10th Nov2013

Gravity – Film

by timbaros

images-20Gravity, the new film starring Sandra Bullock and George Clooney, literally kept me holding my breathe for the entire duration of the film. It is that intense, dramatic, and excellent.

George Clooney is veteran astronaut Matt Kowalski and Sandra Bullock is novice astronaut Dr. Ryan Stone. They are together, along with three others, on a space mission aboard the Space Shuttle Explorer. While attempting to repair an exterior nodule on the Hubble Space Telescope, they are told to abort the repair by Houston Mission control as there is space debris heading their way from a Russian missile strike on a satellite in their area. Stone is the technical analyst attempting the repair (and who chose to be in the job due to a personal tragedy, a job to escape her sadness on Earth). Kowalski, who is on his last mission in space, is smug and comfortable in his role as the veteran astronaut, always with a joke or two up his sleeve. As the debris gets closer, they both scramble to try to get back into their shuttle. Before they are able to do so, they get pummelled by the debris, while their shuttle (and the telescope) break apart. Stone then becomes untethered to what is left of the telescope and is catapulted into the darkness of space, spinning and spinning into the darkness. Still communicating with each other by radio, but losing their connection to Houston, Kowalski successfully attempts to retrieve Stone using his jetpack and together they go back to what is left of their shuttle, only to discover that it is completely damaged, and the three astronauts that were inside are dead. They decide to head towards the International Space Station, which is about 60 miles away. As they get closer to the space station and attempt to grab it, one of Stone’s legs gets hooked to it, and, as Kowalski doesn’t want her to lose the opportunity to get into the Space Station to try to get back to earth, he detaches himself and floats away.
Without giving too much away, Bullock encounters one problem after another, and to top it off she is running out of oxygen. As the film continues, so does the drama and intensity, and you’re still holding your breathe.
In the beginning when Gravity first started I couldn’t stop thinking that it was George Clooney and Sandra Bullock on the big screen (and not their characters). They are huge Hollywood stars whose names precede them. While Clooney’s character is what we would come to expect from him, smug, joking, look at me I am very handsome, Clooney appears to be playing himself. However, Gravity is Bullock’s film. Any actress making us believe that they are an astronaut, all alone in space, in the very dark with just the curve of the earth down below, struggling to survive, overcoming one problem to another, it is Bullock. In Gravity, she proves that she is a true actress, one of the best ones today. Sure, her previous films have not required very much in the way of acting (though she did win the Best Actress Oscar for her performance in The Blind Side), in Gravity Bullock is able to display her acting chops like she has never displayed them before. Bullock spends most of her time in the film in isolation, which makes her performance all the more remarkable. She is excellent in this film.
The technical aspects of Gravity are what make this film stand out from all other. The scenes of being in space is amazing, the darkness with no sound makes it eerily spooky and very realistic. The cinematography is a sight to behold, and Director, Writer, Producer Alfonso Cuaron has made a film that in 50 years from now people will be calling it our generation’s 2001: A Space Odyssey. Gravity has to be seen on the big screen. It has to be seen, period.

 

