand Budapest Hotel,” “Into the Woods,” “Pride” and “St. Vincent.”

For the small screen, “Girls,” “Silicon Valley,” “Jane the Virgin,” “Transparent” and “Orange Is the New Black” will duke it out in comedy.

The top TV drama finalists are “House of Cards,” “Game of Thrones,” “The Affair,” “The Good Wife” and “Downton Abbey.”

The press conference, which took place early Thursday at the Beverly Hilton Hotel, unveiling the finalists in 25 TV and film categories. Kate Beckinsale, Paula Patton, Peter Krause, Jeremy Piven, Hollywood Foreign Press Association President Theo Kingma, Dick Clark Productions Executive Producer Barry Adelman and 2015 Miss Golden Globe Greer Grammar took part in the ceremony.

The Tina Fey and Amy Poehler-hosted Golden Globe awards telecast will air on NBC on Jan. 11, 2015.

FILM

Best Motion Picture – Drama
“Boyhood”
“Foxcatcher”
“The Imitation Game”
“Selma”
“The Theory of Everything”

Best Motion Picture – Comedy Or Musical
“Birdman”
“The Grand Budapest Hotel”
“Into the Woods”
“Pride”
“St. Vincent”

Best Performance by an Actor in a Motion Picture – Drama
Steve Carell, “Foxcatcher”
Benedict Cumberbatch, “Imitation Game”
Jake Gyllenhaal, “Nightcrawler”
David Oyelowo, “Selma”
Eddie Redmayne, “The Theory of Everything”

Best Performance by an Actress in a Motion Picture – Drama
Jennifer Aniston, “Cake”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

Best Performance by an Actress in a Motion Picture – Comedy Or Musical
Amy Adams, “Big Eyes”
Emily Blunt, “Into the Woods”
Hellen Mirren, “The Hundred-Foot Journey”
Julianne Moore, “Map to the Stars”
Quvenzhane Wallis – “Annie”

Best Performance by an Actor in a Motion Picture – Comedy Or Musical
Ralph Fiennes, “The Grand Budapest Hotel”
Michael Keaton, “Birdman”
Bill Murray, “St. Vincent”
Joaquin Phoenix, “Inherent Vice”
Christoph Waltz, “Big Eyes”

Best Performance by an Actress In A Supporting Role in a Motion Picture
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Keira Knightley, “The Imitation Game”
Emma Stone, “Birdman”
Meryl Streep, “Into the Woods”

Best Performance by an Actor In A Supporting Role in a Motion Picture
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

Best Director – Motion Picture
Wes Anderson, “The Grand Budapest Hotel”
Avu Duvernay, “Selma”
David Fincher, “Gone Girl”
Alejandro González Iñárritu, “Birdman”
Richard Linklater, “Boyhood”

Best Screenplay – Motion Picture
“Birdman”
“Boyhood”
“Gone Girl”
“The Grand Budapest Hotel”
“The Imitation Game”

Best Animated Feature Film
“Big Hero 6”
“The Book Of Life”
“The Boxtrolls”
“How To Train Your Dragon 2”
“The LEGO Movie”

Best Foreign Language Film
“Force Majure” – Sweden
“Gett, the Trial of Viviane Amsalem” – Israel
“Ida” – Poland
“Leviathan” – Russian
“Tangerines” – Estonia Georgia

Best Original Song – Motion Picture
“Big Eyes” – “Big Eyes” – Music and Lyrics by: Lana Del Rey
“Glory” – “Selma” – Music and Lyrics by: John Legend, Common
“Mercy Is” – “Noah” – Music and Lyrics by: Patti Smith, Lenny Kaye
“Opportunity” – “Annie” – Music and Lyrics by: Greg Kurstin, Sia Furler, Will Gluck
“Yellow Flicker Beat” – “The Hunger Games: Mockingjay, Pt. 1” Music and Lyrics by: Lorde

Best Original Score – Motion Picture
“Birdman”
“Gone Girl”
“The Imitation Game”
“Interstellar”
“The Theory of Everything”

TELEVISION

Best Television Series – Drama
“The Affair”
“Downton Abbey”
“Game of Thrones”
“The Good Wife”
“House of Cards”

Best Television Series – Musical or Comedy
“Girls”
“Jane the Virgin”
“Orange Is The New Black”
“Silicon Valley”
“Transparent”

Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television
Martin Freeman, “Fargo”
Mark Ruffalo, “The Normal Heart”
Billy Bob Thornton, “Fargo”
Matthew McConaughey, “True Detective”
Woody Harrelson, “True Detective”

Best Performance by an Actress In A Television Series – Drama
Claire Danes, “Homeland”
Viola Davis, “How To Get Away With Murder”
Julianna Margulies, “The Good Wife”
Ruth Wilson, “The Affair”
Robin Wright, “House of Cards”

Best Performance by an Actor In A Television Series – Comedy Or Musical
Louis C.K., “Louie”
Don Cheadle, “House of Lies”
Rickey Gervais, “Derek”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Best Performance by an Actress In A Television Series – Comedy Or Musical
Lena Dunham, “Girls”
Edie Falco, “Nurse Jackie”
Julia Louis-Dreyfus, “Veep”
Gina Rodriguez, “Jane the Virgin”
Taylor Schilling, “Orange Is The New Black”

Best Mini-Series Or Motion Picture Made for Television
“Fargo”
“The Missing”
“The Normal Heart”
“True Detective”
“Olive Kitteridge”

Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television
Maggie Gyllenhaal, “The Honorable Woman”
Jessica Lange, “American Horror Story: Freak Show”
Frances McDormand, “Olive Kitteridge”
Frances O’Connor, “The Missing”
Allison Tolman, “Fargo”

Best Performance by an Actor in a TV Series – Drama
Clive Owen, “The Knick”
Liev Schreiber, “Ray Donovan”
Kevin Spacey, “House of Cards”
James Spader, “The Blacklist”
Dominic West, “The Affair”

