24th Feb2018

Girls & Boys (Theatre)

by timbaros

11-2Any play that starts out with the line ‘I met my husband in the queue to board an Easyjet flight and I have to say that I took an instant dislike to the man’ you know you’re going to be hooked. And that’s how Girls & Boys pulls you in it’s grip and never lets go.

It’s not just the sharp dialogue that grabs your attention, it’s also the way it’s delivered by the superfamous actress Carey Mulligan. And she’s solo for the entire show – a one-woman show about her character’s relationship with the man she met at the airport, their life together, which produced two children, and then, as nothing in life is perfect, the relationship breaks down, but that’s not the end of it. An unspeakable tragedy happens, and by this time Mulligan, and Girls & Boys, has us in it’s grips, and doesn’t let go. Heartwrenching and heartbreaking.

Mulligan, it terrific. She flits back and forth from delivering the monologue directly to the audience but then jumps into a scene in the show, in her white living room – devoid of color, and life. There she plays with her two children, but they are actually not there, they are invisible yet a reminder that her past life was full of love and life, but is now full of emptiness. Mulligan reminisces about a life that was to good to be true, and it was.

Mulligan, star of the recent critically acclaimed film ‘Mudbound,’ is a formidable prescence on the stage. You forget she’s a famous actress because you get wrapped up in the story, her telling of it, as she wraps and grasps the audience tightly in the story. A tight sharp script by Dennis Kelly and crisp direction by Lyndsey Turner make this 90 minute show a must see.

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20th Mar2016

Suffragette (DVD)

by timbaros

‘Suffragette’ is the story of the women who battled for equals right in London in the 1910’s, and it’s a must see

The plight of the British women who fought for the right to vote is beautifully told in the excellent film ‘Suffragette.’

‘Suffragette’ is told through the eyes Maud Watts (Carey Mulligan) in London, 1912. She works in a local factory, the Glass House Laundry in Bethnal Green, is married to fellow factory worker Sonny Watts (Ben Whishaw) and they have a young son. Watts has actually been a part of the factory since she was very young: her mother worked in the same factory and would strap her to her back when she went to work. Her mother died when she was four and Maud started working part-time there at the age of 7. At the age of 12, she started working full-time. She’s now a lead washer where she makes 13 schillings a week (compared to the salary a man is paid for the same job – 19 schillings a week). Watts has also been sexually molested by the hard core boss Norman Taylor (Geoff Bell). One day Watts is asked to accompany another women who’s to speak at Parliament about women’s working conditions and a bill to give women the right to vote. Watts wasn’t supposed to speak, but the other woman, Mrs. Violet Miller (Anne-Marie Duff) had been beaten up and didn’t look presentable, so Watts is thrust into giving the preprepared speech. Watts speaks from her heart, and from her experience, ignoring the script that was written. This lights something within Watts and turns her into an activist. She gets more more disgusted at the lack of women’s rights, and even more so when she sees young factory worker Maggie Miller (Grace Stotter), Violet’s daughter, being groped by Taylor in his office. Taylor is a sexual predator who believe women have no rights, and he tells Watts to ‘leave the vote to us.’