10th Nov2013

How to Survive a Plague – Film

by timbaros
images-25How to Survive a Plague (Directed by David France), nominated this past year for an Academy Award for Best Documentary, begins in 1987, six years into what activist Larry Kramer called ‘The Plague’ – the AIDS crisis.
It is in Greenwich Village in the 1980’s where HIV activism began, and we meet several very young men who unfortunately have been diagnosed as HIV Positive. They come together as part of the activist group ACT UP (the AIDS Coalition to Unleash Power) to protest against the government’s handling of the AIDS crisis. They perform civil disobedience demonstrations against the drug companies and get into shouting matches with political leaders. Amongst these men is Peter Staley, a former bond trader who was forced into disability at age 26 and was told he had only months to live. Other members of ACT UP that we meet in the documentary are Mark Harrington, who joined ACT Up upon learning that an ex-lover was sick, David Barr, a laywer who was one of the leaders of ACT Up, Bill Bahlman, who was one of the first in the community to invent the idea of  “treatment activism,” and Bob Rafsky, a former PR executive, with a young daughter, who becomes the mouthpiece for ACT Up.
In March 1987, ACT Up stages its first demonstration, on Wall Street, to protest the high cost of AZT, the only drug at that time prescribed to HIV patients. How to Survive a Plaque also shows, using archival and amateur footage throughout, the group staging protests on the Mall in Washington, D.C., at the Federal Drug Administration, in St. Patrick’s Cathedral in New York City, and at the headquarters of AZT manufacturer Burroughs Wellcome. During the time of these protests, several members of ACT Up die of AIDS, and one is marched through the streets in Greenwich village on the eve of Bill Clinton winning the presidency. Another march on the White House is one of the most emotional parts of the film as we see several people throwing ashes of their loved ones over the fence and into the White House lawn. Eventually Act Up breaks into a couple splinter groups with the core of the activists establishing the Treatment Action Group whose sole purpose was to take their battle to the highest levels of AIDS research. There is a lot more to this documentary than what is written here, and if you are old enough to remember what it was like in the 1980’s and early 1990’s when friends were dying right and left, then this documentary will be very emotional to watch. How to Survive a Plague sets the record straight, for the first time, to show these few and young men fighting for their lives when no one else would fight for them. They helped to make survival of being HIV positive possible. And near the end, we see the surviving members what they look like today, with battlescars, both emotional and physical.

 

10th Nov2013

Seduced & Abandoned – Film

by timbaros

images-24Seduced & Abandoned is not your typical documentary. It is a documentary about a film that will or will not be made. Ultimately, is this film a real film? Or was it made up just to make this documentary?

Written and Directed by James Toback (whose done very little since his 2008 Mike Tyson documentary), Seduced & Abandoned has him and Alec Baldwin trying to get financing for a movie they are looking to make. They attempt to sell their film, provisionally titled Last Tango in Tikrit (inspired by Last Tango in Paris) as a political-erotic romantic Middle Eastern adventure film, and to star Baldwin, and Neve Campbell. Filmed over 10 days at the Cannes Film Festival in 2012, Seduced & Abandoned shows Toback and Baldwin as they pitch the idea of their film, meeting all of the movers and shakers in the film business, the creme de la creme, including actors, producers, directors, agents and most importantly, financiers.
Seduced & Abandoned starts off with a brief history of the festival, along with photos of red carpet events held there over the past 65 years. Then Baldwin and Toback begin their pitch. They seek advice from esteemed and Cannes veteran directors Martin Scorsese, Roman Polanski, Francis Coppola and Bernardo Bertolucci (coupled with clips of their films montaged with the interviews). Then Toback and Baldwin start their mission of trying to get money from anyone who wants to give it to them. They pitch their idea of their film to very very wealthy people, people who can easily afford to write them a check for $20 million. People such as Denise Rich (who tells them she only invests in things that she believes in), Taki Theodoracopulos (where they are seen lunching on his yatch), Jean Pigozzi (who doesn’t commit to anything), and, among others, Arpad Busson, who doesn’t have a lot to say to both men. Also, none are too keen with the choice of Campbell as a leading lady. They also speak to actresses Jessica Chastain and Diane Kruger, asking them if they would like to be in their film. Neither of them are convinced. Ryan Gosling joins them for an interview – with him musing about how he got his break in Hollywood and what it takes to be an actor in the film business. All of these interviews are split-screened with scenes from each of their films. And Cannes is captured as the madcap film festival where deals are done, stars are made, and the red carpet is the place to be seen.
But is Seduced & Abandoned a joke about the film business? Or is it a joke about the making of a non-realistic film? What it is about is what film critic Pauline Kael once said – ‘true moviemaking fever’. People are seduced by the premise of making a film, the glamour, the profile, the seduction of the film business. Yet most of the time people are left abandoned, the film never gets made. In this case, it is more of a question of what were Baldwin and Toback trying to get out of this? Surely, their film was actually never going to be made. So what we have here is a movie about them making a movie that is in turn about making movies. Yet, whose time has been wasted: The financiers they spoke to, very busy and influential men who can make deals happen with the stroke of a pen? Or our time, watching a documentary about a film that will never be made. You decide.