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion
Uzo Aduba, “Orange Is The New Black”
Kathy Bates, “American Horror Story: Freak Show”
Joanne Froggatt, “Downton Abbey”
Allison Janney, “Mom”
Michelle Monaghan, “True Detective”

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Matt Bomer, “The Normal Heart”
Alan Cumming, “The Good Wife”
Colin Hanks, “Fargo”
Bill Murray, “Olive Kitteridge”
Jon Voight, “Ray Donovan”
Read more at http://www.hitfix.com/in-contention/2015-golden-globe-awards-nominations-complete-list#cFFXUc0JAvUSwiY0.99
Read more at http://www.hitfix.com/in-contention/2015-golden-globe-awards-nominations-complete-list#hh0j84mpH78imAXQ.99

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12th Dec2014

Screen Actors Guild Awards Nominations – Film

by timbaros
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  • Nominees for the 21st Annual Screen Actors Guild Awards® for outstanding performances in 2014 in five film and eight television categories, as well as the SAG Awards® honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood.

    SAG-AFTRA President Ken Howard introduced Ansel Elgort (“The Fault in Our Stars,” “Divergent”) and actress/director/producer and SAG Award® recipient Eva Longoria, who announced the nominees for this year’s Actors®. SAG Awards® Committee Chair JoBeth Williams and Vice Chair Daryl Anderson announced the stunt ensemble nominees.

    The 21st Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 25, 2015 at 8 p.m. (ET) / 5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT. The SAG Awards® can also be viewed live on the TNT and TBS websites, and also the Watch TNT and Watch TBS apps for iOS or Android (viewers must sign in using their TV service provider user name and password).

  • 21st ANNUAL SCREEN ACTORS GUILD AWARDS NOMINATIONS

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
STEVE CARELL / John du Pont – “FOXCATCHER” (Sony Pictures Classics)
BENEDICT CUMBERBATCH / Alan Turing – “THE IMITATION GAME” (The Weinstein Company)
JAKE GYLLENHAAL / Louis Bloom – “NIGHTCRAWLER” (Open Road Films)
MICHAEL KEATON / Riggan – “BIRDMAN” (Fox Searchlight Pictures)
EDDIE REDMAYNE / Stephen Hawking – “THE THEORY OF EVERYTHING” (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role
JENNIFER ANISTON / Claire Bennett – “CAKE” (Cinelou Films)
FELICITY JONES / Jane Hawking – “THE THEORY OF EVERYTHING” (Focus Features)
JULIANNE MOORE / Alice Howland-Jones – “STILL ALICE” (Sony Pictures Classics)
ROSAMUND PIKE / Amy Dunne – “GONE GIRL” (20th Century Fox)
REESE WITHERSPOON / Cheryl Strayed – “WILD” (Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
ROBERT DUVALL / Joseph Palmer – “THE JUDGE” (Warner Bros. Pictures)
ETHAN HAWKE / Mason, Sr. – “BOYHOOD” (IFC Films)
EDWARD NORTON / Mike – “BIRDMAN” (Fox Searchlight Pictures)
MARK RUFFALO / Dave Schultz – “FOXCATCHER” (Sony Pictures Classics)
J.K. SIMMONS / Fletcher – “WHIPLASH” (Sony Pictures Classics)

Outstanding Performance by a Female Actor in a Supporting Role
PATRICIA ARQUETTE / Olivia – “BOYHOOD” (IFC Films)
KEIRA KNIGHTLEY / Joan Clarke – “THE IMITATION GAME” (The Weinstein Company)
EMMA STONE / Sam – “BIRDMAN” (Fox Searchlight Pictures)
MERYL STREEP / The Witch – “INTO THE WOODS” (Walt Disney Studios Motion Pictures)
NAOMI WATTS / Daka – “ST. VINCENT” (The Weinstein Company)

Outstanding Performance by a Cast in a Motion Picture
BIRDMAN (Fox Searchlight Pictures)
ZACH GALIFIANAKIS / Jake
MICHAEL KEATON / Riggan
EDWARD NORTON / Mike
ANDREA RISEBOROUGH / Laura
AMY RYAN / Sylvia
EMMA STONE / Sam
NAOMI WATTS / Lesley

BOYHOOD (IFC Films)
PATRICIA ARQUETTE / Olivia
ELLAR COLTRANE / Mason
ETHAN HAWKE / Mason, Sr.
LORELEI LINKLATER / Samantha

THE GRAND BUDAPEST HOTEL (Fox Searchlight Pictures)
F. MURRAY ABRAHAM / Mr. Moustafa
MATHIEU AMALRIC / Serge X.
ADRIEN BRODY / Dmitri
WILLEM DAFOE / Jopling
RALPH FIENNES / M. Gustave
JEFF GOLDBLUM / Dep. Kovacs
HARVEY KEITEL / Ludwig
JUDE LAW / Young Writer
BILL MURRAY / M. Ivan
EDWARD NORTON / Henckels
TONY REVOLORI / Zero
SAOIRSE RONAN / Agatha
JASON SCHWARTZMAN / M. Jean
LÉA SEYDOUX / Clotilde
TILDA SWINTON / Madame D
TOM WILKINSON / Author
OWEN WILSON / M. Chuck

THE IMITATION GAME (The Weinstein Company)
MATTHEW BEARD / Peter Hilton
BENEDICT CUMBERBATCH / Alan Turing
CHARLES DANCE / Commander Denniston
MATTHEW GOODE / Hugh Alexander
RORY KINNEAR / Nock
KEIRA KNIGHTLEY / Joan Clarke
ALLEN LEECH / John Cairncross
MARK STRONG / Stewart Menzies

THE THEORY OF EVERYTHING (Focus Features)
CHARLIE COX / Jonathan Hellyer Jones
FELICITY JONES / Jane Hawking
SIMON McBURNEY / Frank Hawking
EDDIE REDMAYNE / Stephen Hawking
DAVID THEWLIS / Dennis Sciama
EMILY WATSON / Beryl Wilde