But Watts’ pleas to Parliament are not enough. They say that there is not enough evidence to support the bill. The women rebel in front of the Houses of Parliament; many are thrown to the ground by the police with little regard for the women’s safety. Some, including Watts, and fellow protestor Edith Ellyn (Helena Bonham Carter), are sent to jail, where they are humiliatingly stripped naked. But this doesn’t deter them, and this leads to Watts becoming a member of the ever increasing suffragettes – a group of women working full-time to advance the rights of women. The Suffragettes are led by Emmeline Pankhurst (Meryl Streep) – a woman who has given up her life to further the cause. She’s also in hiding for fear of getting arrested for leading the movement (during those times women had very little rights). Determined police inspector Arthur Steed (Brendan Gleeson) puts the women under surveillance – he won’t let them carry on with their protesting and letter box bombings – he wants them all arrested, especially Pankhurst, and calls the women the “East London ladies.” But Pankhurst rallies the women – she tells them at a gathering in a speech from a balcony “We would rather be lawmakers, not lawbreakers.” The women continue their protesting, even resorting to bombing an M.P.’s house, just to get their message across. But Watts eventually loses more than what she bargained for, but she’s more determined than ever to fight for the cause.
‘Suffragette’ tracks the foot soldiers of the early UK feminist movement, working class women who were forced to go into hiding to pursue equality. They were willing to risk, in their fight, their jobs, homes, families, and for some of them, their lives. And it’s a great movie. The film lies heavily on the shoulders of Mulligan’s portrayal of her character, a fictional character but someone who we route for every step of the way. It’s an unflawed performance that hopefully will see Mulligan receive an Academy Award nomination. Streep, who shares top billing, is only in the film for less than five minutes, but her character’s presence is felt all throughout the movie. Carter is perfectly cast as the local pharmacist and fellow activist, with a husband who supports her every step of the way. Carter is actually the great-granddaughter of Herbert Asquith – the Prime Minister during the time this movie takes place. Director Sarah Gavron (Brick Lane), working from a script by Abi Morgan (The Iron Lady), successfully and beautifully blends in actual footage of the real protestors into the film, in a film that effectively uses dark lighting and unglamorous costumes to set the mood of the times. And while the plot may be familiar (the recent Made in Dagenham follows a similar plotline), ‘Suffragette’ is an important film to highlight what women did to get equal rights. And we have to be reminded that they are still fighting, and in some countries around the world (Saudi Arabia), women still have very little or no rights.

‘Suffragette’ is now available on DVD


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12th Oct2015

Suffragette (Film)

by timbaros

110414SH_18307.nefThe plight of the British women who fought for the right to vote is beautifully told in the excellent film ‘Suffragette.’

‘Suffragette’ is told through the eyes Maud Watts (Carey Mulligan) in London, 1912. She works in a local factory, the Glass House Laundry in Bethnal Green, is married to fellow factory worker Sonny Watts (Ben Whishaw) and they have a young son. Watts has actually been a part of the factory since she was very young: her mother worked in the same factory and would strap her to her back when she went to work. Her mother died when she was four and Maud started working part-time there at the age of 7. At the age of 12, she started working full-time. She’s now a lead washer where she makes 13 schillings a week (compared to the salary a man is paid for the same job – 19 schillings a week). Watts has also been sexually molested by the hard core boss Norman Taylor (Geoff Bell). One day Watts is asked to accompany another women who’s to speak at Parliament about women’s working conditions and a bill to give women the right to vote. Watts wasn’t supposed to speak, but the other woman, Mrs. Violet Miller (Anne-Marie Duff) had been beaten up and didn’t look presentable, so Watts is thrust into giving the preprepared speech. Watts speaks from her heart, and from her experience, ignoring the script that was written. This lights something within Watts and turns her into an activist. She gets more more disgusted at the lack of women’s rights, and even more so when she sees young factory worker Maggie Miller (Grace Stotter), Violet’s daughter, being groped by Taylor in his office. Taylor is a sexual predator who believe women have no rights, and he tells Watts to ‘leave the vote to us.’

But Watts’ pleas to Parliament are not enough. They say that there is not enough evidence to support the bill. The women rebel in front of the Houses of Parliament; many are thrown to the ground by the police with little regard for the women’s safety. Some, including Watts, and fellow protestor Edith Ellyn (Helena Bonham Carter), are sent to jail, where they are humiliatingly stripped naked. But this doesn’t deter them, and this leads to Watts becoming a member of the ever increasing suffragettes – a group of women working full-time to advance the rights of women. The Suffragettes are led by Emmeline Pankhurst (Meryl Streep) – a woman who has given up her life to further the cause. She’s also in hiding for fear of getting arrested for leading the movement (during those times women had very little rights). Determined police inspector Arthur Steed (Brendan Gleeson) puts the women under surveillance – he won’t let them carry on with their protesting and letter box bombings – he wants them all arrested, especially Pankhurst, and calls the women the “East London ladies.” But Pankhurst rallies the women – she tells them at a gathering in a speech from a balcony “We would rather be lawmakers, not lawbreakers.” The women continue their protesting, even resorting to bombing an M.P.’s house, just to get their message across. But Watts eventually loses more than what she bargained for, but she’s more determined than ever to fight for the cause.

‘Suffragette’ tracks the foot soldiers of the early UK feminist movement, working class women who were forced to go into hiding to pursue equality. They were willing to risk, in their fight, their jobs, homes, families, and for some of them, their lives. And it’s a great movie. The film lies heavily on the shoulders of Mulligan’s portrayal of her character, a fictional character but someone who we route for every step of the way. It’s an unflawed performance that hopefully will see Mulligan receive an Academy Award nomination. Streep, who shares top billing, is only in the film for less than five minutes, but her character’s presence is felt all throughout the movie. Carter is perfectly cast as the local pharmacist and fellow activist, with a husband who supports her every step of the way. Carter is actually the great-granddaughter of Herbert Asquith – the Prime Minister during the time this movie takes place. Director Sarah Gavron (Brick Lane), working from a script by Abi Morgan (The Iron Lady), successfully and beautifully blends in actual footage of the real protestors into the film, in a film that effectively uses dark lighting and unglamorous costumes to set the mood of the times. And while the plot may be familiar (the recent Made in Dagenham follows a similar plotline), ‘Suffragette’ is an important film to highlight what women did to get equal rights. And we have to be reminded that they are still fighting, and in some countries around the world (Saudi Arabia), women still have very little or no rights.

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24th Jan2014

Inside Llewyn Davis – Film

by timbaros

images-81Inside Llewyn Davis is a quiet, downbeat, and different type of movie about a musician who can’t get a break, neither in his musical career nor in his life.

Oscar Isaac excellently plays Davis, a talented folk singer/songwriter in 1960’s Greenwich Village who always seems to have a dark cloud over his head. Loosely based on a book by American folk singer Dave Van Ronk (“Mayor of MacDougal Street”) and directed and written by brothers Joel and Ethan Coen, Inside Llewyn Davis tells the simple tale of Davis as he tries to navigate life with his guitar as his best friend.
Davis, who is practically homeless and will jump at the chance to take perform at any gig for money, lives from sofa to sofa, including one that belongs to his ex-girlfriend Jean (Carey Mulligan) and her new partner Jim (Justin Timberlake). Together on the music circuit they are known as Jean and Jim. However, Jean informs Davis that she is pregnant, and that the kid could potentially be his. In another apartment that he sleeps in, he, along with the house cat, both get locked out, so he takes the cat (Ulysses) with him on the subway to gigs and to other people’s apartments, including Jean’s, where the cat slips out the window. His sister, who has lent him lots of money, doesn’t have much faith in his singing career. So in the quest to get some money and to get himself heard, he hitches a ride to Chicago (with a cat that may or may not be the cat that was lost) with musicians Johnny Five (Grant Hedlund) and Roland Turner (John Goodman) to meet a club owner who doesn’t give much hope to Davis and his career. And such is the life of Davis. He returns back to New York only to face more bad luck, enough bad luck that he plans to abandon his music career and join the merchant marines.
Davis (who was previously seen in W.E. and Drive) is excellent in this role. He has won several film critics awards for this film, including the National Society of Film Critics Awards for Best Actor. Sadly, he was not nominated for an Academy Award for Best Actor. More shocking is that the music for this film was ignored by the Academy. The true star of Inside Llewyn Davis is the music – a mix of old and original folk songs by the legendary T-Bone Burnett. The BAFTA’s got it right – the film is nominated for Best Original Screenplay (deservedly so), Best Cinematography, and Best Sound (but shockingly again, nothing for its music). The film itself won the Grand Prixe at the 2013 Cannes Film Festival. Although in color, Inside Llewyn Davis has a smoky hazy look about it, almost like a reflection of dark clouds over a man who goes from rags to rags and no riches. Cinematographer Bruno Delbonnel perfectly captures this mood. Inside Llewyn Davis is one of the most memorable films you will see all year.