TELEVISION PROGRAMS

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
ADRIEN BRODY / Harry Houdini – “HOUDINI” (History)
BENEDICT CUMBERBATCH / Sherlock Holmes – “SHERLOCK: HIS LAST VOW” (PBS)
RICHARD JENKINS / Henry Kitteridge – “OLIVE KITTERIDGE” (HBO)
MARK RUFFALO / Ned Weeks – “THE NORMAL HEART” (HBO)
BILLY BOB THORNTON / Lorne Malvo – “FARGO” (FX)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
ELLEN BURSTYN / Olivia Foxworth – “FLOWERS IN THE ATTIC” (Lifetime)
MAGGIE GYLLENHAAL / Nessa Stein – “THE HONORABLE WOMAN” (Sundance TV)
FRANCES McDORMAND / Olive Kitteridge – “OLIVE KITTERIDGE” (HBO)
JULIA ROBERTS / Dr. Emma Brookner – “THE NORMAL HEART” (HBO)
CICELY TYSON / Carrie Watts – “THE TRIP TO BOUNTIFUL” (Lifetime)

Outstanding Performance by a Male Actor in a Drama Series
STEVE BUSCEMI / Enoch “Nucky” Thompson – “BOARDWALK EMPIRE” (HBO)
PETER DINKLAGE / Tyrion Lannister – “GAME OF THRONES” (HBO)
WOODY HARRELSON / Martin Hart – “TRUE DETECTIVE” (HBO)
MATTHEW McCONAUGHEY / Rust Cohle – “TRUE DETECTIVE” (HBO)
KEVIN SPACEY / Francis Underwood – “HOUSE OF CARDS” (Netflix)

Outstanding Performance by a Female Actor in a Drama Series (6 nominees)
CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)
VIOLA DAVIS / Annalise Keating – “HOW TO GET AWAY WITH MURDER” (ABC)
JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)
TATIANA MASLANY / Sarah/Cosima/Alison/Rachel/Helena/Tony/Jennifer and Various Others – “ORPHAN BLACK” (BBC America)
MAGGIE SMITH / Violet, Dowager Countess of Grantham – “DOWNTON ABBEY” (PBS)
ROBIN WRIGHT / Claire Underwood – “HOUSE OF CARDS” (Netflix)

Outstanding Performance by a Male Actor in a Comedy Series
TY BURRELL / Phil Dunphy – “MODERN FAMILY ” (ABC)
LOUIS C.K. / Louie – “LOUIE” (FX)
WILLIAM H. MACY / Frank Gallagher – “SHAMELESS” (Showtime)
JIM PARSONS / Sheldon Cooper – “THE BIG BANG THEORY” (CBS)
ERIC STONESTREET / Cameron Tucker – “MODERN FAMILY” (ABC)

Outstanding Performance by a Female Actor in a Comedy Series
UZO ADUBA / Suzanne “Crazy Eyes” Warren – “ORANGE IS THE NEW BLACK” (Netflix)
JULIE BOWEN / Claire Dunphy – “MODERN FAMILY” (ABC)
EDIE FALCO / Jackie Peyton – “NURSE JACKIE” (Showtime)
JULIA LOUIS-DREYFUS / Vice President Selina Meyer – “VEEP” (HBO)
AMY POEHLER / Leslie Knope – “PARKS AND RECREATION” (NBC)

Outstanding Performance by an Ensemble in a Drama Series
BOARDWALK EMPIRE (HBO)
STEVE BUSCEMI / Enoch “Nucky” Thompson
PAUL CALDERON / Arquimedes
NICHOLAS CALHOUN / Sean
LOUIS CANCELMI / Mike D’Angelo
JOHN ELLISON CONLEE / Commodore
MICHAEL COUNTRYMAN / Frank Wilson
STEPHEN GRAHAM / Al Capone
DOMENICK LOMBARDOZZI / Ralph Capone
NOLAN LYONS / Enoch Thompson (young)
KELLY MACDONALD / Margaret Thompson
BORIS McGIVER / Sheriff Smith Johnson
VINCENT PIAZZA / Charlie “Lucky” Luciano
PAUL SPARKS / Mickey Doyle
TRAVIS TOPE / Joe Hardy
SHEA WHIGHAM / Eli Thompson
ANATOL YUSEF / Meyer Lansky
MICHAEL ZEGEN / Benny Siegel

DOWNTON ABBEY (PBS)
HUGH BONNEVILLE / Robert, Earl of Grantham
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / Mr. Bates
MICHELLE DOCKERY / Lady Mary Crawley
KEVIN DOYLE / Mr. Molesley
JOANNE FROGGATT / Anna Bates
LILY JAMES / Lady Rose
ROBERT JAMES-COLLIER / Thomas Barrow
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
MATT MILNE / Alfred
LESLEY NICOL / Mrs. Patmore
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
ED SPELEERS / Jimmy Kent
CARA THEOBOLD / Ivy
PENELOPE WILTON / Isobel Crawley

GAME OF THRONES (HBO)
JOSEF ALTIN / Pyp
JACOB ANDERSON / Grey Worm
JOHN BRADLEY / Samwell Tarly
DOMINIC CARTER / Janos Slynt
GWENDOLINE CHRISTIE / Brienne of Tarth
EMILIA CLARKE / Daenerys Targaryen
NIKOLAJ COSTER-WALDAU / Jaime Lannister
BEN CROMPTON / Dolorous Edd
CHARLES DANCE / Tywin Lannister
PETER DINKLAGE / Tyrion Lannister
NATALIE DORMER / Margaery Tyrell
NATHALIE EMMANUEL / Missandei
IAIN GLEN / Ser Jorah Mormont
JULIAN GLOVER / Pycelle
KIT HARINGTON / Jon Snow
LENA HEADEY / Cersei Lannister
CONLETH HILL / Varys
RORY McCANN / Sandor “The Hound” Clegane
IAN McELHINNEY / Ser Barristan Selmy
PEDRO PASCAL / Oberyn Martell
DANIEL PORTMAN / Podrick Payne
MARK STANLEY / Grenn
SOPHIE TURNER / Sansa Stark
MAISIE WILLIAMS / Arya Stark

HOMELAND (Showtime)
NUMAN ACAR / Hassan Haqqani
NAZANIN BONIADI / Fara Sherazi
CLAIRE DANES / Carrie Mathison
RUPERT FRIEND / Peter Quinn
RAZA JAFFREY / Aasar Khan
NIMRAT KAUR / Tasneem Qureishi
TRACY LETTS / Sen. Andrew Lockhart
MARK MOSES / Dennis Boyd
MICHAEL O’KEEFE / John Redmond
MANDY PATINKIN / Saul Berenson
LAILA ROBINS / Martha Boyd
MAURY STERLING / Max

HOUSE OF CARDS (Netflix)
MAHERSHALA ALI / Remy Danton
JAYNE ATKINSON / Catherine Durant
RACHEL BROSNAHAN / Rachel Posner
DEREK CECIL / Seth Grayson
NATHAN DARROW / Edward Meechum
MICHEL GILL / President Walker
JOANNA GOING / Tricia Walker
SAKINA JAFFREY / Linda Vasquez
MICHAEL KELLY / Doug Stamper
MOZHAN MARNÒ / Ayla Sayyad
GERALD McRANEY / Raymond Tusk
MOLLY PARKER / Jackie Sharp
JIMMI SIMPSON / Gavin Orsay
KEVIN SPACEY / Francis Underwood
ROBIN WRIGHT / Claire Underwood

Outstanding Performance by an Ensemble in a Comedy Series
THE BIG BANG THEORY (CBS)
MAYIM BIALIK / Amy Farrah Fowler
KALEY CUOCO-SWEETING / Penny
JOHNNY GALECKI / Leonard Hofstadter
SIMON HELBERG / Howard Wolowitz
KUNAL NAYYAR / Rajesh Koothrappali
JIM PARSONS / Sheldon Cooper
MELISSA RAUCH / Bernadette Rostenkowski-Wolowitz

BROOKLYN NINE-NINE (FOX)
STEPHANIE BEATRIZ / Det. Rosa Diaz
DIRK BLOCKER / Hitchcock
ANDRE BRAUGHER / Capt. Ray Holt
TERRY CREWS / Sgt. Terry Jeffords
MELISSA FUMERO / Det. Amy Santiago
JOE LO TRUGLIO / Det. Charles Boyle
JOEL McKINNON MILLER / Scully
CHELSEA PERETTI / Gina Linetti
ANDY SAMBERG / Det. Jake Peralta

MODERN FAMILY (ABC)
AUBREY ANDERSON EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

ORANGE IS THE NEW BLACK (Netflix)
UZO ADUBA / Suzanne “Crazy Eyes” Warren
JASON BIGGS / Larry Bloom
DANIELLE BROOKS / Tasha “Taystee” Jefferson
LAVERNE COX / Sophia Burset
JACKIE CRUZ / Flaca
CATHERINE CURTIN / Wanda Bell
LEA DELARIA / Carrie “Big Boo” Black
BETH FOWLER / Sister Ingalls
YVETTE FREEMAN / Irma
GERMAR TERRELL GARDNER / Charles Ford
KIMIKO GLENN / Brook Soso
ANNIE GOLDEN / Norma Romano
DIANE GUERRERO / Maritza Ramos
MICHAEL J. HARNEY / Ofc. Sam Healy
VICKY JEUDY / Janae Watson
JULIE LAKE / Angie Rice
LAUREN LAPKUS / Susan Fischer
SELENIS LEYVA / Gloria Mendoza
NATASHA LYONNE / Nicky Nichols
TARYN MANNING / Tiffany “Pennsatucky” Doggett
JOEL MARSH GARLAND / Scott O’Neill
MATT McGORRY / Ofc. John Bennett
ADRIENNE C. MOORE / Black Cindy
KATE MULGREW / Galina “Red” Reznikov
EMMA MYLES / Leanne Taylor
JESSICA PIMENTEL / Maria Ruiz
DASCHA POLANCO / Dayanara Diaz
ALYSIA REINER / Natalie “Fig” Figueroa
JUDITH ROBERTS / Taslitz
ELIZABETH RODRIGUEZ / Aleida Diaz
BARBARA ROSENBLAT / Miss Rosa
NICK SANDOW / Joe Caputo
ABIGAIL SAVAGE / Gina
TAYLOR SCHILLING / Piper Chapman
CONSTANCE SHULMAN / Yoga Jones
DALE SOULES / Frieda
YAEL STONE / Lorna Morello
LORRAINE TOUSSAINT / Yvonne “Vee” Parker
LIN TUCCI / Anita DeMarco
SAMIRA WILEY / Poussey Washington

VEEP (HBO)
SUFE BRADSHAW / Sue Wilson
ANNA CHLUMSKY / Amy Brookheimer
GARY COLE / Kent Davidson
KEVIN DUNN / Ben Cafferty
TONY HALE / Gary Walsh
JULIA LOUIS-DREYFUS / Vice President Selina Meyer
REID SCOTT / Dan Egan
TIMOTHY SIMONS / Jonah Ryan
MATT WALSH / Mike McLintock

SAG AWARDS HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“FURY” (Columbia Pictures)
“GET ON UP” (Universal Pictures)
“THE HOBBIT: THE BATTLE OF THE FIVE ARMIES” (Warner Bros. Pictures)
“UNBROKEN” (Universal Pictures)
“X-MEN: DAYS OF FUTURE PAST” (20th Century Fox)

Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series (6 nominees)
“24: LIVE ANOTHER DAY” (FOX)
“BOARDWALK EMPIRE” (HBO)
“GAME OF THRONES” (HBO)
“HOMELAND” (Showtime)
“SONS OF ANARCHY” (FX)
“THE WALKING DEAD” (AMC)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild 51st Annual Life Achievement Award
DEBBIE REYNOLDS

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06th Dec2014

Hockney – Film

by timbaros

Hockney426x317_586f5a66dbb77510ed9cb21a1762924bDavid Hockney is considered to be one of the most significant artists of our generation. He’s been creating art since the 1960’s and, believe it or not, he is still at it today. His life is explored in the new documentary Hockney, to be released on November 28th.

Hockney was born in Bradford, UK in 1937. He graduated from the Bradford School of Art in 1957 and then studied at the Royal College of Art from 1959 – 1962. He was instrumental in the founding of the British Pop Are movement. In the documentary, Hockney gives complete access of his life – his personal archive of photographs, paintings, and films – with family members and close personal friends speaking about him as well.

Hockney’s art is very visual, very abstract, and he has been able to transcend the changes in the art world for over half a century. He’s been a success, but throughout his life he has struggled with his art, relationships, and the tragedy of AIDS.

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Hockney was brought up in the time of austerity, and his first memories are of him hiding under the stairs during the WWII air raids. When he was young, his father told him ‘not to worry too much what the neighbors think’ and this might’ve set the tone for his art. He also loved going to the cinema – Hockney mentions in the documentary that painting and cinema have a much closer relationship than people realise. Hockney’s first time out of the UK was when he set off to New York City – where he had $350 to last him for two months. We are shown quite a few scenes of modern New York City which seem irrelevant to the era in which Hockney arrived. In 1964 he moved to Los Angeles and it was his time there where he produced his most memorable art – images of swimming pools and the people in them. His art was also very blatantly gay as Hockney was not shy about painting art that basically reflected his life.

But Hockey the documentary doesn’t show us his life story in chronological order. It goes back and forth between showing home videos of him with friends, present day Hockney musing on his life, friends from the yesteryear reminiscing about pivotal events in Hockney’s life, his sister Margaret discussing the time when they were children, and near the end of the documentary there is a three minute tribute to his mother, who passed away in 1999 at the age of 99. So Hockney in that sense is a bit confusing because it doesn’t follow any order, it’s just a series of talking heads (including Hockney’s) interspersed with his work.

It is the art shown in the film that is breathtaking. Hockney created two very different landscapes for his work – the vast bright colorful spaces of California and the dark, moody hills of East Yorkshire. His work would start with a photograph, and from then he would reproduce it as a print, including friends and acquaintances in some of his paintings – some of whom discuss their memories posing for Hockney.

Some of his work shown in the film includes his ‘We Two Boys Together Clinging,’ an oil on board painting showing two men clinging to each other. ‘Pacific Mutual Life’ is another one of his earlier works and it is just that – a painting of the Pacific Mutual Life Building in Los Angeles. One of his most famous works is “A Bigger Splash,’ simply an unseen diver already in the water, the remnants of his splash backdropped by the beautiful house with palm trees and terribly blue skies. Every one of Hockney’s painting tells a story from his life.

‘Peter Getting out of the Pool’ also stuck with this same motif – showing Hockney’s then boyfriend Peter Schlesinger literally getting out of the pool, naked, with the ripples of the water drawn by Hockey to look like squiggly lines. When the themes weren’t about pools or homosexuality, Hockney liked to paint people. ‘Mr. and Mrs. Clark and Percy’ (1970) shows two friends posing in their living room. Hockney for some strange reason could not paint Mr. Percey’s feet so he had him burrow them in the deep shag carpet.

But David Hockney comes off as lonely. He has had bouts of depression during his lifetime, especially after the death of his best friend Henry Geldzahler – who passed away in 1994 of cancer. They were soul mates, travelling together, working together, and practically living together. Henry, who worked in the art world as a curator, is shown in bed with Hockney, cuddling, and also shown at a beach house where he and Hockney would escape to be creative. Also AIDS entered into Hockney’s like, and his friends say that it shook him to it’s core. Hockney, who is free of the virus, says in the documentary that he lost two-thirds of his friends to the disease.

But Hockney always reinvents himself. His interest in films and photography grew into almost an obsession. He was one of the first artists to optically produce images, creating paintings that begun as a series of photographs taken from different angles of a single subject into one single piece of work – it’s a technique no else had ever done so successfully before. And Hockney has had a very successful life and career as an artist. And it’s hard to believe that at age 77 he is still working in the studio seven days a week.

Director Randall Wright was very fortunate in two respects in the making of this documentary; that Hockney was still alive, and that he fully cooperated with him for this documentary. Hockney gave Wright free reign to do whatever he wanted with his personal archives – the first time Hockney has ever done so. Hockney even gave Wright permission to use the many unseen experiments with film and video and his early still photographs. This is not the first time that Wright has worked with Hockney. In 2003 he directed ‘David Hockney: Secret Knowledge,’ which explored Hockney’s theory that artists have been using optical devices since the 15th century. But in Hockney, it’s all about the man, and the myth. But perhaps Wright is too close to his subject and has known him for a long time because after watching Hockney I still felt that I didn’t really understand him and felt like I had just been given a video tour of his art – abstract to a point of not knowing what to make of it. And at the end of the documentary, we see Hockney aimlessly walking around his house, not giving much of a dramatic ending to this film.

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29th Nov2014

Paddington – Film

by timbaros

images-296Paddington Bear is now Paddington the Movie, and it’s very warm and fuzzy.

Paddington the Movie has been a long time coming. It’s the first film incarnation of Britian’s best loved bear, having been in book form since 1958, and it was also a 1975 television series. Paddington Bear has always been known as a stuffed animal collected and loved by many generations over the past 60 years. Now the bear film hits the big screen and it’s like Paddington Bear has turned life like!

In the beginning of the film, we see the bear (not named until he gets to London) in his natural habitat, with his family, in the hills of Peru. A terrible earthquake takes place and their habitat is destroyed, along with some of his family members. So his aunt, who is off to the bears retirement home, puts him on a boat bound for London, with bottles of marmalade for food, and in case of an emergency, a sandwich of marmalade under his hat. He’s going to London to look for an explorer who had visited Peru many years ago and told the bears that they would be welcome in London anytime.

The bear makes his way from the ship and into London via in a garbage bag, and finds himself at Paddington Station. He’s jostled and practically stepped on by daily commuters (just like the rest of us are), but he’s eventually picked up by the Brown family, including Mr. Brown (Hugh Bonneville), Mrs. Brown (Sally Hawkins), and their two children Judy (Madeleine Harris) and Jonathan (Samuel Joslin). The don’t know what to call him but in the background there is a sign that reads ‘Paddington’ – so that is what they call him – Paddington. Mr. Brown is very reluctant to take this bear home but Mrs. Brown, and the children, talk him into it to let him stay at their house for just one night. Upon arriving at their three story Notting Hill home where housekeeper Mrs. Bird (Julie Walters) maintains the household, Paddington creates a right mess his first night at the Brown’s house. He’s not sure how to use the sink and eventually floods the bathroom, causing water to cascade down the staircase and into the family’s kitchen. It’s not a good start for Paddington. But Mrs. Brown is on his side and she wants him to find the explorer so she talks Mr. Brown to take him to the Royal Geographical Society to look in their archives for M. Clyde, the famous explorer who many years ago had visited Peru. Told by the front desk that there is no record of him, Mr. Brown dresses as a cleaning woman to infiltrate the research room to get the information. But soon enough him and Paddington are caught and they make a lucky escape. As Mr. Brown and Paddington (and the children) bond, Paddington continues to look for the explorer, and one night when he overhears the Brown’s saying the he is causing too much of a mess in their home, he knocks on every M. Clyde door in town. But he’s not the only one looking, he’s also being chased by Millicent (a very mean Nicole Kidman) – a taxidermist at the Natural History Museum who wants to add him to her collection – stuffed. Will Paddington find the explorer in the hopes he will give him a home? Will he get kidnapped by Millicent and end up on her wall? How can anyone not be charmed and warmed over by his loveable face is beyond me!

Paddington the Movie does not disappoint on all levels. It’s funny, cute, loveable, charming, and a film for all members of the family. It also includes musical interludes from the era when Paddington was ‘born,’ music that is West Indian in flavour. And Ben Whishaw’s voice is perfect as Paddington (not quite grown up yet quite too young). And there are quite a few cameos in the film, including Matt Lucas as a cab driver and Peter Cipaldi as the Brown’s nosey next door neighbor. And even though a couple of the scenes in the film are a bit ridiculous (Bonneville dressed as a woman as mentioned above, and a long street chase where Paddington is returning the wallet of a man who happens to be a pickpocket), overall it’s a great film. But’s it the spirit of Paddington that this film is based on, and Producer David Heyman (Gravity) and Writer and Director Paul King successfully bring Paddington’s spirit to the film, a film to be enjoyed by all ages up to and after Christmas.

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08th Nov2014

Interstellar – Film

by timbaros

Matthew helmetThere’s a lot of hype surrounding the new film Interstellar, which opened on Friday.

It’s directed by Christopher Nolan, the man who brought us the billion-dollar grossing films (each!) The Dark Knight and The Dark Knight Returns. He also brought us 2000’s smart and highly intellectual film Memento and 2010’s highly confusing Inception. Also upping the hype around Interstellar is that it stars recent Academy Award winners Matthew McConaughey and Anne Hathaway, multiple Oscar nominee Jessica Chastain, as well as Oscar winners Michael Caine, Ellen Burnstyn, and in an uncredited/unbilled but pivotal role in the film, Matt Damon. Also by the look of the trailer, it looks visually and expirementally stunning. It’s on the path to be this year’s Gravity.

Interstellar is a lot of things. But according to Nolan, it hinges on the provocative question of humanity’s place in the stars. Interstellar means ‘occurring or situated between stars,’ and that’s basically what the movie is all about. It’s also about Black Holes, distance galaxies, uninhabitable and habitable planets, spaceship travel, and what drives the plot is the relationship a father has with his daughter.

Set in the near future when an agricultural crisis has hit Earth and there is not enough food to eat and the population is slowly dying. The land is very dry and there are massive sandstorms that engulf the planet. With the possibility of the extinction of humans, a dangerous and daring mission takes place to look for planets outside of the universe where humans can move to, survive, and most importantly, reproduce. It’s a mission that goes above and beyond the barriers of time and space, defying not only gravity, but inter-galaxy travel as well. It’s an experimental mission that’s not only very dangerous, but life altering as well.

Cooper (McConaughey) is a former test pilot and engineer who’s now a farmer because that is what is needed in this decaying, dry new world. The only crop that is left on earth is corn, so this is what he grows at his vast farm, with the help of his father-in-law Donald (John Lithgow) and his two children – teenage son Tom (Timothee Chalamet) and daughter Murph (Mackenzie Foy). Cooper hears of some sort of experimental space project going on in his area, so he drives off attempting to find it, at the same time finding Murph in the back of the car when she was told to stay home. She’s as much of a space geek as her father.

They find the compound, or actually the compound finds them, and they both get whisked into the underground bunker. It’s actually a fortress made up of scientists and engineers, let by Professor Brand (Caine). He leads the project for the search of a planet in perhaps another universe that can sustain the human race. A project which includes a newly built spaceship.

So Cooper (without the blessing of his daughter) and Brand’s scientist daughter Amelia (Hathaway) and two others blast off into space, into the darkness, on a mission that seems impossible. But what Cooper doesn’t know is that 13 other astronauts had previously attempted the mission, and all have not been heard from since. And to add drama to the story, Amelia was in love with one of them.

It’s the space mission (and Cooper and Murph’s relationship) that drives Interstellar. And what a drive it is. Nolan takes us into space and beyond like no other filmmaker has. We are transported into another universe, through blackholes, to other planets. One planet has waves the size of the Empire State Building, while another is caked in ice, where they find one of the 13 astronauts alive – Dr. Mann (Damon). And this is when Coopers’ and Amelia’s mission strays off it’s course, in a detrimental way. One hour on this planet equals 20 years on Earth, so the more time spent there, the more time Coopers children grow up, and old, without him.

What Interstellar tries to do is use the magnitude and grandeur of space as a backdrop for exploring the relationships that Cooper has with his children, especially his daughter. It’s also about all kinds of things – our lives on earth, what will happen when our earth can no longer sustain us, who are are, and it makes us look at the relationships we have. It basically asks us to examine, all this, and more, in its 169 minutes. London born Nolan successfully puts the audience into space, and McConaughey successfully makes us believe that he’s got the passion to be in space, but Interstellar leaves us mere mortals behind in a film that is a bit overhelming, mind bending, demanding and a bit confusing. And the sound quality is not the best, the music and noise at times drowns out what the characters are saying in a few crucial scenes. And with two recent air space accidents in the last couple weeks, no one is really in a rush to get to space. Written by Nolan and his brother Jonathan, Interstellar is a movie bigger than what it can handle, and what we can handle.

26th Oct2014

The Way He Looks – Film

by timbaros

images-275High school student Leonardo is blind. He relies on his parents and his best friend Giovanna to literally guide him through life. His world changes dramatically when new student Gabriel enters his classroom. A slow moving love story begins in the new film The Way He Looks.

Leonardo, played convincingly by non-blind actor Ghilherme Lobo, is a young man who doesn’t have much independence. He is guided everywhere by his best friend Giovanna (Tess Amorim), including making sure he gets home ok after school. They even investigate the possibilities of going on an exchange program to another country together. When Leonardo’s home, he’s got his parents calling him to make sure he’s arrived safely. He’s doesn’t lead much of an independent life – and his parents nix his idea of going on the exchange program. At school, he’s bullied by the other boys in his class, they tease and taunt him and follow him and make fun of him. And no one wants to sit in the empty desk behind him as he uses a typewriting machine to get through the lessons. One day new student Gabriel (played by a confident Fabio Audi) arrives in the class and takes the only seat that is available – behind Leonardo.

Soon Leonardo, Gabriel and Giovanna all become close friends. And before you know it, Leonardo and Gabriel start hanging out together, leaving Giovanna out. Gabriel starts walking Leonardo home, and they take on a class assignment together which makes them spend more with each other after school. Giovanni decides to stop speaking to them. Meanwhile, Leonardo and Gabriel’s friendly relationship starts to grow – Gabriel takes Leonardo to ‘see’ his first film – narrating it for him, scene by scene. Leonardo also sneaks out of his home very late one night to go ‘see’ an eclipse with Gabriel – it’s a moment that brings their friendship closer together. Meanwhile, Gabriel’s got Karina (Isabela Guasco) chasing him. Giovanna calls her a slut, meanwhile Giovanna also has a crush on Gabriel, leading her to steal a kiss from him at Karina’s house party. He doesn’t reciprocate – but in turn he steals a kiss from Leonardo – after Leonardo was humiliated by the young partygoers during a game of spin the bottle where they almost made him kiss a dog. A few days later, the class goes on a camping trip, and finally Giovanna comes around and makes up with Leonardo, leaving Gabriel to be with Karina. Yet, Gabriel isn’t interested in her, he’s quite aloof when it comes to girls. And when Gabriel showers naked next to Leonardo, it’s Gabriel’s eyes that start to wander and it’s at that moment, touchingly, that we realize that Gabriel wants to be more than a friend to Leonardo.

The Way He Looks is a very lovely film, quite quiet yet very moving. What makes it so are the performances. Lobo is just so sweet as the blind boy who wants to start exploring life on his own. It’s a delicately nuanced performance. And Audi as Gabriel is just the opposite. He’s a confident yet not cocky young man who takes Leonardo under his wing and guides him through new experiences in life – something no one else has done. Director Daniel Ribeiro has structured a film where homosexuality is not the central theme – the theme throughout is Leonardo’s blindness, it’s the love story between Leonardo and Gabriel that is very subtle. The Way He Looks is Ribeiro’s debut feature film. It’s based on his 17-minute short film “I don’t Want To Go Back Alone’ which tells the same story. It won the 2011 Iris Prize (a prize given to a short film with an LGBT theme). Using the same actors, Ribeiro has gifted us with a longer version of his short film that explores a subject not seen in the cinema, gay or straight, the sexual awakening of a blind teenager. The Way He Looks is not just a gay love story, it’s a universal love story that everyone can, and will, relate to.

26th Oct2014

This is Where I Leave You – Film

by timbaros

images-274A dysfunctional family with a sexy matriarch is the premise of the new dramatic comedy This is Where I Leave You.

Jane Fonda stars as the outspoken Hillary Altman. Her husband has just passed away so all of her children come to the family home for the funeral, to live under the same roof, for seven days. The Altman children include Judd (Jason Bateman), a 40-something radio producer who catches his wife in bed with his star DJ Wade Beaufort (Dax Shepard); Tina Fey plays Wendy – she’s the sensible one, very close to Judd, with two children and a husband always on the phone making deals; Adam Driver is Phillip – he’s in his mid 30’s going on 25 but who is dating a woman almost double his age (played confidently by Connie Britton); and then there’s the oldest and responsible brother Paul (Corey Stoll), who works in the company business with their now deceased father but is having a hard time trying to have a baby with his wife him Annie (Kathryn Hahn).

In a film that has cute moments together with some awful moments, This is Where I Leave You is basically a film about a family that is just as dysfunctional and loopy as we’ve seen before on the screen. Awkward moments abound, especially as the father’s dying wish was to have all his children come home and spend seven days Sitting Shiva (a seven-day period of mourning in the Jewish religion). Hillary goes on to tell her children “For the next seven days you are all my children again. And you are all grounded.” The Altman family basically don’t know what to say to each other and the silence is louder than words. Other Awkward moments include Hillary’s breasts. They loom large when she’s making a bed for Judd and tell’s him “these are the same breasts you sucked on as a child,” and he tells her “Oh no they’re not.”

With the four adult children back in their hometown, past romantic liaisons come alive again. Rose Byrne plays Penny Moore, a hometown girl who’s always carried a torch for Judd, too bad for her that he unknowingly has sex with her daughter. And Paul’s wife Annie has always carried a torch for Judd and even asks him to impregnate her as it appears her husband Paul’s sperm is not doing the trick. And Wendy has to come face to face with a high school sweetheart (Timothy Olyphant) who was in a tragic accident and was incapable of being the man she wanted him to be so she moved on with her life.

This is Where I Leave You is recommended for it’s smart cast (they all do very well in light of a very weak script with some unfunny jokes) and direction that could’ve been tighter and more focused. And it could’ve finished with a different ending as I didn’t believe the  relationship Wendy is now in. Having said that, it’s a fun film that you will more than likely forget a couple hours after leaving the cinema.

20th Oct2014

Palo Alto – Film

by timbaros

images-271The directorial debut of Gia Coppola, Palo Alto is an exploration of high school teenagers experimentations with sex, drugs, and alcohol, and it’s an impressive debut.

Coppola, granddaughter of Francis Ford Coppola and niece of Sofia Coppola and Nicholas Cage, turns James Franco’s book of the same name into a gritty yet honest movie of a bunch of teenagers in a Palo Alto, California High School. Franco’s book was a series of stories, and Coppola’s film links them up beautifully to create a film that flows, with characters who we could all relate to.

April (an amazing Emma Roberts) is the class virgin. April’s popular amongst her peers and is a star soccer player. She is also being chased by her creepy soccer coach Mr. B., whom she babysits for (Franco, in one of his best roles in years). But Mr. B. just doesn’t like April, he also ‘likes’ other girls at the school – he’s a pedophile.

Meanwhile, Teddy (Jack Kilmer), and Fred (Nat Wolff) are the best of friends, yet it’s Fred unpredictable behaviour that at times becomes explosive and dangerous. And Teddy has a huge crush on April, and he is unaware of her relationship with Mr. B.

Zoe Levin plays Emily. She’s basically the school slut, and sleeps with Fred. Teddy, taking a page from Fred’s book, is caught drunk driving and has to perform community service, in a library where Fred visits and proceeds to deface a book. Throw in a mix of more parties and more romances and what you have is a teenage high school film that is made for grownups.

Coppola gives us a film that is seen through the eyes of the teenagers; their angst, their anxiety, semi-innonence, boredom and excitement. It’s a movie that feels real, with performances to match. Roberts, niece of Julia, was the perfect choice for the role of April. She’s 23 years old but in the film looks like she’s 16. Kilmer (son of actor Val Kilmer, who has a cameo in the film as a stoned-out stepfather), is also very good as Teddy, tight friends with Fred yet trying to win April’s affections. And Franco is perfect as the lecherous soccer coach – his guilty smile and glint in his eyes says it all – he’s very handsome yet very dangerous. Franco trusted his book to Coppola to turn it into a movie, and she does a fantastic job. Not bad for a first-timer. Francis Ford and Sofia Coppola should watch their back, another Coppola family member is on the way up.

11th Oct2014

’71 – Film

by timbaros

images-263In the new film ’71, Jack O’Connell gives another excellent performance. In this one he plays an army soldier trapped behind enemy lines in Belfast, Ireland.

1971 is the year which was at the height of The Troubles. It’s the time when most Protestants, who wanted Northern Ireland to remain in the United Kingdom, versus the Catholics, who wanted the United Kingdom to join a united Ireland, fought against each other, yet there were certain people within these communities who were for the opposite side.

O’Connell plays a young English soldier form Derbyshire who is part of a larger unit tasked with trying to calm a riot in Belfast. At the riot, all hell breaks lose; the locals are not happy to see the army there as they search local homes for terrorists. The locals revolt and attack the soldiers, the soldiers retreat and leave, and two of them, including Private Gary Hook (O’Connell), are left behind. The other soldier is killed, but Hook manages to run from the angry mob, but is chased by two of them through the city’s backroads and alleys. He does find a hiding place where he stays for a while. Once he feels it’s safe to venture back outside, he is befriended by a nine-year old (Corey McKinley in an excellent performance for a young actor). But, in what is one of the most surprising and shocking moments I’ve seen on screen all year, the pub blows up, with the kid in it.

Hook is eventually caught and beat up, but he is taken in by a father and daughter who are sympathetic to him and who hide him in their flat. But word spreads through the community that they are hiding a British soldier, and locals want to kill him. Meanwhile, his platoon starts looking for him as well. Who will find him first, and what condition will they find him in?

Director Yann Demange and writer Gregory Burke have created a film with lots of suspense and action, with amazing real scenes of rioting and violence. It’s beautifully shot by Tat Radcliffe – even the explosions look very vivid. But ’71 is not a perfect film. The showdown at the end is a bit overdramatic and plays with your heartstrings, and there’s lots of blood spilled but very little stains left, but it’s rising star O’Connell’s film. Formerly of television’s Skins and most recently in Starred Up as a young man who is sent to prison, O’Connell again displays that he can command a movie. And his profile is only going to get higher. His next film will be Unbroken, which is about the life of Olympic athlete Louis “Louie” Zamperini – to be played by O’Connell. It’s a film produced and directed by Angelina Jolie. O’Connell is on the way to bigger and better things.